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Star strategy: keep reinventing hit shows

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MUMBAI: If the formula works do not mess with. That is the line that Star India is taking regarding programming strategies for this quarter. Sony Entertainment is planning a whole new line-up of shows come November; Zee TV has announced a programming strategy pivoted around new movie releases; but for Star Plus, the name of the game is reinvention.

According to Star Plus’ programming head Tarun Katial, there is very little scope for attempting new formats or shows at the moment because across most time bands, whether it be prime time, afternoons or Sunday mornings, the lead Hindi entertainment channel had established a clear dominance.

One slot that Katial did not include in the list though is weekend programming. This is worth nothing because according to the information issued by hit soap factory Balaji Telefilms, a big-budget one-hour weekend soap Kaalki is scheduled to be launched in November on the channel. On Kaalki, Katial says: “Discussions are in process but nothing has been finalised as yet.” Brings to mind motormouth Shekhar Suman’s talk show Simply Shekhar that India’s answer to Jay Leno had initially announced would be airing on Star Plus. When it finally launched though, it was on Zee TV.

Katial says the main focus for Star is to rework the storylines of shows on air rather than introduce any new stuff at least till the year is out. The new year would see some new launches, among them the two most high-profile being an Amitabh Bachchan hosted show and the Indian version of the smash hit Pop Idol. Katial clarifies that still a final call has to be made as to whether to introduce a new series of KBC or launch a new format show for Bachchan.

As for the immediate plans that Star has on the programming front, Katial says the plotlines of some of the top shows will see a big shift in course, with the central protagonists being swapped around.

Among the shows that will see plotline tweaks are the hour-long weekly dramas Kehta Hai Dil (airing Tuesdays at 9 pm), which will see changes in November, and Sanjivani (Wednesdays 9 pm), set to see a seismic shift in the plot by mid-October.

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What is exciting Katial the most though is the ratings battle currently on between entertainment television’s
Number 2 and 3 shows – the daily soaps (both from theBalaji stable) Kahaani Ghar Ghar Ki and Kasauti Zindagi Kay. Kasauti might even surge ahead of Kahaani is his reading, and this climb has been due to the strengthening of the storyline that Kasauti is witnessing, says he. Kahaani is also undergoing changes but nothing near as drastic as the 20-year leap that the ratings queen Kyunki Saas Bhi Kabhi Bahu Thi witnessed recently, he avers.

On the gameshow front meanwhile, the successful karaoke show hosted by Sonu Nigam, Kismey Kitnaa Hai Dam, begins a new season from 10 October. The show, which has been loosely modelled on Night Fever that airs on Channel 5 in the UK, is about to see a change in format for the fresh series. This time round the show has taken strands from Furore, a popular Spanish gameshow that offers “musical comedy mayhem.”

Queried as to what Star was serving up on the movies front, Katial says the next new release that will air on the channel is the Bobby Deol, Akshay Kumar starrer Ajnabee. Asked as to how Star hoped to counter Zee’s reported plans to mop up the rights to all new movies, Katial is quite emphatic. “We’re not going to get into that game. That’s being reactive. We will continue to buy films the way we’ve been doing so far.”

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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