News Broadcasting
Sony Pictures gets ready for a new sensation
MUMBAI: “40 per cent for you, 60 per cent for me. While others promise the world we deliver the earth. Your support has been great and we look forward top continuing this relationship”.
These words were spoken by Sony Pictures Releasing of India MD Uday Singh at a trade gathering with film exhibitors and distributors. SPR unveiled its lineup till October 2007 and the message to the trade fraternity was clear – “Get Ready For a new sensation”.
After all with competition in the market it is important for the firm to reinvent itself. The tagline has been influenced by an INXS song. The Sony lineup culminates with the release of Sanjay Leela Bhansali’s Saavariya next Diwali. This marks Sony’s first co-production effort in India. Singh says that while the company is exploring other possibilities but nothing else has been firmed up as of now.
Singh says that Sony Pictures is looking at a 70 per cent revenue growth. This marks a strong comeback for the company after 2005 which he concedes was a weak year. Compared to 2004 when Sony had Spiderman 2 this year’s revenues are expected to be at least 20 per cent more. This year in each quarter Sony has had at least one big film. It started with The Chronicles of Narnia.
Then the controversy around The DaVinci Code ensured that perople watched the film some of whom wanted to see what the fuss what all about. Then thanks to its distribution deal with Disney in India Sony reaped the benefits of Cars and the second Pirates of The Carribean film. Now the big one for thia quarter is Bond. Daniel Craig dons the mantle of the superspy in Casino Royale which opens in India next month. The trailer which drew the anticipation of the industry gathering sees Bond as cool and yet ruthless. Next year Sony Pictures has three huge tentpole properties. These are Spiderman 3, Pirates of The Carribean 3 and The Chronicles of Narnia 2. Spiderman 3’s trailer shows that perhaps the superhero is being corrupted by the evil that he fights.
There are also other big films lined up for next year including Déjà Vu. This has the potentially explosive teaming of producer Jerry Bruckheimer, director Tony Scott and actor Denzel Washington. There is also National Treasure 2 with Nicholas Cage returning.
Before that though Cage stars in another big film Ghost Riders which Sony hopes will do well in the first quarter of next year. One film it is hoping will get the families into cinema halls is The Pursuit of Happyness with the ever dependable Will Smith. Heer Smith plays a A struggling salesman who takes custody of his son (played by his son in real life Jaden Smith) as he’s poised to begin a life-changing professional endeavor.
The animation segment is also looking strong. This year Sony releases Open Season and Monster House. Open Season features Boog, a domesticated Grizzly bear who finds himself stranded in the woods three days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Next year Sony releases Ratatouille which has been directed by Brad Bird who made The Incredibles. Ratatouille is all about a rat who dreams of eating gourmet French food. It is not just about blockbusters though. Singh takes pains to point out that Sony Pictures looks at itself as a full media services firm. This means that it shows a wide ranjge from blockbuster action films to animated films to serious films. It is to push serious films better that it started a new unit a few months ago.
The first two films that will be pushed are All The Kings Men and Marie Antoinette. All the Kings Men has a top notch cast including Sean Penn, Jude Law, Kate Winslet and Sir Anthony Hopkins. It is a remake of an Oscar winning film from 1949. The other film comes from Oscar winner Sofia Coppola and stars Kirsten Dunst who readers might remember plays Spiderman’s love interest. In this film Dunst plays the famous French queen. Through this unit Sony Pictures is also looking to push niche films of other firms that might otherwise fall beneath the radar. The target is the crème de la crème viewer. It is also looking at the possibility of bringing in foreign language films for distribution into the country.
While it is a challenge to convince exhibitors to show these kinds of films Sony is counting on the strong relationships that have been built over the years to help its cause. Singh adds that 10 years ago India was 72 out of 76 global markets for the parent firm on the film front. Today India is close to being a top 10 market. In total by the end of this year Sony would have released around 36 films. 20 would have come from the Sony stable, 10 from Disney and the rest are from other firms.
Another area where Sony has picked up the pace has been in the home entertainment arena. This division was launched a year back. Now it has 200 DVD titles and 225 VCD titles. It released The Da Vinci Code last evening. Other new titles include Click with Adam Sandler as a man who with a remoter control can fast forward his life and Friends With Money with Jennifer Aniston and is about how wealth affects friendship between women. The firm points out that older titles like Mackennas Gold still sell and sometimes do better than the new releases.
