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Nick US continues building on leadership position

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MUMBAI: US kids channel Nickelodeon says that its in the top spot for the 11th consecutive year.

The channel says that it led basic cable as the top-rated network within the total programming day for the second quarter of the year i.e. 27 March to 25 June among total viewers and across all kids’ demos, according to Nielsen Media Research.

In addition, the network grew double digits in its multiple media offerings — including Nick.com and Nickjr.com from year-to-year, and video-on-demand — and excelled on its broadband, online gaming platforms.

Among the network’s primary demo of kids 2-11, the network posted a 3.8/1.3 million K2-11, up three per cent over second quarter 2005, and 81 per cent ahead of Cartoon Network (2.1/675,000 K2-11) and 52 per cent ahead of Disney (2.5/801,000 K2-11). With preschoolers, the network also ranked first, averaging a 4.5/560,000 K2-5, up 10 per cent over last year’s like time period, ahead of Cartoon Network by 137 per cent (1.9/237,000 K2-5) and 73 per cent versus Disney Channel (2.6/326,000 K2-5).

However among tweens 9-14, Nickelodeon remained flat for the quarter, earning a 2.5/526,000 T9-14. It still beat its competition by double digits. Among kids 6-11, Nick is up more than one rating point above its closest competitor (Nick earned a 3.5 rating while The Disney Channel averaged a 2.4 rating), equating to a 46 per cent lead.

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Nickelodeon adds that it was the only major kid network that posted year to year gains among the preschool (kids 2-5) audience. During its Nick Jr. block (Monday – Friday 9 am – 2 pm), then net beat kid competitors Disney Channel and Cartoon Network by 187 per cent and 196 per cent respectively.

Nick Jr. maintains the top seven out of 10 preschool programmes on commercial TV. These were Go, Diego, Go! , Dora the Explorer, The Wonder Pets, Blue’s Clues, The Backyardigans, LazyTown and Miss Spider.

Contributing to the Nickelodeon’s quarter-to-quarter growth, were several large events including Nickelodeon’s 19th Annual Kids’ Choice Awards (KCAs). This year’s KCAs garnered an average of 3.2 million kids. In its first ever simulcast on TurboNick – a first in awards show history — the KCAs drove Nick.com to a high traffic day of more than 1.2 million unique visitors. Fairy Idol, a one-hour special based on Nick’s The Fairly OddParents, also hit high numbers drawing more than five million total viewers and more than three million kids.

As Nickelodeon continues to build its leadership in new and emerging media platforms, it has increased usership on multiple media platforms in the kids’ space, particularly with its broadband platforms, TurboNick and Nick Jr. Video, and its online sites, Nick.com and Nickjr.com.

— TurboNick, Nickelodeon’s broadband video service on Nick.com, generated 63.2 million streams in second quarter 2006, up +46 per cent over first quarter 2006. It broke its record for the highest monthly streams with more than 28 million streams in June 2006, a 33 per cent increase from May 2006.

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— Nick Jr. Video, Nick Jr.’s broadband video service on Nickjr.com, garnered more than 27 million content streams in second quarter 2006. Nick Jr. Video is rapidly approaching its 100th million stream since its launch in August 2005.

— Nick Jr. Parents TV, the networks broadband service geared towards parents, generated almost 14.5 million streams for second quarter 2006, up +14 per cent versus first quarter 2006.

— For the quarter, Nick.com averaged almost 14 million unique monthly visitors, which is a 67 per cent increase versus first quarter 2006. In May, Nick.com attracted more than 14.5 million unique marking the site’s best month ever.

— Nick.com has also had more than 231 million game plays on the site this quarter, and Nickjr.com raked in 183 million game plays, up 69 per cent and 88 per cent respectively over second quarter 2005. Danny Phantom: Freak For All was the number-one game for the quarter recording 7.6 million game plays on Nick.com, while Dora’s Puppy Adventure was number-one on Nickjr.com recording 11.4 million game plays in second quarter.

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Kids

Om Nom bites into India as Warner Bros. Discovery picks up the series

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MUMBAI: The little green hero is making a big leap east. Zeptolab has struck a major distribution deal with Warner Bros. Discovery, bringing its hit animated series Om Nom Stories to audiences across the Indian subcontinent.

Under the agreement, Warner Bros. Discovery has acquired the series for exclusive Pay TV broadcast and non-exclusive digital streaming in India, Pakistan, Bangladesh, Bhutan, Nepal and Sri Lanka. The move marks a significant expansion for Zeptolab as it pushes one of its most successful original IPs into one of the world’s fastest-growing entertainment markets.

As part of the deal, all 26 seasons of Om Nom Stories will be rolled out across Cartoon Network, Pogo, Discovery Kids and Discovery+, offering both linear and digital access to the franchise’s slapstick humour and expressive, dialogue-free storytelling.

