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“The offer came as a delightful surprise, tinged with a hint of disbelief”: Laapata Ladies’ screenwriter Sneha Desai

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Mumbai: As the latest Kiran Rao-directed movie “Laapata Ladies” continues to make waves since its release on 1 March 2024, let us applaud the lady behind the screenplay, Sneha Desai.

A prominent figure in film, television, and theatre, Desai has crafted compelling narratives not only for the silver screen but also for hit shows like ‘Pushpa Impossible’ and ‘Wagle Ki Duniya’. With over 1200 shows to her credit on stage, Desai is not just a prolific writer but also an actor, gracing both stage and screen with her talent, enriching the world of entertainment with her diverse skills and contributions.

Indiantelevision.com in conversation with Sneha Desai discussed her journey in the entertainment industry, about portraying strong female characters, on being multifaceted and more…

Edited Excerpts:

On your journey into entertainment, and could you share some memorable moments along the way

Transitioning from the world of stage performances to the dynamic realm of screen productions felt like a natural progression. The sheer love and admiration poured in by audiences have been the driving force behind my pursuit in this industry. Not to mention, the humbling experience of receiving critical acclaim and prestigious awards has only fuelled my passion further. Over time, I found myself delving into the art of writing almost instinctively, realising that audiences don’t just watch but truly absorb and resonate with the content. It’s these moments of connection and resonance that continually inspire me to push boundaries and delve deeper into the world of storytelling.

On writing for “Laapataa Ladies,” and your reaction to Aamir Khan’s offer during lockdown

My journey with “Laapataa Ladies” began unexpectedly during the unprecedented times of the COVID lockdown. It all started with a casual narration session for a different project, but fate had other plans. Months later, I received a call from none other than Aamir Khan himself, presenting me with the opportunity to bring life to a story they had in mind. The offer came as a delightful surprise, tinged with a hint of disbelief. Who wouldn’t be awe-struck when approached by a personality of Mr Khan’s calibre? However, amidst the surrealism, there was an underlying sense of responsibility and pressure to deliver nothing short of excellence.

On your preference in writing for a specific genre

With my journey still in its early stages, I’ve consciously avoided confining myself to a particular genre. Instead, I’m eager to explore through the diverse landscape of storytelling, embracing various styles and narratives along the way. After all, the beauty of storytelling lies not in the limitations of genres but in the boundless possibilities of expression and creativity.

Your works feature strong female characters; what drives crafting such empowered perspectives

Crafting strong and empowered female characters has always been an organic process for me, rooted in my firm belief in individual rights and freedom. Whether male or female, I strive to infuse my characters with depth, agency, and relatable flaws, allowing them to evolve and resonate with audiences on a profound level. It’s this commitment to authenticity and complexity that breathes life into my characters, making them not just figures on a screen but embodiments of resilience and empowerment.

On the challenges that you have faced in the industry and how did you overcome them

Navigating through the legalities, contracts, and rights can often be a daunting task, especially for someone relatively new to the industry. However, with the guidance of experienced mentors and the support of a professional network, I’ve learned to tackle these challenges head-on while keeping my focus firmly grounded in my passion for storytelling. Additionally, in an era where audience attention spans are fleeting and competition is fierce, capturing and retaining viewers’ interest presents its own set of hurdles. Nevertheless, by staying true to my creative vision and adapting to changing landscapes, I’ve managed to navigate through these challenges with resilience and determination.

On the industry evolution in terms of women’s representation, and the changes you hope to see

While the entertainment industry has made significant strides towards inclusivity and gender representation, there’s still ample room for growth and improvement, particularly concerning women’s roles and opportunities. Beyond just representation on screen, I believe in creating a conducive environment that prioritises the safety, security, and well-being of women behind the scenes as well. This entails measures such as flexible working hours, pay parity, and job security, ensuring that women have the support and resources they need to thrive in their respective roles. Ultimately, by fostering a culture of empowerment and equality, we can pave the way for a more diverse and inclusive industry for future generations.

On challenging yourself creatively as a writer wearing multiple hats

Juggling various roles within the creative sphere, from writing scripts to penning lyrics and stepping into the shoes of diverse characters on screen, presents a unique set of challenges and opportunities for growth. Each project serves as a canvas for exploration and self-discovery, allowing me to push beyond my comfort zone and tap into different facets of my creativity. Whether it’s experimenting with new storytelling techniques or delving into uncharted territories of expression, I constantly challenge myself to evolve and innovate, keeping the spark of creativity alive and thriving.

On the upcoming projects or aspirations that you have for the future

Exciting ventures lie on the horizon, with YRF’s ‘Maharaj’ set to grace screens on Netflix as my next release. Additionally, a long-awaited Gujarati play is in the pipeline, alongside discussions for intriguing film projects that hold promise. With optimism and enthusiasm, I eagerly await the next chapter of my creative journey, embracing the unknown with open arms and a heart full of aspirations.

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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