Sony also has released the Hindi versions of 80 titles including the Jim Carrey comedy Fun With Dick And Jane. It will release Lawrence of Arabia in Hindi. It also has 20 Tamil dubbed titles. It is looking to expand into the Telugu and Bengali languages with dubbed versions. One key area for Sony here are the direct to video releases. These include sequels that were not released in theatres like Stuart Little 3 and I Always Know What You Did Last Summer. Then it has deals with action stars like Steven Seagal and Wesley Snipes. They make films that go straight to video. Sony has its own manufacturing plant for this.
News Broadcasting
Barc forensic audit in TRP row awaits as Twenty-Four probe gathers pace
KERALA: A forensic audit commissioned by the Broadcast Audience Research Council (BARC) India has emerged as the centrepiece of the government’s response to fresh allegations of television rating point manipulation involving a regional news channel in Kerala, with both the audit findings and a parallel police investigation still awaited.
Replying to a query in the Lok Sabha, minister of state for information and broadcasting L Murugan, said Barc had appointed an independent agency to conduct a forensic probe into the conduct of senior personnel allegedly linked to the case.
The move followed media reports claiming that a Barc employee had accepted bribes to manipulate viewership data in favour of a regional television news channel.
“The report from BARC is still awaited,” Murugan told Parliament, signalling that the forensic exercise remains ongoing.
Industry specialists say forensic audits are crucial in alleged TRP fraud cases, as they examine internal controls, data access trails, panel household integrity, staff communications and financial transactions. The outcome could determine whether the alleged manipulation was an isolated breach or a deeper systemic weakness in India’s television measurement framework.
Running alongside the audit, the Kerala Police has formed a special investigation team to probe the allegations. The ministry has sought a preliminary report from the state’s director general of police, including details of action taken on the first information report. That report, too, is yet to be submitted.
The episode has revived long-standing concerns over the vulnerability of India’s TRP system, particularly in regional news markets where competition for ratings is fierce and advertising revenues hinge on weekly viewership rankings.
India’s sole television audience measurement body Barc, has faced scrutiny before, most notably during the nationwide TRP controversy involving news channels in 2020. While tighter compliance norms were introduced in the aftermath, the latest allegations suggest enforcement challenges may persist.
On regulatory consequences, the government said any punitive action against television channels, including suspension or cancellation of uplinking and downlinking permissions, would be governed by the Policy Guidelines for Uplinking and Downlinking of Television Channels issued in November 2022, and would depend on investigation outcomes and due process.
The ministry also pointed to ongoing efforts to overhaul the ratings ecosystem. Television measurement continues to be regulated under the Policy Guidelines for Television Rating Agencies, 2014. Draft amendments were released for public consultation in July 2025, followed by a revised version in November 2025, aimed at tightening audit mechanisms and improving transparency and representativeness.
In November 2025, Barc said it had taken note of allegations aired by Malayalam news channel Twenty-Four, which linked an internal employee to irregularities in audience measurement. The council said it had engaged a “reputed independent agency” to conduct a comprehensive forensic audit, underscoring the seriousness of the claims.
The ratings system sits at the heart of India’s broadcast advertising economy, shaping billions of rupees in annual ad spends. With trust in audience data once again under strain, advertisers, broadcasters and regulators are closely watching the outcome of the investigations.
Barc has urged industry stakeholders and media organisations to exercise restraint while the probe is underway, calling for an end to “unverified or speculatory claims” and reiterating its commitment to integrity and accountability.
Until the forensic audit and police findings are submitted and reviewed, the government said it would refrain from drawing conclusions.
News Broadcasting
Rajat Sharma defamation row: Delhi court summons Congress leaders Ragini Nayak, Pawan Khera and Jairam Ramesh
NEW DELHI: A Delhi court has ordered the summoning of senior Congress leaders Ragini Nayak, Pawan Khera and Jairam Ramesh in a criminal case filed by veteran journalist Rajat Sharma, sharpening a legal battle over alleged defamation and doctored digital content.