“We’re incredibly excited to partner with Warner Bros. Discovery to bring Om Nom Stories to the Indian subcontinent,” said Zeptolab executive producer Manaf Hassan, noting that the broadcaster’s reach and legacy make it a strong fit for the series’ growing global fanbase. 

Warner Bros. Discovery, meanwhile, sees the acquisition as a natural addition to its children’s portfolio. Warner Bros. Discovery head of factual entertainment, lifestyle and kids for South Asia Sai Abishek, said the series aligns with the network’s focus on cheerful, imaginative and universally appealing content for families across the region.

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The timing adds an extra layer of significance. The expansion coincides with Om Nom’s 15th anniversary, underlining the franchise’s staying power and its evolution from a mobile game character into a global animation brand. With this latest bite at the Indian subcontinent, Om Nom’s adventures look set to find a whole new generation of fans.

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Kids

Colour outside the lines Chhota Bheem sketches a new play with Faber Castell

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MUMBAI: If childhood memories had a colour palette, Chhota Bheem would likely be right in the middle of it and now, quite literally, in children’s pencil boxes too. Green Gold Animation has announced a landmark licensing partnership with Faber-Castell India, marking the global stationery major’s first-ever licensed character collaboration. The association brings Chhota Bheem to a specially curated range of student art and creative products, blending everyday learning tools with one of India’s most recognisable homegrown characters.

The move is a notable expansion of Chhota Bheem’s footprint beyond screens, reinforcing the character’s status as a multi-generational IP that has steadily grown from a television favourite into a cultural constant. For Green Gold Animation, the partnership signals a sharpened focus on extending its intellectual property into daily touchpoints, where entertainment meets education and habit.

In its first phase, the collaboration will roll out Chhota Bheem-themed products across key student art categories, including watercolour cakes, wax crayons, poster colours, sketch pens, oil pastels and creative bundling kits. The range is aimed squarely at school-going children, tapping into Bheem’s strong emotional connect while encouraging imagination, creativity and hands-on expression.

Green Gold Animation founder and CEO Rajiv Chilaka noted that Chhota Bheem’s journey has long moved beyond episodic storytelling. He said the partnership reflects a deliberate attempt to embed the character into moments of learning and creativity, while building a more purpose-led licensing ecosystem around Indian IP through collaboration with a globally established brand.

From Faber-Castell India’s perspective, the tie-up marks a strategic first. Faber-Castell India director marketing Sonali Shah said the collaboration opens a new chapter by pairing the brand’s long-standing reputation for quality and safety with a character that already commands trust and affection among Indian children. The aim, she added, is to make creativity more engaging and relatable without diluting product standards.

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The launch will be backed by a 360-degree promotional push, spanning digital campaigns, social media storytelling, creative usage content and on-ground retail activations across select markets. Both companies have confirmed that this is only the starting point, with additional Chhota Bheem-themed products across new categories planned in the months ahead.

Headquartered in Hyderabad, Green Gold Animation continues to scale its ambition of building globally competitive Indian IPs, with Chhota Bheem leading the charge. This latest collaboration suggests that the brand’s next phase of growth may be less about what children watch and more about what they create.

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Kids

Sony tightens grip on Peanuts with $457 million stake buy

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JAPAN: Sony has doubled down on the power of legacy brands, snapping up a majority stake in the Peanuts intellectual property in a late-year deal valued at about $457 million.

Sony Pictures Entertainment and Sony Music Entertainment Japan have acquired the roughly 41 per cent holding in Peanuts Holdings LLC previously owned by Canadian children’s entertainment company WildBrain. The move lifts Sony’s ownership to 80 per cent, with the Schulz family retaining the remaining 20 per cent.

The deal brings one of pop culture’s most durable franchises, home to Charlie Brown, Snoopy and the rest of the Peanuts gang, firmly under the Sony umbrella. The characters were created by Charles M Schulz, whose daily comic strip ran for half a century before ending in 2000.

Sony had already been a long-time partner in the business. The latest transaction consolidates control and sharpens the group’s hand as it looks to keep the characters front and centre across film, television, music and consumer products.

President and group ceo of Sony Music Entertainment Japan, Shunsuke Muramatsu, said the additional stake would allow Sony to further elevate the Peanuts brand by drawing on the group’s global reach and creative expertise, while preserving the legacy of Schulz and his family.

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President and ceo of Sony Pictures, Ravi Ahuja, said the combined ownership gives Sony the ability to protect and shape the future of the characters for new generations, expanding their relevance without diluting their charm.

Peanuts long ago escaped the confines of the comic strip, cementing its place in popular culture through perennial television specials such as A Charlie Brown Christmas and It’s the Great Pumpkin, Charlie Brown. More recently, WildBrain kept the franchise active with animated series including Snoopy in Space and The Snoopy Show.

Now, with Sony firmly in control, the message is unmistakable. In an industry obsessed with the next big thing, nostalgia still sells and Sony is betting big on a doghouse that refuses to age.

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