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Reflect on constructive and meaningful engagement through cinema: Naidu

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NEW DELHI: President Pranab Mukherjee has said that the creation of the Film Promotion Fund would help promote and motivate talented independent filmmakers to promote their work across the globe in various International Film Festivals.

Mukherjee described the film industry as a microcosm of India which celebrated the diversity of languages, customs, religions and culture.

Indian Cinema and its diversity convey underlying spirit of brotherhood, tolerance, acceptance and co-existence, he said, adding that the inherent strength of the unity in spite of diversity was the cultural heritage inherited through the ages.

The President was speaking after giving away the 64th National Film Awards for 2016. Information & Broadcasting Minister M Venkaiah Naidu and MoS Rajyavardhan Rathore were also present on the occasion.

The National Film Awards were presented on 3 May as it is the day on which the first-ever indigenous feature ‘Raja Harishchandra’ by D G Phalke was released in 1913.

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The President also conferred this year’s Dada Saheb Phalke award to K Viswanath, renowned film director and actor, for his outstanding contribution to the growth and development of Indian cinema. A presenter of classical and traditional art, music and dance, K Viswanath has been a guiding force in the Indian film industry.

Naidu said care and caution should be taken while depicting stories of tragedy and all stakeholders should reflect on the creative, constructive and meaningful engagement through the medium of cinema.

Indian cinema had remarkably showcased the vast richness of the country’s cultural diversity, beautiful landscapes and languages and had been a great unifying force in promoting national integration, he said.

While complementing the film industry, he said filmmakers had set their mind on delivering excellence and promoting societal values. The film industry should join hands to facilitate mission the making of developed India as it had strong influence on society and its values.

He said movies that had won awards focus on a variety of issues and themes ranging from discrimination, love, historical relationships and relevant social challenges. He added that the National Film Awards showcase the capacity to set standards and to recognize the efforts of Indian filmmakers and artists who achieve heights.

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Speaking about the Films as a medium of communication, Naidu said it was the most beautiful form of expression that encompassed a multitude of visual arts such as music, dance and drama. It was also a medium through which contemporary socio- economic, political and cultural issues of individuals and society are showcased. The language of cinema is a universal one. It has been a powerful tool to reach out to people transcending the boundaries in society.

The Feature Film Central panel was headed by eminent filmmaker Priyadarshan, popularly known for his Malayalam movie Kanchivaram among others. The Chairperson for the Non–Feature Film Jury was Raju Mishra while the Chairperson for Writing on Cinema Jury was Ms. Bhawana Somaaya. The Most Film Friendly State award jury was chaired by Telugu director Radha Krishna Jagarlamudi.

In feature films, the highest number of awards went to Hindi (11) followed by Marathi (9); Malayalam (7); Tamil (5); Telugu, Bengali and Kannada (4 each); Assamese (3), and one each to Gujarati, Konkani and Manipuri. One award each also went to two languages not in Schedule VIII of the Constitution: Moran and Tulu.

While the Marathi film ‘Kasaav’ by Sumitra Bhave & Sunil Sukthankar got the best feature film award, and actor Akshay Kumar for ‘the Hindi film ‘Rustom’ and Surabhi C M for the Malayalam film ‘Minnaminungu–the Firefly’ won the top awards for acting.

Rajesh Mapuskar for the Marathi film ‘Ventilator’ has been named best director in the Awards for 2016. The state of Uttar Pradesh has been named as the Most Film Friendly state and Jharkhand gets a special mention in this category which was announced for the first time last year.

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‘Fireflies in the Abyss’ by Chandrashekhar Roy got the best non-feature film award, while G. Dhananjayan was named best film critic and ‘Lata: Sur Gatha’ by Yatindra Mishra was given best book on cinema award.

The full list of awards can be seen at http://www.dff.nic.in/writereaddata/NFA64PressNote2016.pdf

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Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

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MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

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For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

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Fans take centre stage as Zee Cine awards turns the spotlight around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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