GECs
Pay channels say they will remain ‘pay’
NEW DELHI: Star India today conveyed to the government-piloted task force on conditional access system (CAS) that it would take another three to four weeks time to finalise its strategy for a post conditional access regime, while the cable operators assured that adequate number of set-top boxes (STBs) would be available in the metros on and after 14 July.
The government (read the information and broadcasting ministry) on its part allayed fears expressed in some quarters that the CAS rollout deadline may be deferred due to political pressure building up in the Bharatiya Janata Party (BJP)—- as reported in a section of the media — that leads the present coalition Indian government.
Contacted by indiantelevision.com, Star India CEO Peter Mukerjea, one of the four broadcasters who attended today’s meeting here, admitted that he had told the task force Star would need some more time to finalise its strategy for a post CAS regime. However, he still expressed his reservation on the assurances on STBs given by cable ops at the meeting.
The representatives of companies like Star, ESPN-Star Sports and Zee Telefilms, according to sources in the task force, also said that their respective pay channels would remain so, while Sahara TV president Mahesh Prasad said that Sahara Manoranjan would continue to be a free to air channel even after CAS is implemented.
Yesterday, the broadcasters had a meeting where it was decided that the pay channels would remain ‘pay’. A group of broadcaster representatives would meet the additional secretary in the I&B ministry Vijay Singh tomorrow.
But the issue of set-top boxes (STBs) kept coming back at today’s task force meeting that had been called to do a reality check on the CAS preparedness of various stake holders of the industry.
One of the independent cable ops on the task force, Rakesh Dutta is reported to have asked Star India about the number of households it gets paid for in the metros. When being told the subscription money comes for over a million houses, Dutta is understood to have quipped, if that is taken as the benchmark, then the cable industry would make available one million STBs in the metros.
Those who attended today’s meeting, chaired by a joint secretary in the I&B ministry in the absence of Rakesh Mohan, included representatives from ESS, Sahara TV, Hathway, INCableNet, Siti Cable, Zee and independent cable ops from Kolkata and Delhi, amongst others.
However, one of the participants, according to the sources, left broadcasters with something to chew on when he said that most of the time task force meetings are all about STBs and their availability, while the issue of individual prices of pay channels is never discussed in detail.
This particular member of the task force also asked whether there is any validity on the deadline for broadcasters to announce the price of individual pay channels. Most broadcasters, according to the sources, kept mum on the issue refraining from spelling out details on the issue.
Questioned on this matter, one of the directors on Zee Telefilms board and a younger brother of Subhash Chandra, Jawahar Goel, told indiantelevision.com after attending the meeting: “Zee has already announced its prices of the bouquet and would now wait for others to come up with the individual prices of pay channels in their respective bouquets before Zee does the same.”
Also read:
NCTA gives memo on CAS to the Indian president, the prime minister and deputy prime minister
GECs
Sun TV posts steady revenue, profit dips amid rising costs
CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.
For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.
The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.
Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.
The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.
Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).
The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.
The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.
To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.
With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
GECs
SPNI hires Pradeep M with responsibility for standards and practices in the south
MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.
Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.
He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.
Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.
His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.
As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.
GECs
Colors Gujarati rolls out two new shows from 2nd February
MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.
Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.
In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.
A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.
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