GECs
Sony’s ‘Mahotsav’ to engage with its TG
MUMBAI: The last few years haven’t been very kind to Sony Entertainment Television (SET), at least in terms of weekly TAM ratings, but that hasn’t stopped the channel from making all the right noises in recent months.
On the back of NP Singh’s elevation from COO to CEO and Man Jit Singh’s appointment as president of Sony Pictures Home Entertainment (SPHE) comes ‘Sony Mahotsav’, an engagement extravaganza launched by the channel to get up, close and personal with its audiences in Uttar Pradesh, Punjab and Haryana. Having started in November last year, the festival will continue till the end of this month, both gratifying and exposing audiences to the opportunity of understanding the 17-year-old brand.
Says SET senior VP and head marketing Gaurav Seth: “This extravaganza has been organised to take the experience of Sony to our audiences in UP, Punjab and Haryana. UP and Punjab are critical markets for us. Through the show, we have realised that even if the channels’ reach and viewership doesn’t reflect in the TV ratings, there is a huge section that wants and desires the shows aired on it.”
SET has already covered Varanasi, Kanpur, Lucknow, Allahabad, Agra, Meerut and Dehradun in UP and plans to cover Punjab and Haryana’s top nine markets including Bathinda, Abohar, Batala, Yamuna Nagar, Kaithal, Jind, Rohtak, Jalandar and Bhiwani.
“We are covering cities in UP which have a population of one million plus, while cities in Punjab and Haryana which are being covered have a population of a 0.1-1 million,” informs Seth.
With ‘Sony Mahotsav’ held on Sundays, he goes on to explain how it works. “We reach the destination one week in advance and start promoting the festival through radio stations, local cable channels and print. We also rope in a few local people, who inform the residents through word of mouth. Then, we take up a huge ground and set up stalls which showcase the colours of the channel,” he informs.
What can one expect from the fest? It gives audiences an opportunity to interact with their favourite characters from Sony’s shows and serials. Indeed, popular faces like Anoop Soni, Sangeeta Ghosh and Ruslaan Mumtaaz among others have been roped in to engage with the audience.
Elaborates Seth: “There are separate stalls. So, we have a Nandini stall inspired by the show ‘Nandini’ based on the political scenario. On offer are activities like voting for the best couple or best show on the channel.” In a similar vein, there is a Maharana Pratap museum where spectators can dress up like the Maharana; a Kaun Banega Crorepati stall where people can pose alongside show host Amitabh Bachchan; an Indian Idol stall where fans can take to karaoke singing; and a Boogie Woogie stall where fans can groove to foot-tapping music. “There is something for everyone. We have also set up a workshop for women to teach them self defence, which is inspired by our shows CID and Crime Patrol,” says Seth.
Also, spectators can view five to seven minute clips of shows aired on Sony during the day. “The idea is to ensure that people who have somehow missed the shows so far can be informed what the shows are about and can start watching it here on,” Seth informs.
While the sponsor for ‘Sony Mahotsav’ in UP and Punjab is Kent RO, the music talent partner for the state is Universal Music. “We have also partnered with major radio stations in the state. So for UP, we roped in Radio Mirchi and Big FM for promotions. Also, we partnered with local cable operators to distribute the free-of-cost entry passes for the event,” reveals Seth.
Sony has made a ‘sizeable’ investment in the festival and though it has conducted similar such events in the past, they’ve never been on such a large scale.
The channel claims to have got a capacity crowd in every city of UP it has covered so far. “Though the numbers do not suggest the popularity of the brand, the crowd did show the love for the brand,” exults Seth, adding, “Looking at the response, we may conduct such events in other states as well.”
So has a mammoth exercise like ‘Sony Mahotsav’ succeeded in boosting viewership? “We haven’t done any ROI till now. That will be done once the whole activity is complete. Once this is done, we will get an idea of the increase in viewership and reach numbers,” says Seth.
And ‘Sony Mahotsav’ isn’t all. Recently, the channel launched two new shows as well – Ekk Nayi Pehchaan and Main Na Bhoolungi. Whether all of this reflects on the ratings, only time will tell…
GECs
Sun TV posts steady revenue, profit dips amid rising costs
CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.
For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.
The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.
Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.
The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.
Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).
The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.
The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.
To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.
With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
GECs
SPNI hires Pradeep M with responsibility for standards and practices in the south
MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.
Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.
He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.
Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.
His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.
As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.
GECs
Colors Gujarati rolls out two new shows from 2nd February
MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.
Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.
In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.
A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.
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