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New formats bear fruit for Disney, Hungama this summer

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MUMBAI: Summer leaves a lot of time for kids to enjoy and bury themselves in fun activities. Activities that could include going to a park, seeing a movie or going to a beach.

 

So while they do this and more, for the kids channels, this is the time they want to engage the kids with their programmes. And with this in mind, kids’ channels, Disney and Hungama TV had this summer, designed a special summer programming line-up. This proved to be a jackpot not only for the kids but for the channel as well.  Both Disney and Hungama TV have proved to be front-runners across age brackets and the kids’ entertainment genre.

 

With new format shows like Captain Tiao and Arjun: Prince of Bali on Disney and Pokemon on Hungama, the Disney network has seen a nine per cent growth in viewership, this summer.

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Since its launch, Hungama’s prime play slot (Weekdays, 1pm) ranks number one in total TV among all kids (CS 4-14 ABC) and younger boys (CS M 4-9 ABC) in HSM. Viewership during the prime play slot has strengthened by 15 per cent, post the launch of Pokemon (In comparison to the previous four weeks before launch for the same slot) among all kids (CS 4-14 ABC) in HSM. Moreover, the show reaches out to 35.8 million audiences (CS4+) across All India of which 16.9 million audiences are kids (CS 4-14) across all play.

 

 “We are always on the lookout for content that resonates with kids. We listen to them and understand the entertainment expectations kids have today,” reveals Disney India director, programming, kids channels Devika Prabhu.

 

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Disney consciously also looked at scheduling short format series this year, which has also added to its success this summer. For example, the channel featured the Mickey Mouse short series which was well received by the channel’s target audience. “The mix of long form and short form formats brought great results for us. It kept our viewers surprised and we also offered something unique, innovative, and novel and it really kept our audiences engaged with the channel,” reasons Prabhu.

 

Besides this, Disney’s Jet Set Go three campaigns also received an overwhelming response. “This time we had experimented something new, and that stuck the right chord for us,” reveals Prabhu.

 

On Hungama, shows like Ninja Warrior continued to do well for the channel, but the breakaway hit was the Pokemon series. “What was heartening to see was that it was launched as a daily, and for a daily to get that kind of traction across that slot is very encouraging,” asserts Prabhu.  “The response to the Pokémon series on Hungama TV has been phenomenal and the success of it is testimony to the fact great content packaged with interesting elements can definitely excite the kids of today.”

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Prabhu says that re-launching the series was a right move. “Pokemon is a series that is a blend of action, comedy and fun. It truly celebrates the spirit of childhood as it captures a child’s imagination, playfulness and a zest to be adventurous. The internationally popular series, which embodies Hungama TV’s philosophy of enthusiasm, fun, adventure, and friendship, brings in moments of unexpected adventures and entertainment as it captures the escapades of 10 year old Ash Ketchum who starts his action packed journey with his first Pokemon, Pikachu. It connects with Hungama TV’s proposition and takes this position forward and so it was a perfect fit to showcase the series on Hungama TV,” explains Prabhu.

 

To reach out to the greater audiences, the channel launched a few innovative on-air campaigns. For the launch of the Pokemon series the channel had a campaign that showcased the distinctive elements that brought out the exciting nature and characteristics of the world of Pokemon. From a Pokemon rap song with lyrics around his masters, and the power of the Poke Ball to a special Poke Ball stunt. The on air campaign had a series of fun elements that engaged and connected with kids of all ages.

 

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 “The great thing is, we don’t really need to woo the audience on the channel because we are the top channel when it comes to viewership. It is more about giving them reasons to stay engaged with us,” informs Prabhu.

 

Dream Theatre founder and CEO Jiggy George who represents Pokemon for content syndication, licensing and merchandising in India is excited about how well the show has done. “This is Dream Theatre’s first foray into content syndication and kudos to the Hungama team on the superlative launch. We have always believed in Pokemon’s timeless value and it is very gratifying to see a new generation take to Pokemon with such gusto.”

 

Moreover, Dream Theatre is also working on mega Pokemon consumer product launch in January 2015, which will see a slew of licensed Pokemon products in stores for its millions of Indian fans.

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Surprisingly, the kids genre viewership has remained unaffected by the IPL. According to the data received by the TAM subscribers, kids genre which had a 15.6 per cent share prior to IPL among all kids (CS 4-14 ABC) in HSM held on to its viewership.

 

 “This summer too, we’ve been happy to present to them yet another mix of memorable stories and wonderful characters and in a short span of time they’ve been exceedingly well received. Our focus will always be to ensure we stay connected with our audience by offering new forms of storytelling, that seeks to entertain and inspire them, all executed with quality of the highest caliber,” concludes Prabhu.

 

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The network has received tremendous response from the advertisers as well. In addition to the ratings, the network has seen positive response from categories such as organized retail, apparels in addition to FMCGS and more across the network.  Moreover, categories in consumer durables such as water purifiers, cooking oils, printers have come on to the channel as well.

Kids

Om Nom bites into India as Warner Bros. Discovery picks up the series

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MUMBAI: The little green hero is making a big leap east. Zeptolab has struck a major distribution deal with Warner Bros. Discovery, bringing its hit animated series Om Nom Stories to audiences across the Indian subcontinent.

