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Pixcom announces management team elevations; also 14 Prix Gémeaux nominations for Indefensible

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Mumbai:  Pixcom president & executive producer Nicola Merola,  and senior VP content and creative affairs, & executive producer Charles Lafortune announced company news including the elevation of five key management positions, and also that the company received 14 Prix Gémeaux Nominations for its top-rated daily legal drama series Indefensible – the most nominated TV series, of all categories combined, for the upcoming Prix Gémeaux Awards which take place in September 2023. Indefensible is distributed internationally by Calinos Entertainment. Pixcom also announced that their partner Beta Film sold Pixcom’s multi-award-winning dramedy series, Audrey’s Back to Dubai TV.

Pixcom announced the elevation of five key staff members – Véronique Voyer promoted to VP legal and business affairs; Andrée-Anne Quimper promoted to VP corporate finance and administration; François-Étienne Parent promoted to VP creation and content; Marie-Ève Paré promoted to VP production accounting and financing.  Pascale Bilodeau has been promoted to VP postproduction operations, equipment and IT.

Indefensible is a critically-acclaimed fast-paced, daily legal drama series that plunges viewers into the fascinating world of the Lapointe-Macdonald law firm and its criminal defense team. Indefensible is the most popular scripted series on TVA, reaching over 1.5M viewers daily, 4 days a week, for 30 weeks A YEAR, with a 35 % market share.

Additionally, Pixcom shares the news that Beta Film licensed its global award-winning dramady series, Audrey’s Back, to Dubai TV which broadcasts in Middle Eastern territories, such as Egypt, Morocco, Tunisia, Yemen, Oman, United Arab Emirates, among others.  Audrey’s Back aired in Italy on RAI in June of this year, and in France on Canal+ in April.

Audrey’s Back follows a woman who, after sixteen years, awakens from a coma that resulted from a hit-and-run accident when she was 17 years old. Watching Audrey regain her memories and triumph over basic tasks sparks everyone around her to reawaken the spirit of their own joy they too thought was lost that fateful night. Awards 2022: CANNESERIES, Denver Colorado’s SeriesFest, Content London’s Hot Picks, and Banff/Rockie Awards, as well as multiple Gémeaux Awards.

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Merola & Lafortune stated, “Pixcom is thrilled to have such fantastic news to share: We welcome Véronique, Andrée-Anne, François-Étienne, Marie-Ève and Pascale to our management team with well-deserved promotions. Their dedication, passion and creativity have strengthened Pixcom and position us for even further company growth. We are also pleased that our partner Beta Film continues to share our prized Audrey’s Back with more places – this time Dubai TV acquired the series for several Middle-East territories. And to top everything off, we are honoured that our exciting, daily drama series, Indefensible, received 14 Prix Gémeaux Award nominations, our production team really deserves this recognition.”

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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