GECs
Saluting TV technicians, the Beyond Dreams way
MUMBAI: As an audience, whenever we watch a film or a TV show we only know and remember the faces of our heroes and heroines. Even the national anthem videos which play in the multiplexes before a film starts feature the stars – film or TV or musicians or singers.
We promptly forget and hardly acknowledge the professionals who work behind the camera. These are the names that appear in the end of the film or the show in the credits. We simply switch the channel or walk out the theatre, without paying heed to any of them as they roll down.
Breaking the stereotype formula of only highlighting the stars on screen, TV production house Beyond Dreams Entertainment’s Yash Patnaik has featured those behind the scenes in a video of the national anthem, that was released on social media websites such as Facebook, YouTube and Twitter on Independence Day.
TV crew such as make up artists and hair designers, writers, set designers, spot boys, lighting boys, helpers – pop up in the video singing a word or a line of the national anthem.
Says Yash: “Whenever events like Independence Day, Diwali or Holi come, we always zoom in on the on-screen talent or directors or producers, and they are given greater respect. But behind the recognition and success we get are the large crews that work with us and support all our productions. Whenever I visit my set, the affection and love I received from my unit is tremendous. Therefore, we thought of doing the video featuring them and let them feel special on the special day. “
The national anthem video cost Patnaik – who has three shows (Jaana Na Dil Se Door, Naagarjuna and Kuch Rang Pyar Ke Aise Bhi) under his belt currently – Rs 3 to 4 lakh to produce. Thanks to the three units that are working on the three shows, Patnaik had access to the 150 crew to participate in the video. Despite that however he states that it was not that easy to make the film.
“They were not ready to face the camera,” he reveals. “as they are very uncomfortable in front of it. But they came forward after some persuasion and we shot it over four to five days.”
Even good names from Bollywood stepped forward to lend their support to his effort. Bollywood actor Ali Faisal came forward and gave the voice over at the beginning of the video, with lyricist Abhishek Kumar writing the lines and Udbhav Ojha composing the music for the national anthem.
The video was released on Facebook and YouTube and simultaneously a social media push was given. The hashtag #GoBeyond was used to promote it on social networking sites. On Twitter, the hashtag #GoBeyond was at the No 1 spot in India and in the world it was on number 20. The reach was 1.5 million and the video generated 165,000 views. More than that it got a lot of plaudits from fellow and rival producers, industry stalwarts. The video trended at the number three position in Australia

Patnaik says another video has been produced with TV stars paying tribute to the behind the scenes technicians.
Yash says he is quite enthused by digital and short productions and hopes to launch a digital platform by the end of 2016.
“Digital gives you an opportunity to say what you feel and we should all say something which make sense,” says Yash. “You should speak in a voice and that voice should make some difference in the society and we will not shy away from telling the world what we believe in. And this video is first step in that initiative.”
GECs
Sun TV posts steady revenue, profit dips amid rising costs
CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.
For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.
The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.
Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.
The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.
Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).
The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.
The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.
To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.
With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
GECs
SPNI hires Pradeep M with responsibility for standards and practices in the south
MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.
Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.
He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.
Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.
His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.
As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.
GECs
Colors Gujarati rolls out two new shows from 2nd February
MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.
Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.
In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.
A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.
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