GECs
Sony seeks ‘Pal’ in housewives
MUMBAI: “I will be seeking the moon,” says Multi Screen Media CEO NP Singh, as he announced the launch of the network’s much talked about new Hindi general entertainment channel (GEC), Sony Pal. The network which had conceptualised the new channel last year is very confident about the channel, its offerings and the packaging. “Now we will see how viewers respond to it,” adds the optimistic Singh.
Targeted at women, mostly housewives, in the age group of 15-34 years, in SEC BCDE, Sony Pal was a dream for Singh, which is now finally taking shape. The target audience was chosen after the result of the research which showed that 88 per cent of viewership for a GEC comes from housewives. “The new channel will complement our other offerings,” he says.
“Today’s women have started realising that they can not only contribute to the society, but also augment family income. Through Pal, we will celebrate these women,” says Singh.
The network did an extensive research before deciding on the content, the channel packaging and the target audience. “Our research showed that there was latent demand for a content which was progressive and positive,” he informs.
The channel is based on the theme ‘Yeh Pal Humara Hai’. “This is the moment to shine, to evolve, to excel and achieve. This moment belongs to her and her alone,” says Sony Pal and Sab senior EVP and business head Anooj Kapoor while adding that this is not a generic promise, but a personalised one.
The channel will go live from 1 September, with actor Juhi Chawla as its brand ambassador and with content which is empowering and that showcases positive aspects of modern India, while presenting the traditional aspect. “We will showcase family togetherness and not strife, which is what most channels today showcase,” adds Kapoor.
When asked the reason for roping in Chawla, the duo say, “She is a person who is empowered, successful and yet approachable. She was the first name that came to us, and we stuck with her.”
The channel logo, which dons colours pink, purple and yellow and has diamonds, a woman’s best friend, has been designed by an Australian agency.
Sony Pal for Kapoor is mature and the shows will help connect the audience with a life that is beautiful and not a struggle. The channel will initially go on air with three hours of original content, which will be aired from Monday to Saturday between 7:30 pm-10:30 pm. Also, it will have two hours of original programming on Sunday evening. “After a month, we will launch the Balaji Telefilms’ show at the 7pm slot, thus taking original content to 3.5 hours,” informs Kapoor. The slot for the Sunday programming has not yet been disclosed.
The channel launches with nine shows, these include: Simply Baatein which is produced by GR8 Entertainment and anchored by Raveena Tandon, Dil Hain Chotasa Choti Si Asha, produced by SOL Productions and hosted by Ragini Khanna and Jay Soni, Shashi Productions’ Ek Rishta Aisa Bhi, Miloni Films’ Khushiyon Ki Gullakh Aashi¸ Singhasan Battisi by Creative Eye, Pia Basanti Re by Rashmi Sharma and Pawan Kuma, Tum Sath Ho Jab Apne produced by Sphere Origins, Sister Didi by DJ’s Creative Unit and Yeh Dil Sun Raha Hain by Balaji Telefilms.
All the series are infinite and the channel will take a call on the number of episodes based on its performance. While no advertisers have currently come onboard, the network is positive about its content. “We have showcased our product to them and they have responded positively. They first want to see the shows and the channel and then decide. And we are in no hurry too,” says Singh.
The channel will look at afternoon slots later. “There is a lot of ground to be covered. This is just the beginning,” adds Kapoor. The shows while initially will be shot at outdoor locations of Patiala, Baroda, Lucknow and other HSM cities, will later move to sets.
The soon-to-go air channel is not free to air and will be available on all the four major multi system operators, DEN Networks, Hathway Cable & Datacom, Siti Cable, Digicable and Fastway in Punjab and all the direct to home (DTH) operators.
On the marketing front, a 360 degree campaign has been designed, which will go live from 10 August. “We have designed a five week campaign with a lot of fresh initiative. One of this is forming women’s club, through which women can identify their talent and can celebrate life,” informs Kapoor.
Manjit Sachdev will be the programming head for the new launch. According to an industry source, the investment in the channel could be anywhere close to Rs 90 crore- Rs 110 crore, including marketing spends. As for the ad rates, a media planner says, “Considering all the shows have been brought in the prime time slot, the ad rate for a 10 second slot could be anywhere close to Rs 10,000 to Rs 15,000.”
GECs
Sun TV posts steady revenue, profit dips amid rising costs
CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.
For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.
The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.
Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.
The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.
Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).
The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.
The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.
To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.
With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
GECs
SPNI hires Pradeep M with responsibility for standards and practices in the south
MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.
Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.
He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.
Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.
His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.
As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.
GECs
Colors Gujarati rolls out two new shows from 2nd February
MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.
Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.
In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.
A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.
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