Hindi
Khiladi 786 a fairly enjoyable fare
MUMBAI: Khiladi 786 is the eighth in the Khiladi series and as it was with earlier ones, this too has nothing in common with the other films of the same name. Khiladi is more like shorthand for Akahsy Kumar and though his character is from Punjab, the “786” in the title serves two purposes: it provides a title that is ready to use for an Akshay film and also to attract the Muslim audience.
Besides the 786 factor, the film’s other main characters also represent communities; Himesh Reshammiya is from a typical Gujarati family while Mithun Chakraborty and Asin are Maharashtrian. Not surprising considering Western India and North make up for over 70 per cent of box office revenues.
Since his debut film as the lead, Saugandh, every maker has made sure that Akshay’s entry scene is claptrap. Khiladi 786 keeps the tradition alive as Akshay takes on a bunch of toughies and renders them harmless at the speed of light. A claptrap narration follows: ‘Duniyamein teen cheezen hoti zaroor hai lekin kisi ne dekhin nahin … bhooton ka sansar, sacha wala pyar aur 72 Singh ki raftaar’; 72 Singh being Akshay’s character in the film.
An equally dramatic entry scene is devised for Asin as she takes one of her suitors on a spin around town in her car at a suicidal speed to scare him away.
Reshammiya’s family business is matchmaking. His father, Manoj Joshi has set a target of arranging 500 matches in his lifetime. However, Reshammiya plays the spoiler on most occasions as wittingly or unwittingly he gives away the lies Joshi uses to arrange matches, including manipulating horoscope charts. After one such blunder by Reshammiya, which breaks up a marriage which is already under way, Joshi has had enough and throws his son out. Reshammiya takes refuge with his friend, Sanjay Mishra, an undertaker and provider of Hindu last rites. Even as Reshammiya is venting his frustrations to his friend, Asin’s speeding car hits a pole near them. Both end up being presented in front of Mithun Chakraborty, the most feared don of Mumbai and elder brother of Asin.
Mithun wants to marry off his sister, Asin, but she knows that looking at her brother’s background, only another goon will marry her and keeps foiling her brother’s attempts to find a match for her. In fact, she already has a beau who is serving time in jail. Reshammiya’s family business comes to the fore and he along with Mishra accepts the challenge to find a match for Asin despite a threat from Mithun that if they fail the consequences would be dire. But Reshammiya needs to prove himself to his family and he also has in mind just the person who can rein in wild Asin. That is Akshay Kumar, whom Reshammiya has seen in action on an earlier occasion.
Reshammiya plays the matchmaker with the mantra borrowed from his father that like a pinch of salt in dough for chapattis, a little lie is okay in their business of matchmaking. He convinces Mithun to pose as a police officer since, to his knowledge Akshay’s family is full of policemen.
As both the families come together, the fun continues till Akshay discovers that Asin has a boyfriend, the jailbird, Rahul Singh who does something foolish every time he is released and is soon picked up again. In this event, there is not much scope for romance between Akshay and Asin except for some songs in dream sequences.
Khiladi 786 counts mainly on comedy and action. While for comedy the film has a screen full of characters, the onus of providing thrill rests mainly on Akshay’s shoulders. The film has funny sequences with dialogues to match. The songs are a plus point for the film with ‘Saari saari raat…’ being melodious, the others, ‘Balma…’ and ‘Hookah bar…’ being racy.
Akshay is in his element in action scenes and deadpan in comic scenes. Mithun Chakraborty, seasoned artiste that he is, convincingly carries out a don caricature. Asin as an aggressive shrew is good. Reshammiya shows a marked improvement in his acting. The villain, Rahul Singh, is not a perfect choice to match Akshya’s image and character. The supporting star cast of Raj Babbar, Mukesh Rishi, Manoj Joshi, Sanjay Mishra, Rajesh Khattar, Johny Lever, Bharti Singh and Mushtaq Khan is adequate.
Khiladi 786 opened well but the collections have varied through its first day. However, being fairly enjoyable fare, it should make up over the weekend.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
Hindi
Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26
MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.
The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.
Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.
Hindi
Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights
MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.
The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.
Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.
In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.
The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.
Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.
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