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Star set to unleash fresh programming blitzkrieg

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NEW DELHI / MUMBAI: Star India has readied a new line of programming missiles from its arsenal that it expects will have the competition running for cover. The centrepiece of the new initiative is Indian Superstar, a talent hunt billed as the biggest and most expensive project Star has ever handled.

A blockbuster talent hunt, a stock-in-trade soap with that inimitable Balaji-Star “chappa”, a weekend thriller, a romantic comedy, and a magazine show on the television world… These are just some of the coming attractions that Star India COO Sameer Nair and his content team headed by Deepak Segal have put together for Star Plus viewers.
 
 Then there a new lot of “smart buy” films (meaning the real blockbusters are either on Sony, Sahara or Zee) that Star has made. Among the titles it has in its kitty, probably only Khakee can classify in the big movie bracket. The other films are Bhoot, Jajantaram Mamamtaram, Chameli, Kaante, Teen Deeware, Mumbai Matinee, Dum and Kucch To Hai.

Additionally, having tasted success with the Star Parivar Awards last year, the 2004 edition is being taken to an international stage – Dubai. It will be interesting to see how India’s lead broadcaster presents the Star Parivar Awards 2004. The Middle Eastern shopper’s paradise was witness to an event that will have probably set the benchmark for all award shows to follow in the Zee Cine Awards 2004 held on Thursday (telecast yesterday). And beating that will take more than some doing.

Nair and Segal were on hand to explain the initiatives to the media yesterday at a briefing in the capital announcing the launch of a new weekend thriller Koie Jane Na. Also present were Anurradha Prasad, managing director of B.A.G. Films Ltd, which is producing the show, and Star India creative director Shailaja Kejriwal.

‘Koie Jane Na’… weekend chill thrill
The first item that Star is serving up from its new programming menu is Koie Jane Na, a supernatural thriller which launches tomorrow, in the Sunday, 9 pm slot.

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Koie Jane Na marks the first serious attempt by Star to take on Sony in the weekend programming slot that the Number 2 network has managed to develop with some success. Koie Jane Na will be coming up against Balaji Telefilms’ youth-centric soap KKoi Dil Mein Hai.

In Koie Jane Na, Star is traversing terrain already explored by Sony, which was the first to launch a weekend supernatural thriller – Kya Haadsaa Kya Haqeeqat from the Balaji Telefilms stable.

Produced by Anurradha Prasad’s B.A.G. Films, Koie Jane Na stars Shishir Sharma (Kailash and Rudra), Vivek Mushran (Yash), Sanjit Bedi (Krish), Shilpa Kadam (Divya), Aditi Bhagwat (Nisha), Prabha Sinha, Jitendra Trahan and others.

A regular good versus evil saga, the plot revolves around the prosperous Rajvansh family, under the spell of an unknown curse for several years. The good force is young “bahu” and central protagonist Divya.

Anurradha Prasad said that this was B.A.G.’s first entry into the supernatural realm and marks a shift for the production house from mainstream drama.

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Three other shows launching
The are three other shows that will be launching in the coming months.

Shanno Ki Shaadi – a romantic comedy loosely based on Jane Austen’s Pride and Prejudice. The UTV production is a story of a Punjabi ‘halwai’ family with Kulbhusan Kharbanda as the patriarch ‘Shadi Singh Halwai’. Complete with a nagging wife and three daughters, two of which are yet to be married.

The story centers around the second daughter Shanoo played by Divya Dutt, a master chef at their roadside Dhaba. Shanoo is a ‘different’ sister caught between two perfect and beautiful siblings. Enter Aman Verma, the eligible bachelor who eventually gets married to Shanoo.

Karvachauth – a weekly soap from Balaji. While the show will see some regular Balaji faces, the female protagonist is a newcomer. Creative director Ekta Kapoor had first announced (this was last July) that the soap would be coming on the Zee Network.

Tele-Duniya – A magazine show that will have interviews, behind the scenes action and glamour, all from the world of television. Bollywood gossip will be a strict no-no here.

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India’s biggest ever talent search for superstars
Dwarfing all its other initiatives in terms of sheer size and scale, however, is Indian Superstar. The talent hunt to beat all talent hunts is Segal’s brain-child, something he conceived a couple of years ago.

After the two toy band talent searches on Channel [V] that launched Viva and Aasma, Indian Superstar is pitched as a unique talent hunt that tests acting, singing, dancing, comedy and villiany. It is unique because it starts from the point where the other talent hunts stop, says Segal. The “lucky six will get a break in the movies with a dream-director in a film that Star will produce itself.
“An elaborate talent search for one lead male, one female and four supporting stars,” is what is envisioned says Segal.

