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TV producer Colosceum’s new drive

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MUMBAI: Lalit Sharma has one ambition that keeps him up all night, it’s the drive to take his production house Colosceum Media into new vistas. The smiling soft-spoken bearded CEO whose charge has built up its reputation as a top notch producer of non-fiction and reality shows would like to balance out its portfolio by diversifying increasingly into TV dramas and series for Hindi GECs, shows for international TV channels, and digital content.

For the first, he has a challenge – albeit not un-surmountable – on his hands. For a large part programmers in Hindi GECs are a cautious bunch – they put producers in defined boxes and are loathe to give opportunities to untried and untested producers, even though they have experience in other genres. “Oh! He is into non-fiction; he does not have the requisite fiction production experience,” is oft heard in programming circles in channels.

The production house has found a way out of this Catch22 situation. Over the years, it has partnered with fiction producers or creators by pumping in funds and looking after the production aspects of each show. For example for its latest endeavor, Dehleez, which came to a close in June 2016, Sharma found a willing listener in Star Content Studios boss Gaurav Banerji who allowed him to partner and co-produce it with Farhan Salaruddin’s Fortune Productions for Star Plus. A romantic courtroom drama it ran for 104 episodes at 10:30 pm, and pulled in consistent ratings for the channel.

But Lalit wants more of fiction. “We were heartened by the success of Dahleez and would like to produce more shows in the fiction genre. We have a few concepts for which we are currently in conversation with a couple of Hindi GECs,” he says.

The Rs 45.55 crore (year ended 31 March 2015) turnover TV production studio has made its reputation as the producer of flagship shows such as MTV Roadies, Splitsvilla and Masterchef which are almost iconic. But unknown to many it has almost been churning out ad films, documentaries, regional content and even mythological shows.

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Its ride into television started way back in 2007 when founder Ajit Andhare armed with little but a dream to get into production drew up a business plan and approached TV18 promoter Raghav Bahl and got him to provide him with seed capital. Ajit had little TV production experience. A 10 year veteran of marketing behemoth Hindustan Lever, he had risen up the ranks to become regional brand activation director APAC for its parent Unilever. Through the years, he had worked on brands like Sunsilk Clear, Dove, Lifebuoy, Lux, among many others.

While at Hindustan Lever, he had creatively brainstormed and conceptualized a concept that would end up on television as a TV show Wheel Smart Srimati on Doordarshan.

Ajit utilized the seed capital Raghav provided him for his project well. He roped in in Rajiv Lakshman (yes, he of Roadies fame and the other half of the twin brothers) as chief creative officer. He then brought in Lalit, (who had close to nine years experience and was working in Star India as AVP operations) as his COO.

“Even though Colosceum was funded by Network 18, we were adamant on not making it a network production house, which turned out to be the biggest challenge,” shares Rajiv who has since parted ways from Colosceum, and today runs another outfit with his brother Raghu.

Team in place, Ajit and Rajiv decided to approach Hindustan Lever with a pitch to produce Wheel Smart Srimati. The well-established Miditech and Endemol Colosceum were also in the running, but finally Levers decided to opt for Colosceum. The production house went on to make a success of it.

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But even then its big challenge was to get a show on private satellite TV. “The break came when we made Splitsvilla for MTV, the first romance reality show,” expresses Sharma.

And then there was no looking back. Within seven months of inception, Colosceum had five shows on air Wheel Smart Srimati and Duniya on DD, Jai Sri Krishna and Bandhan Saat Janmon Ka (on Colors), and of course Splitsvilla. For its fiction, mythologicals and drama forays, Colosceum partnered with other creative boutiques such as Moti and Meenakshi Sagar, and Shakuntalam Telefilms – a tack it follows to this day.

But the next big break at the company came when it was commissioned by Star to produce a top global format franchise – Masterchef India for Star Plus. Over the years, other shows followed on which it was a co-producer such as Jamunia and Meera on NDTV Imagine, Shakuntala on Star One, now Like Ok, and Bani Ishq Da Kalma on Colors.

It was in 2013 when Ajit decided to head out and venture into film making under the banner of Viacom18 Motion Pictures. By then, most of the shareholding was in the hands of private equity funds.

And the mantle to run the shop fell on Lalit. Rajiv also moved on to his joint venture with twin brother Raghu Ram. “I love experimenting with my career, Colosceum had attained stability and it was time to move on,” says Rajiv.

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Lalit brought in Jayesh Gokulgandhi as CFO, Girish Balan as VP-productions & operations and Kaveri Mehrotra as creative head. Today, a core team of 28 employees is responsible for the 200-250 hours of non-fiction content that it churns out. while the crew is hired according to the projects. The company’s rolls swell depending on the number of projects it has on the floors. For each non- fiction production, it recruits between 200-300 crew and for fiction between 60-100. For shows like Roadies which it has been producing since Season 8, it has partners and line producers nationally and internationally who are available for it on call.

