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Let’s resolve cricket telecast issue: Zee to BCCI

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NEW DELHI: India’s largest vertically-integrated media company Zee Telefilms has extended an olive branch to the Indian cricket board with an aim to resolve the deadlocked cricket telecast issue.

In a letter, written by Zee Tele CMD Subhash Chandra to the Board of Control for Cricket in India (BCCI) president Ranbir Singh Mahendra, Zee has asked the Board to give primacy to Indian cricket, while seeking to resolve the matter.

Now that a new team has taken over, we were wanting to explore the possibility of a reasonable resolution of the issue of telecast of TV rights,Chandra has written in the letter,dated 1 February.

This letter, now in the possession of Indiantelevision.com, clearly states that Zee is willing to put the unpleasantness of the past behind and move on to fulfilling its commitment to Indian cricket as stressed in the post-bidding period.

Pointing out that Zee has grave apprehensions over the conduct of the past officials of the BCCI, which were subject matter of petitions in Indian courts, Chandra has said that his company is willing to explore solutions consistent with our legitimate rights and expectations.

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The communication from Chandra to Mahendra, however, makes it clear that things might get messy if people, who had assisted Zee with funds (for the possible acquisition of the telecast rights that had emboldened Zee to quote a price of $ 308 million), made counter claims on the media company.

We are also conscious of possible claims from those who assisted us with funds and irrespective of the results of the present case,Chandra hammers in a point, adding,If claims are made against us,it would further complicate matters between the Board and us.

The letter goes on to add, giving the tale a truly soap opera and swadeshi twist,We are sure that there being no truly other competing Indian channel in the fray (other than Indian pubcaster Doordarshan), there is no legal impediment in the Board arriving at some reasonable arrangement with us.

In its wisdom, the BCCI did not reply to Chandras letter, subsequent to which another letter from Zee followed 15 days later. This too has drawn a blank from the BCCI that, anyway, met in the Capital earlier this week to discuss various matters related to the up and coming tour of Pakistan to India.

BCCIs failure to respond to these letters raises the question as to why the Indian cricket board is not acknowledging the letter when the other side is expressing willingness to discuss the issue and settle it amicably.

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Efforts made by indiantelevision.com to elicit a response from the BCCI on the Chandra letter drew a blank.

To do a quick recap of the cricket telecast saga, last year after the bids for the rights opened, and after a lot of backroom drama, Zee Telefilms emerged the highest contender with a revised quote of $ 308 million, closely followed by ESPN Star Sports. BCCI announced its decision to award the rights till 2007 to Zee when legal doors were knocked by various parties.

After the Supreme Court recently refusing to accept the BCCI as a ‘State under Article 12 of the Indian Constitution, Zee moved the Madras high court against the BCCI, which had cancelled the bids, claiming breach of fundamental rights under Article 226 of the Constitution.

The petition was filed on 7 February in the Madras HC.At the hearing on 9 February the judge passed an “unconditional” interim order “restraining BCCI from negotiating or getting into any kind of contract with anyone regarding the award of telecast rights till further notice.”

The case came up for hearing on 17 February and the argument will continue on 21 February. Meanwhile, the BCCI has admitted that it has incurred a loss of Rs 1,500 million so far due to the telecast rights not having been awarded far in a proper way. In a letter to Niranjan Shah, Secretary of Saurashtra Cricket Association, BCCI secretary SK Nair admitted that the on-going impasse over the telecast issue has resulted in a loss to the Board.

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Nair, in his letter, stated that Doordarshan would be paying Rs. 1 billion for the terrestrial rights of the matches against Australia and South Africa and another Rs 300 million is expected from the sale of overseas rights.

“Therefore, if we assume that Rs 2,75 crore (Rs 2,750 million) would have come from these two series if the four-year deal was through, the ad hoc arrangement for the Australia and South Africa series had fetched Rs 125 crore (Rs 1,250 million) and, therefore, the total loss was say Rs 150 crore (Rs 1,500 million),” Nair has informed Shah.

As the telecast rights issue returns, like Banquos ghost, to haunt everybody, including the Indian public, before a cricket series begins, it seems like time to set things in order once and for all.

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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