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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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Box office pops the corn as 2025 cracks Rs 13,000 crore club

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MUMBAI: Popcorn flew off the shelves and the tills rang louder than ever in 2025, as Indian cinema delivered its biggest box-office performance on record. According to The Ormax Box Office Report: 2025, the industry clocked a staggering gross of Rs 13,395 crore, becoming the first year to cross the Rs 13,000 crore milestone and comfortably overtaking the previous high of Rs 12,226 crore set in 2023

At the heart of the record run was Dhurandhar, which emerged as the year’s top grosser with Rs 950 crore, rewriting history as the highest-grossing Hindi film of all time. Overall, 37 films crossed the Rs 100 crore mark in 2025, a sharp jump from 22 in 2024, underlining the growing skew towards big-ticket successes

Hindi cinema had a year to remember, posting its best-ever collections of Rs 5,504 crore, up 18 per cent year-on-year. Notably, 93 per cent of Hindi box-office revenue came from original Hindi films, with reliance on dubbed South titles dropping steeply from 31 per cent in 2024 to just 7 per cent in 2025. While Telugu and Malayalam held steady, Kannada cinema stood out with strong growth, even as the combined share of the four South languages eased from 48 per cent to 44 per cent.

International films staged a striking comeback, registering 49 per cent growth to deliver their highest-grossing year in India since the pandemic and the second-best ever after 2019. Their share of the total box office touched double digits for the first time since 2022, signalling renewed audience appetite for global tentpoles.

Yet, the boom came with a caveat. Footfalls slipped 6 per cent to 83.2 crore, highlighting the industry’s growing dependence on higher ticket prices. The average ticket price surged 20 per cent, from Rs 134 to Rs 161, its sharpest rise in four years, driven by premium Hindi and international films and higher pricing for South Indian tentpoles.

The Ormax Box Office Report-2025 Taken together, 2025 paints a picture of a box office powered less by crowds and more by scale, pricing and a handful of breakout hits. As Ormax’s data shows, the money is flowing faster than ever even if fewer feet are walking into cinemas, setting up a fascinating new equation for Indian theatrical cinema going forward.

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