* The hunt starts sometime in mid-April and the movie is scheduled for a January 2005 release.
*A jury to decide the finalists consisting of eminent film personalities.
*Online application when the ads come on TV.
*The finalists to sign contract with Star.
*Initially to take talents from eight cities.
*One movie will be made annually through this project.

This will mark Star’s very different initiative into Bollywood and according to Segal, is an even bigger show than Kaun Banega Crorepati if the cost of producing a film a year is also taken into consideration.

Nair confessed that Star is probably the biggest consumer of Bollywood and said that India has got two main religions which unifies the country – cricket and Bollywood while talking about the talent search. Nair said this is the biggest and most expensive project Star has ever handled.

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Talking about how Star was constantly setting the benchmarks that others followed, Nair said Star Plus has been revolutionary, as it had extended prime time to mid-night by putting some of its best programmes late in the night (Kahiin To Hoga at 11 pm and Kahiin Kissi Roz at 11:30 pm).

While talking about the films, Nair also referred to Star Gold’s phenomenal success of when it telecast the dubbed version of Titanic on 14 February. The film received the highest ever ratings for a movie channel, Nair said. Star plans to dub more Hollywood movies into Hindi. especially the kung-fu action types, Nair said.

The night was not just about the plans for Star Plus though. English sibling Star World also got a look-in. Anita Kaul Basu, whose other half, ace quizmaster Siddhartha Basu will later this year anchor India’s Child Genius on Star World, were present to offer an update on the progress of the talent hunt for India’s brainiest kid.

The nationwide search for India’s young genius in the age group of 10-13 got 17,000 applications out of which 321 had been short-listed, Basu said. Following the Fox format of America’s Child Genius, the show is to be aired in May. The Basu couple said they had plans to do an Asia special of the quiz competition as well.

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Barc forensic audit in TRP row awaits as Twenty-Four probe gathers pace

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KERALA: A forensic audit commissioned by the Broadcast Audience Research Council (BARC) India has emerged as the centrepiece of the government’s response to fresh allegations of television rating point manipulation involving a regional news channel in Kerala, with both the audit findings and a parallel police investigation still awaited.

Replying to a query in the Lok Sabha, minister of state for information and broadcasting L Murugan, said Barc had appointed an independent agency to conduct a forensic probe into the conduct of senior personnel allegedly linked to the case.

The move followed media reports claiming that a Barc employee had accepted bribes to manipulate viewership data in favour of a regional television news channel.

“The report from BARC is still awaited,” Murugan told Parliament, signalling that the forensic exercise remains ongoing.

Industry specialists say forensic audits are crucial in alleged TRP fraud cases, as they examine internal controls, data access trails, panel household integrity, staff communications and financial transactions. The outcome could determine whether the alleged manipulation was an isolated breach or a deeper systemic weakness in India’s television measurement framework.

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Running alongside the audit, the Kerala Police has formed a special investigation team to probe the allegations. The ministry has sought a preliminary report from the state’s director general of police, including details of action taken on the first information report. That report, too, is yet to be submitted.

The episode has revived long-standing concerns over the vulnerability of India’s TRP system, particularly in regional news markets where competition for ratings is fierce and advertising revenues hinge on weekly viewership rankings.

India’s sole television audience measurement body Barc, has faced scrutiny before, most notably during the nationwide TRP controversy involving news channels in 2020. While tighter compliance norms were introduced in the aftermath, the latest allegations suggest enforcement challenges may persist.

On regulatory consequences, the government said any punitive action against television channels, including suspension or cancellation of uplinking and downlinking permissions, would be governed by the Policy Guidelines for Uplinking and Downlinking of Television Channels issued in November 2022, and would depend on investigation outcomes and due process.

The ministry also pointed to ongoing efforts to overhaul the ratings ecosystem. Television measurement continues to be regulated under the Policy Guidelines for Television Rating Agencies, 2014. Draft amendments were released for public consultation in July 2025, followed by a revised version in November 2025, aimed at tightening audit mechanisms and improving transparency and representativeness.

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In November 2025, Barc said it had taken note of allegations aired by Malayalam news channel Twenty-Four, which linked an internal employee to irregularities in audience measurement. The council said it had engaged a “reputed independent agency” to conduct a comprehensive forensic audit, underscoring the seriousness of the claims.

