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SMJ season two evokes mixed reactions

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MUMBAI: All eyes were peeled on the first episode of season two of Aamir Khan-hosted talk show Satyamev Jayate (SMJ) when it finally aired on March 2 at 11am, putting an end to all the excitement of the past few months.

The two-hour-long episode titled ‘Fighting Rape’ put the spotlight on an extremely pertinent social issue while discussing some really hard-hitting cases. It began with a narration of the gruesome gang rape of a 23-year-old physiotherapy intern in the national capital on 16 December, 2012, going on to give shocking statistics of rape cases in the country.

Khan revealed that according to the NCRB, there are nearly 101,041 rape cases pending trial, of which 3,563 cases have been acquitted or withdrawn and 86,032 are still pending. He spoke of the kind of medical and legal apathy that rape victims and their families usually face. Doctors tend to back off when such cases are reported, medical examinations are not conducted immediately and misleading information results in the victim being questioned more than the accused. However, he pointed out that changes have been made to the law, especially after the Nirbhaya gang rape case, and proceeded to elaborate upon the same.

While urging viewers to change their perception toward rape victims who are otherwise looked down upon by society, Khan, in association with the Aakash Institute, encouraged the audience to ‘Vote for Change’ by giving a missed call on 1800-103-2301 and pledging support for a standard protocol for medical examination of rape survivors. Surprisingly, 12 lakh missed calls was generated in two hours.

Indeed, the opening episode of season two of SMJ sent social media into overdrive with likes and tweets doing the rounds of the Internet, even as SMJ took fourth place on twitter.com on the day of its launch.

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And yet, both viewer and industry response was a bit of a mixed bag with some saying season two might be better while others finding it very similar to the previous outing. We spoke to some people about the episode and here’s what they said.

A majority of media professionals thought episode 1 of season 2 did well in terms of research and so did media veteran and founder at Social Access Communications, Lynn de Souza. “The first episode was good. Bringing out all the issues pertaining to rape and how the victims are treated in court was rather touching. It brought about a lot of awareness. The show taught me a lot of things which I did not know. It is worth watching and a great learning,” she said.

In contrast, a producer who did not wish to be named said the show was way too long. “Mixed reactions,” he said. “It was far too long. Two hours is a long time. People won’t stick to it after some point of time. However, thumbs up to Aamir and his research team for the heavy amount of research work.”

Another media planner said there was nothing different from the earlier season. “The first episode was very similar – nothing new and dramatic. Plus time, it was almost like a feature film. Unless there is some hook, people will lose interest. It’s a very documentary style of saying things and with viewers here, they don’t stick with documentaries. But kudos to their research work. Well done, detailed in-depth analysis, surely took the crown,” he said on condition of anonymity.

While Population First (Laadli) programme director Dr AL Sharada said, “In terms of format, I did not find anything different, it remained the same. In terms of research, it covered all aspects of judiciary reports and what common people face. I felt that Aamir should continue the same topic over a period of time.  Supposedly, he starts with gender violence and next week, he goes on to something else. The impact of whatever discussions are happening today will be completely forgotten next week when he takes up another issue.”

She felt the show should be restricted to one hour instead of the current two hours. “It requires a little more depth, in terms of the issues being raised. For instance, in season one, in the doctors’ episode, only activists’ perspectives were taken into consideration but the ground realities of a hospital i.e. how it functions, what are the facilities available wasn’t considered. We should not just say they are not doing, we should also understand why they are not doing,” said Sharada.

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This is what celebrities tweeted on Satyamev Jayate:

Karan Johar – #SatyamevJayate broke my heart…made me feel helpless yet inspired me to make a change..truly moving, heartfelt and rightfully arousing!

Sunil Grover – Whn v all only spk abt a change here’s a shw vich is actually brining abt 1!Congrats @aamir_khan @StarPlus on anthr brilliant season of SMJ!

Sanjeev Kapoor – What @aamir_khan is doing via @satyamevjayate is nothing less than a social revolution. Hats off to him!

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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