The order was passed on Monday by Devanshi Janmeja, judicial magistrate first class at Saket Courts, after the court found prima facie grounds to proceed under multiple sections of the Indian Penal Code, including forgery, creation of false electronic records and defamation.
Sharma, chairman and editor-in-chief of India TV, had approached the court over allegations made in June 2024 that he had used derogatory language against Congress spokesperson Ragini Nayak during a live television debate. He denied the charge, claiming it was fuelled by a manipulated video circulated online.
According to the complaint, a clipped version of the broadcast carrying superimposed captions, which were not part of the original programme, was first shared on social media platform X by Nayak and later amplified through retweets and public statements by Khera and Ramesh. Sharma said the viral spread caused serious reputational harm and personal distress.
The court took note of forensic science laboratory findings that pointed to visible post-production alterations in the video, including added titles and captions. It also cited witness testimonies from those present during the live broadcast, who stated that no abusive or objectionable language had been used.
In a related civil matter, the Delhi High Court had earlier observed a prima facie absence of abusive remarks and directed the removal of the disputed social media posts.
With criminal proceedings now set in motion, the case adds to mounting scrutiny around political messaging, digital manipulation and accountability on social media platforms.
News Broadcasting
Mukesh Ambani, Larry Fink come together for CNBC-TV18 exclusive
Reliance and BlackRock chiefs map the future of investing as global capital eyes India
MUMBAI: India’s capital story takes centre stage today as Mukesh Ambani and Larry Fink sit down for a rare joint television conversation, bringing together two of the most powerful voices in global business at a moment of economic churn and opportunity.
The Reliance Industries chief and the BlackRock boss will speak with Shereen Bhan, managing editor of CNBC-TV18, in an exclusive interaction airing from 3:00 pm on February 4. The timing is deliberate. Geopolitics are tense, technology is disruptive and capital is choosier. India, meanwhile, is pitching itself as a long-term bet.
The pairing is symbolic. Reliance straddles energy transition, digital infrastructure and consumer growth in the world’s fastest-expanding major economy. BlackRock, the world’s largest asset manager, oversees more than $14 tn in assets and sits at the nerve centre of global capital flows. When the two talk, markets tend to listen.
Fink’s appearance marks his third India visit, a signal of the country’s rising strategic weight for the Wall Street-listed firm, which carries a market value above $177 bn. His earlier 2023 trips included an October stop in New Delhi, where he met both Ambani and Narendra Modi.
India is now central to BlackRock’s expansion plans, notably through its joint venture with Jio Financial Services. Announced in July 2023, the 50:50 venture, JioBlackRock, commits up to $150 mn each from the partners to build a digital-first asset-management platform aimed at India’s swelling investor class.
The backdrop is robust. BlackRock ended 2025 with record assets under management of $14.04 tn, helped by $698 bn in net inflows, including $342 bn in the fourth quarter alone. Scale gives Fink both heft and a long lens on where money is moving.
He has been openly bullish on India. At the Saudi-US Investment Summit in Riyadh last year, Fink argued that the “fog of global uncertainty is lifting”, with capital returning to dynamic markets such as India, drawn by reforms, demographics and durable return potential.
Expect the conversation to range beyond balance sheets, into technology’s role in finance, access to capital and the mechanics of sustainable growth in a fracturing world order. For investors and policymakers alike, it is a snapshot of how big money is thinking about India.
At a time when capital is cautious and growth is contested, India wants to be the exception. When Ambani and Fink share a stage, it is less a chat and more a signal. The world’s money is still looking for its next big story, and India intends to be it.
-
e-commerce1 month agoSwiggy Instamart’s GOV surges 103 per cent year on year to Rs 7,938 crore
-
iWorld1 year agoKuku TV transforms India’s OTT space with vertical microdrama boom
-
News Headline1 year agoTRAI puts a ‘stop’ to unsolicited calls and messages
-
News Headline2 months agoFrom selfies to big bucks, India’s influencer economy explodes in 2025
-
Comedy2 years agoTaarak Mehta Ka Ooltah Chashmah celebrates 4,000 episodes
-
MAM2 years agoOpenAI joins C2PA steering committee
-
News Headline2 years agoOdisha to host Ultimate Kho Kho Season 2 from December 24
-
News Headline1 year agoAbhishek Bachchan joins as co-owner of European T20 Premier League