The ratings system sits at the heart of India’s broadcast advertising economy, shaping billions of rupees in annual ad spends. With trust in audience data once again under strain, advertisers, broadcasters and regulators are closely watching the outcome of the investigations.

Barc has urged industry stakeholders and media organisations to exercise restraint while the probe is underway, calling for an end to “unverified or speculatory claims” and reiterating its commitment to integrity and accountability.

Until the forensic audit and police findings are submitted and reviewed, the government said it would refrain from drawing conclusions.

 

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Rajat Sharma defamation row: Delhi court summons Congress leaders Ragini Nayak, Pawan Khera and Jairam Ramesh

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NEW DELHI: A Delhi court has ordered the summoning of senior Congress leaders Ragini Nayak, Pawan Khera and Jairam Ramesh in a criminal case filed by veteran journalist Rajat Sharma, sharpening a legal battle over alleged defamation and doctored digital content.

The order was passed on Monday by Devanshi Janmeja, judicial magistrate first class at Saket Courts, after the court found prima facie grounds to proceed under multiple sections of the Indian Penal Code, including forgery, creation of false electronic records and defamation.

Sharma, chairman and editor-in-chief of India TV, had approached the court over allegations made in June 2024 that he had used derogatory language against Congress spokesperson Ragini Nayak during a live television debate. He denied the charge, claiming it was fuelled by a manipulated video circulated online.

According to the complaint, a clipped version of the broadcast carrying superimposed captions, which were not part of the original programme, was first shared on social media platform X by Nayak and later amplified through retweets and public statements by Khera and Ramesh. Sharma said the viral spread caused serious reputational harm and personal distress.

The court took note of forensic science laboratory findings that pointed to visible post-production alterations in the video, including added titles and captions. It also cited witness testimonies from those present during the live broadcast, who stated that no abusive or objectionable language had been used.

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In a related civil matter, the Delhi High Court had earlier observed a prima facie absence of abusive remarks and directed the removal of the disputed social media posts.

With criminal proceedings now set in motion, the case adds to mounting scrutiny around political messaging, digital manipulation and accountability on social media platforms.

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Mukesh Ambani, Larry Fink come together for CNBC-TV18 exclusive

Reliance and BlackRock chiefs map the future of investing as global capital eyes India

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MUMBAI: India’s capital story takes centre stage today as Mukesh Ambani and Larry Fink sit down for a rare joint television conversation, bringing together two of the most powerful voices in global business at a moment of economic churn and opportunity.

The Reliance Industries chief and the BlackRock boss will speak with Shereen Bhan, managing editor of CNBC-TV18, in an exclusive interaction airing from 3:00 pm on February 4. The timing is deliberate. Geopolitics are tense, technology is disruptive and capital is choosier. India, meanwhile, is pitching itself as a long-term bet.

The pairing is symbolic. Reliance straddles energy transition, digital infrastructure and consumer growth in the world’s fastest-expanding major economy. BlackRock, the world’s largest asset manager, oversees more than $14 tn in assets and sits at the nerve centre of global capital flows. When the two talk, markets tend to listen.

Fink’s appearance marks his third India visit, a signal of the country’s rising strategic weight for the Wall Street-listed firm, which carries a market value above $177 bn. His earlier 2023 trips included an October stop in New Delhi, where he met both Ambani and Narendra Modi.

India is now central to BlackRock’s expansion plans, notably through its joint venture with Jio Financial Services. Announced in July 2023, the 50:50 venture, JioBlackRock, commits up to $150 mn each from the partners to build a digital-first asset-management platform aimed at India’s swelling investor class.

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The backdrop is robust. BlackRock ended 2025 with record assets under management of $14.04 tn, helped by $698 bn in net inflows, including $342 bn in the fourth quarter alone. Scale gives Fink both heft and a long lens on where money is moving.

He has been openly bullish on India. At the Saudi-US Investment Summit in Riyadh last year, Fink argued that the “fog of global uncertainty is lifting”, with capital returning to dynamic markets such as India, drawn by reforms, demographics and durable return potential.

Expect the conversation to range beyond balance sheets, into technology’s role in finance, access to capital and the mechanics of sustainable growth in a fracturing world order. For investors and policymakers alike, it is a snapshot of how big money is thinking about India.

At a time when capital is cautious and growth is contested, India wants to be the exception. When Ambani and Fink share a stage, it is less a chat and more a signal. The world’s money is still looking for its next big story, and India intends to be it.

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