According to Lalit, the company has an appetite to produce three non-fiction, two or three regional fiction, two to three niche content and three to four fiction shows in the Hindi GEC space annually.

“We work like a family, the entire team has dedication and passion at its core.” shares Lalit. ”Our co-productions are like collaborations where we come together to create the and produce the show. We have different revenue share models with our co-production partners,” explains Lalit.

The Colosceum team has got plaudits from all and sundry. Its shows have won awards. But more than that is the praise that its broadcast partners shower on it. Says MTV India creative and content director Deborah Polycarp: “They produce Splitsvilla and Roadies for MTV from season 8 and have proved to be a passionate team. Colosceum puts in determined efforts behind every show that they produce. Evidence of that is the fact that Splitsvilla is amongst the top rated shows.”

Lalit, on his part, is looking forward to the next season of Roadies which is slated to come on air in January next year.

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And taking Colosceum into the digital content space. Says Lalit: “We are pulling up our sleeves to create some path breaking content online, with the same impact as our shows on television.”

Adds Kaveri: “We create youth content for any space, be it digital or broadcasting keeping their environment in mind. It has be out of the box and something which will have a creative hook.”

Additionally, what’s exciting the team is a project, which is being drawn up on for an international broadcaster. “We can’t talk about it right now,” says Lalit. “But it will be a show that will take Colosceum to the next level.”

Awards

Hamdard honours changemakers at Abdul Hameed awards

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NEW DELHI: Hamdard Laboratories gathered a cross-section of India’s achievers in New Delhi on Friday, handing out the Hakeem Abdul Hameed Excellence Awards to figures who have left their mark across healthcare, education, sport, public service and the arts.

The ceremony, attended by minister of state for defence Sanjay Seth and senior officials from the ministry of Ayush, celebrated individuals whose work blends professional success with a sense of public purpose. It was as much a roll call of achievement as it was a reminder that influence is not measured only in profits or podiums, but in people reached and lives improved.

Among the headline awardees was Alakh Pandey, founder and chief executive of PhysicsWallah, recognised for turning affordable digital learning into a mass movement. On the sporting front, Arjuna Awardee and kabaddi player Sakshi Puniya was honoured for her contribution to the game and for pushing women’s participation onto bigger stages.

The cultural spotlight fell on veteran lyricist and poet Santosh Anand, whose songs have echoed across generations of Hindi cinema. At 97, Anand accepted the honour with characteristic humility, reflecting on a life shaped by perseverance and hope.

Healthcare honours spanned both modern and traditional systems. Manoj N. Nesari was recognised for strengthening Ayurveda’s place in national and global health frameworks. Padma shri Mohammed Abdul Waheed was honoured for his research-backed work in Unani medicine, while padma shri Mohsin Wali received recognition for his long-standing contribution to patient-centred care.

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Education and social development also featured prominently. Padma shri Zahir Ishaq Kazi was honoured for decades of work in education, while former Meghalaya superintendent of Police T. C. Chacko was recognised for public service. Goonj founder Anshu Gupta received an award for his dignity-centred rural development initiatives, and the Hunar Shakti Foundation was honoured for empowering women and young girls through skill development.

The Lifetime Achievement Award went to former IAS officer Shailaja Chandra for her long career in public healthcare and governance, particularly in the traditional systems under Ayush.

Speaking at the event, Hamdard chairman Abdul Majeed said the awards were a tribute to those who combine excellence with empathy. “These awardees reflect Hakeem Sahib’s belief that healthcare, education and public service must ultimately serve humanity,” he said.

Minister Seth struck a forward-looking note, saying India’s young population gives the country a unique opportunity to become a global destination for learning, health and wellness by 2047.

The ceremony also featured the trailer launch of Unani Ki Kahaani, an upcoming documentary starring actor Jim Sarbh, set to premiere on Discovery on 11 February.

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Instituted in memory of Unani scholar and educationist Hakeem Abdul Hameed, the awards have grown into a national platform that celebrates those building a more inclusive and resilient India. For one evening at least, the spotlight was not just on success, but on service with substance.

 

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Why the best campaigns today start with insights, not ideas

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MUMBAI: For decades, creative storytelling has been the cornerstone of brand communication. The “big idea” amplified through catchy jingles, striking visuals, and memorable hooks was once the gold standard for relevance and recall. Creativity defined presence, and the loudest, boldest campaigns often won attention.

But the marketing landscape today looks very different.

Audiences are more exposed, more discerning, and far less patient. They are inundated with messages across platforms, formats, and creators, often encountering hundreds of brand touchpoints in a single day. In this environment, creativity alone especially when untethered from real consumer truths is no longer enough to move behaviour. Great ideas are abundant. Meaningful impact is not.

This is where insights matter.

