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Poster Boys: Old-fashioned entertainer

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Poster Boys is a remake of the 2014 Marathi film, Poshter Boyz. A comedy, the film also carries a social message for men to go for vasectomy as there was no shame in doing so while also not forcing only women to take that responsibility.

The characters played by Sunny Deol, Bobby Deol and Shreyas Talpade are three individuals from different walks of life.

Sunny is an ex-army man and a ‘chaudhary,’ the head of the house and much respected in the locality. Bobby, a schoolteacher, is a henpecked husband and a father of two daughters. Bobby’s wife is known to throw tantrums at the end of which walks off to her ‘maika.’ So much so that the driver and conductor on the bus to her village are also familiar with the couple.

The role played by Shreyas is a footloose young man, using strong-arm tactics working as a loan recovery agent along with his two childhood friends. Shreyas is in love with a girl and plans to marry her.

Sunny is preparing for his sister’s engagement ceremony but when it is time for the groom and his family, he is told that the match is off and the groom’s family did want to have anything more with Sunny’s family. However, no explanation is forthcoming.

Similarly, Shreyas’s match is vetoed by the girl’s father but he won’t explain why.

Bobby faces his usual problem, his wife walks out on him for devising a way to destroy their hope for a son. Bobby is at sea about what she means.

The three are out when, one by one, they face the cause of their problem and ostracisation by people. They see posted behind a state transport bus a poster with three of them modelling for vasectomy/nasbandi and advocating its virtues. The place the trio comes from, it is like sacrilege, something akin to losing one’s manhood! The trio becomes a butt of jokes and ridicule.

Of the three, Sunny is the mighty one but opts for peace and logic most of the time; Shreyas is aggressive and ready to fight while Bobby is the shy, xxx kind. The three, on Sunny’s say-so, decide to go to the root of this problem as to how and why their pictures were used, and who is responsible.

They realize that, in the era of digital cameras, their zest for selfies and posing for pictures has been misused.

The film is a frame-to-frame remake of its Marathi version, and has a script that cares more for gags. Some characters could have been avoided or given limited footage.

Direction is fair as Shreyas makes his directorial debut but follows the original to the T. Dialogue and gags are the lifeline and have an impact at places.

The film has one song by Daler Mehndi from Sunny Deol’s 1999 film, Arjun, that works. The production value is shoddy.

As for performances, Sunny is restrained and effective. Bobby is awkward at times but that goes with his character. Shreyas has the author -backed role of an extrovert and caters to the gallery.

Poster Boys is an average entertainer. Having opened below par, it has the weekend to cash in on. The prospects thereafter hold limited hope.

Director: Shreyas Talpade.

Cast: Sunny Deol, Bobby Deol, Shreyas Talpde, Samiksha Bhatnagar,Murli Sharma, Dilip Prabhavalkar, Bharti Achrekar and Randheer Rai.

Hindi

Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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