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Nat Geo Intl calls for entries for documentary fund

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MUMBAI: This is an opportunity for Asian television documentary filmmakers to showcase their wares across the region. Asia’s filmmakers are invited to submit their proposals for the fourth season of the National Geographic Channels International and Singapore Economic Development Board (NGCI-EDB) Documentary Fund. This is the fourth year of the initiative.

The call-for-entries follows the success of the first two seasons of 20 completed documentaries with another 17 from the third season currently in the making. The first season’s documentaries, which aired in 2003 won many awards and accolades including the acclaimed New York Film Festival, Jackson Hole Wildlife Festival and Asian Television Awards. The second season of 10 documentaries started airing on 5 May 2005.

The deadline for submission is on 15 August 2005. Shortlisted filmmakers will be notified in mid-September. They are expected to attend a 3-day master workshop and make their pitches to a panel of National Geographic Channel producers on 21 – 23 September 2005. The final results of the selected grantees will be announced on 23 September 2005.

NGCI executive VP production Bryan Smith says: “We are commissioning 11 hours of original programming for the fourth season. We look forward to work with talented Asia’s filmmakers in producing bold and innovative documentaries for our global viewers of over 230 million homes in 153 countries.”

NGCI is looking for unique, bold and innovative Asian stories in preferred themes and in one-hour documentary format or short series of up to three episodes. EDB director infocomms and media Quek Swee Kuan says, “Through our collaboration with NGCI over the past three seasons, we have witnessed some of Asia’s best filmmakers produce award-winning documentaries that are watched the world over.

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“We are proud to play a key role in building a world-class creative talent base in Asia, particularly within Singapore. We encourage talented filmmakers to create original content that will appeal to East and West viewers and submit their proposals for this fourth season.”

All Asia-based filmmakers are eligible to submit their proposals towards this NGCI-EDB Documentary Fund (2005). NGCI will commission 11 hours of original programming at the usual appropriate level of funding that would enable filmmakers to produce high quality documentaries for global airing on the National Geographic Channel.

Successful grantees can look forward to showcasing their talents through National Geographic Channel’s global distribution of up to 230 million homes in 153 countries, and will also have the opportunity of a long-term creative relationship with the National Geographic Channel. Under the direction of NGC’s producers, all projects under this fund will aim to meet the hallmark standards of NGC. they are great storytelling, breathtaking and engaging visuals, smart, innovative and cutting-edge topics and treatments.
      

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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