The difference may seem subtle, but it is fundamental. An idea represents what a brand wants to say. An insight reflects what the audience is already thinking, feeling, or experiencing. The most effective campaigns emerge not from cleverness alone, but from the intersection of these two forces.

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From creativity to relevance

As the marketing ecosystem becomes increasingly saturated, consumers are growing immune to inflated claims and surface-level storytelling. Even beautifully crafted campaigns can fail if they are disconnected from lived realities. The gap between a brand’s internal enthusiasm and the audience’s actual sentiment can be the difference between attention and indifference.

Insights help bridge this gap. They force brands to pause, listen, and observe to understand emotions, behaviours, cultural contexts, and contradictions. Instead of trying to be remembered through louder branding, insight-led campaigns allow audiences to see their own experiences reflected back at them. When a campaign articulates a problem that feels personal, relevance is created. Trust follows.

Insight is interpretation, not information

It’s important to distinguish between data and insight. Data tells us what is happening. Insight explains why it is happening. While data is measurable and structured, insights are interpretive and dynamic, shaped by real-time sentiment and human behaviour.

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Modern consumers are full of contradictions. They demand authenticity while remaining deeply aspirational. They want brands to take a stand but expect nuance, not instruction. They seek transparency, yet are drawn to curated narratives. These tensions are not obstacles, they are opportunities. When understood correctly, they can shape communication that feels timely, credible, and human.

Some of the most effective campaigns today are born not in isolated brainstorm rooms, but through listening to audiences, creators, editors, online communities, and cultural signals. Insights often exist in blurred patterns, but once identified, they can redefine how a brand connects.

A recent campaign we executed for Domino’s illustrates this shift clearly. The brief wasn’t to make a pizza look bigger or louder. Instead, it was rooted in a simple behavioural truth: in Tier 2 and Tier 3 markets, sharing food is an emotional act tied to family, celebration, and value perception. The “Big Big 6-in-1 Pizza” became a canvas for this insight. The campaign leaned into regional voices and real sharing moments, allowing people to show how they experienced the product rather than being told why they should buy it. Influencers and celebrities amplified genuine usage, not scripted endorsements. The impact from engagement to footfall to sales came not from a clever idea, but from understanding how people relate to food in their everyday lives.

Shifting the starting point

Today’s consumer landscape demands a shift in perspective from “What should the brand say?” to “What does the audience need to hear right now?” This marks a move away from inward-led marketing toward communication shaped by behaviour, emotion, and cultural relevance.

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Brands leading today are keen observers. They notice when perfection stops resonating. They sense when luxury shifts from aspiration to excess. They recognise when influencer content begins to feel repetitive and trust erodes.

Virality, too, is often misunderstood. It is not a strategy to chase, but an outcome. Campaigns rooted in insight do not aim to go viral; they aim to resonate. When content reflects something familiar, a shared truth, emotion, or tension, it travels organically because people see themselves in it.

Ideas attract attention. Insights build connection.

The evolving role of PR

For PR professionals, this shift has redefined success. Coverage volume alone no longer tells the full story. The more meaningful questions today are: Did the communication influence behaviour? Did it align with cultural conversations? Did it address a real consumer pain point?

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Insight-first thinking allows these questions to be answered at the planning stage, rather than corrected midway through execution.

In a world where formats and platforms will continue to evolve, what remains constant is the power of authentic communication. The strongest campaigns today do not begin with a brainstorm, but with observation, interpretation, and empathy. That is not just better marketing, it is more responsible, resilient, and meaningful brand-building.

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Brands

Ahmad Muneeb elevated to VP – HR centre of excellence at Zepto

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MUMBAI: Zepto has elevated Ahmad Muneeb to vice president – HR centre of excellence, placing him at the helm of the company’s total rewards, executive compensation and organisational effectiveness as the quick-commerce firm powers through a high-growth phase.

The move follows his stint as senior director of the HR COE, where he played a central role in preparing the company for IPO readiness while scaling its people analytics capabilities. During this period, Muneeb helped align complex performance management structures with more streamlined and scalable employee experience frameworks.

In his new role, he will steer the design of total rewards strategies, executive compensation planning and organisational design, while also overseeing performance management, employee experience initiatives and people analytics programmes.

Before joining Zepto, Muneeb spent nearly three years at Meesho, where he held multiple rewards and HR business partner roles. Earlier in his career, he worked as a senior rewards consultant at Mercer, advising high-tech clients on compensation benchmarking, pay structures and talent-focused reward frameworks.

He began his hr journey at Cognizant, where he supported compensation programmes for nearly two lakh employees across India and worked on m&a compensation alignment and skill-based pay initiatives. Prior to moving into HR, Muneeb started his career as a software engineer at Netcracker, bringing a technical grounding to his people strategy work.

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With a mix of consulting rigour, start-up agility and enterprise-scale experience, Muneeb’s elevation signals Zepto’s continued focus on building robust people systems as it races towards its next phase of growth.

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