Hindi

Saheb Biwi Aur Gangster Returns: A sequel that doesn’t disappoint

Published

13 years ago

March 8, 2013

MUMBAI: Saheb Biwi Aur Ganster Returns is a sequel to the 2011 film, Saheb Biwi Aur Gangster. It is, like its predecessor, a film about about warring men but the winner eventually is a woman. Jimmy Shergill, who has taken to illegal ways including running a dacoit gang to maintain his royal lifestyle since losing all the privileges, survived a shootout with his enemy but lost movement in his legs. He is wheelchair bound and had to give up his MLA seat to his wife, Mahie Gill. The sequel takes it from here.

Producers: Tigmanshu Dhulia, Nitin Tej Ahuja, Rahul Mittra.
Director: Tigmanshu Dhulia.
Cast: Irrfan, Jimmy Shergill, Soha Ali Khan, Mahie Gill, Raj Babbar, Deepraj Rana, Pravesh Rana, Rajeev Gupta.

This one is about four UP royals, now deep into politics. Of these, Shergill and Raj Babbar are the main ones. The four don‘t belong to any party but all are against the ruling party‘s proposal to divide UP into four states. Shergill is in control because he is the one the others turn to when they need muscle. His henchman, Deepraj Rana, is loyal and asks no questions when needed to eliminate his boss‘s enemies.

Unknown to him, Shergill has an enemy, Irrfan Khan, who wants to avenge his grandfather‘s death at the hands of Shergill‘s family. Shergill then goes on to add another enemy to his list in Babbar whose daughter, Soha Ali Khan, has caught his fancy. He knows Babbar would not willingly give away his daughter to a handicapped man. He plots to make Babbar agree but promises he will marry her only when he is able to stand on his feet again. Meanwhile, Gill continues her wayward life, always a drink in hand and in search of a man.

Irrfan is now even more determined to take on Shergill because he and Soha are very much in love. He, along with Babbar, starts plotting against Shergill and adds others with an axe to grind. The first one is the weakest link around Shergill, and that is Mahie. Irrfan can meet for her demands: cash and sex. The background political games are on and Shergill or no Shergill, the group has joined the cause of dividing UP. When it comes to reality, it is Gill who is the MLA and whose vote will count the next day. But Shergill is not the one to take things lying down. He locks up the three MLAs to stop them from voting.

Many such games are played by the four ‘royals‘. But it is finally between Irrfan and Shergill. Irrfan‘s family does not even have residual sign of royalty left as the older brother has taken to teaching for survival while the younger has joined the police. He is that much more bent on restoring his ancestral glory. However, if he has turned Gill against Shergill, he has also unwittingly lost his love, Soha, to Shergill.

Saheb Biwi Aur Gangster Returns goes along smoothly through its lengthier first half but come second half, it loses pace. Too much is happening but not all that is promised in the first half is delivered. Except verbal one-upmanship, there are no bullets flying. Irrfan has promised ‘ghamasan‘ war but nothing of the sort happens. He goes out meekly (maybe to be resurrected in Part 3?). The climax leaves one disappointed.

The direction by Tigmanshu Dhulia is competent as expected. The best part of the creative side is the film‘s dialogue. Music is okay and the item number is funny. Photography is good. While all artistes contribute ably, Irrfan is his usual best. Shergill exudes all the pride and power of an ex-royal very much still in control. Gill is okay. Soha is restrained. Raj Babbar does well. Deepraj Rana is effective.

Saheb Biwi Aur Gangster Returns has not been able to draw the expected opening response but should show some improvement over the weekend. The exams period will also affect the collections.

Saare Jahaan Se Mehnga: A satire that hits the right notes

Producer: Ashok Pandey.
Director: Anshul Sharma.
Cast: Sanjay Mishra, Pragati Pandey, Vishwa Mohan Badola, Ranjan Chhabra, Pramod Pathak, Zakir Hussain, Sitaram Panchal, Disha.

Saare Jahan Se Mehnga is a satire, one of those films that aim to make a point. It is also the kind of film that does not demand big stars but needs more lifelike characters. This helps both, the subject as well as the budget. Besides, like the producer‘s earlier film, Phas Gaye Re Obama, its aim is to entertain.

The film is about a family of four and how it copes with rising costs. Sanjay Mishra works with the animal husbandry department in Haryana. His wife, Pragati Pandey runs a beauty parlour from within the house. His younger brother, Ranjan Chhabra is a good-for-nothing young lad who took three attempts to get through 10th exams and has failed thrice already in 12th. The patriarch of the house is a grumpy old Vishwa Mohan Badola who is upset at having to make compromises in his lifestyle. The village crowd gathers outside Sitaram Panchal‘s cycle repair shop where, while working, he delivers speeches against rising costs and promises people that once the government brings back the black money from Swiss banks, every Indian will get four lakh rupees.

Meanwhile, Mishra learns that the local government is offering a lakh for every 10th-pass youth to start a business, that too with interest waiver for the first three years. He can avail of this loan in the name of his brother but is sceptical at first knowing his brother will only sink the cash. Then an idea strikes him. He can avail of this loan and with that money; stock up enough provisions to last the family for the next three years! The monthly cost on this account can be saved and will be enough to repay the loan at the end of three years. This way, the family can enjoy an inflation free life for the period.

Soon the loan is availed and the provisions stocked up. But there is one condition of the loan they missed: It is to set up business and they have no such venture to show when the loan inspector, Zakir Hussain, visits. The consequences, according to the inspector, could be jail for Chhabra. As a solution, a part of the parlour is converted into grocery shop. The customers come but are sent back. After all, the shop is only a front. The neighbourhood grocer, Pramod Pathak, thinks he has a competition and keeps Hussain in the loop about the situation. Pathak is already unhappy with the family since Chhabra is courting his daughter, Disha.

Following various ways to trick Hussain into believing they are running a genuine shop with the loan amount, the bubble bursts.

The film is a dig at the continuously rising costs and a family‘s struggles to beat it. The script is a bit stagey. The direction is fair. Dialogue is witty and effective. Music is average. Performances by Mishra, Chhabra, Pandey, Pathak are good while Badola makes his mark. Disha is okay. The film has familiar faces in supporting casts, those seen on TV or in films in side roles.

Saare Jahaan Se Mehnga is an okay film but it lacks the face value and promotion to survive at the box office.

Related Topics:royal lifestyle Saheb Biwi Aur Gangster Returns

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Hindi

Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

Published

1 week ago

February 9, 2026

indiantelevision.com Team

MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

Hindi

Fans take centre stage as Zee Cine awards turns the spotlight around

Published

1 week ago

February 7, 2026

indiantelevision.com Team

MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

Hindi

Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

Published

3 weeks ago

January 30, 2026

indiantelevision.com Team

MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.