Under the agreement, Warner Bros. Discovery has acquired the series for exclusive Pay TV broadcast and non-exclusive digital streaming in India, Pakistan, Bangladesh, Bhutan, Nepal and Sri Lanka. The move marks a significant expansion for Zeptolab as it pushes one of its most successful original IPs into one of the world’s fastest-growing entertainment markets.

As part of the deal, all 26 seasons of Om Nom Stories will be rolled out across Cartoon Network, Pogo, Discovery Kids and Discovery+, offering both linear and digital access to the franchise’s slapstick humour and expressive, dialogue-free storytelling.

“We’re incredibly excited to partner with Warner Bros. Discovery to bring Om Nom Stories to the Indian subcontinent,” said Zeptolab executive producer Manaf Hassan, noting that the broadcaster’s reach and legacy make it a strong fit for the series’ growing global fanbase. 

Warner Bros. Discovery, meanwhile, sees the acquisition as a natural addition to its children’s portfolio. Warner Bros. Discovery head of factual entertainment, lifestyle and kids for South Asia Sai Abishek, said the series aligns with the network’s focus on cheerful, imaginative and universally appealing content for families across the region.

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The timing adds an extra layer of significance. The expansion coincides with Om Nom’s 15th anniversary, underlining the franchise’s staying power and its evolution from a mobile game character into a global animation brand. With this latest bite at the Indian subcontinent, Om Nom’s adventures look set to find a whole new generation of fans.

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Kids

Colour outside the lines Chhota Bheem sketches a new play with Faber Castell

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MUMBAI: If childhood memories had a colour palette, Chhota Bheem would likely be right in the middle of it and now, quite literally, in children’s pencil boxes too. Green Gold Animation has announced a landmark licensing partnership with Faber-Castell India, marking the global stationery major’s first-ever licensed character collaboration. The association brings Chhota Bheem to a specially curated range of student art and creative products, blending everyday learning tools with one of India’s most recognisable homegrown characters.

The move is a notable expansion of Chhota Bheem’s footprint beyond screens, reinforcing the character’s status as a multi-generational IP that has steadily grown from a television favourite into a cultural constant. For Green Gold Animation, the partnership signals a sharpened focus on extending its intellectual property into daily touchpoints, where entertainment meets education and habit.

In its first phase, the collaboration will roll out Chhota Bheem-themed products across key student art categories, including watercolour cakes, wax crayons, poster colours, sketch pens, oil pastels and creative bundling kits. The range is aimed squarely at school-going children, tapping into Bheem’s strong emotional connect while encouraging imagination, creativity and hands-on expression.

Green Gold Animation founder and CEO Rajiv Chilaka noted that Chhota Bheem’s journey has long moved beyond episodic storytelling. He said the partnership reflects a deliberate attempt to embed the character into moments of learning and creativity, while building a more purpose-led licensing ecosystem around Indian IP through collaboration with a globally established brand.

From Faber-Castell India’s perspective, the tie-up marks a strategic first. Faber-Castell India director marketing Sonali Shah said the collaboration opens a new chapter by pairing the brand’s long-standing reputation for quality and safety with a character that already commands trust and affection among Indian children. The aim, she added, is to make creativity more engaging and relatable without diluting product standards.

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The launch will be backed by a 360-degree promotional push, spanning digital campaigns, social media storytelling, creative usage content and on-ground retail activations across select markets. Both companies have confirmed that this is only the starting point, with additional Chhota Bheem-themed products across new categories planned in the months ahead.

Headquartered in Hyderabad, Green Gold Animation continues to scale its ambition of building globally competitive Indian IPs, with Chhota Bheem leading the charge. This latest collaboration suggests that the brand’s next phase of growth may be less about what children watch and more about what they create.

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Kids

Sony tightens grip on Peanuts with $457 million stake buy

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JAPAN: Sony has doubled down on the power of legacy brands, snapping up a majority stake in the Peanuts intellectual property in a late-year deal valued at about $457 million.

Sony Pictures Entertainment and Sony Music Entertainment Japan have acquired the roughly 41 per cent holding in Peanuts Holdings LLC previously owned by Canadian children’s entertainment company WildBrain. The move lifts Sony’s ownership to 80 per cent, with the Schulz family retaining the remaining 20 per cent.

The deal brings one of pop culture’s most durable franchises, home to Charlie Brown, Snoopy and the rest of the Peanuts gang, firmly under the Sony umbrella. The characters were created by Charles M Schulz, whose daily comic strip ran for half a century before ending in 2000.

Sony had already been a long-time partner in the business. The latest transaction consolidates control and sharpens the group’s hand as it looks to keep the characters front and centre across film, television, music and consumer products.

President and group ceo of Sony Music Entertainment Japan, Shunsuke Muramatsu, said the additional stake would allow Sony to further elevate the Peanuts brand by drawing on the group’s global reach and creative expertise, while preserving the legacy of Schulz and his family.

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President and ceo of Sony Pictures, Ravi Ahuja, said the combined ownership gives Sony the ability to protect and shape the future of the characters for new generations, expanding their relevance without diluting their charm.

Peanuts long ago escaped the confines of the comic strip, cementing its place in popular culture through perennial television specials such as A Charlie Brown Christmas and It’s the Great Pumpkin, Charlie Brown. More recently, WildBrain kept the franchise active with animated series including Snoopy in Space and The Snoopy Show.

Now, with Sony firmly in control, the message is unmistakable. In an industry obsessed with the next big thing, nostalgia still sells and Sony is betting big on a doghouse that refuses to age.

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