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Indiantelevision Dot Com’s ‘Qalam’ back again

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MUMBAI: Here’s a piece of good news for all those who wish to make it big as scriptwriters. Indiantelevision Dot Com is back with Qalam, its full fledged, well-structured, four month comprehensive Television Script Writing Course, starting 14 June.

The course will be guided by a governing board comprising Nimbus Communications CEO Akash Khurana, ex-Siddhant Cinevision creative director, Vinod Ranganath, Indian Television Dot Com CEO, Anil Wanvari, film maker Aditya Seth and writer-director Vijay ‘Victor’ Acharya.

Starting its second batch, the course boasts of an acclaimed faculty including television luminaries like noted scriptwriters and directors BM Vyas, Dr. Chandraprakash Dwivedi, Ashwini Dhir, Vivek Agnihotri among others. The course will be co-ordinated by Aditya Seth.

Qalam’s earlier batch has produced students who are currently working with serials like Jassi Jaisi Koi Nahi, Kitty Party and Yeh Meri Life Hain amongst others while some are involved in film scripts too.

Reema Suri, a student of the first batch, says she had a very good learning experience at the course last year and it taught her a lot that is being of assistance to her now. Currently working as an assistant screenplay writer for Yeh Meri Life Hai, Suri was the script coordinator for the same show earlier. She even assisted Vinod Ranganath in some of his assignments.

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Married for five years, Suri had no previous experience on script writing when she joined Qalam in August last year.

Keeping in view the different skill sets that the students are required to master, the syllabus for Qalam has been broken down into four modules.

To begin with, the first will initiate students in the rudiments of story ideas that are relevant to television, the different kind of concepts that work for the medium and the creation of the characters that go into making a complete story.

The second will deal in how to weave a story into an interesting teleplay, the graphing of the story, the differences in the teleplay for different kinds of stories and on how to create cliffhangers that retain the interest of a teleplay.

In the third module, trainers will take students into the in-depth construction of the scene and dialogues while the fourth module will see students creating a story from their own ideas/concepts, fleshing out the characters, developing the plot and the overall structure of the script. They will also write the teleplay and dialogues for an episode. Each student shall have the independence to choose his/her generic specialisation of television writing according to aptitude.

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The 16-week course will have a minimum of three interactive sessions per week. The week-end sessions will be longer and the focus will be to illustrate the educational experience with the help of video sessions. Besides this, the participants will also be taking part in interactive sessions like discussions, ideation and analyses. Each module will be of three weeks and have six to nine sessions.

Suhana Bhatia, another ex-student, defines last year’s course as a thoroughly enjoyable experience. Her story is a bit different. A post graduate in mass communication, Bhatia was providing English-speaking classes for grown ups before joining Qalam.

What prompted her to join Qalam was her triumph at the three-day jam session on scriptwriting held by indiantelevision.com earlier. Currently working as an associate screenplay writer for Kittie Party, Bhatia regrets not taking enough inputs from the guest faculties during the course. Other than Kitty Party, Bhatia has also concieved and co-written an yet-to-be featured telefilm called 30 Day Trail for Sahara with her Qalam batchmate Rajan Makhijani.

Makhijani, on the other hand, is involved in another Sahara telefilm and is also scripting an untitled feature film.

Priyanka Khimani, another ex-student, who is co-writing Tamanna, a daily serial for Zee Telefilms, (it will be telecast by the end of this month at prime time, 10 pm) is also establishing herself in the film industry. She has written the dialogues for Basma, an inter-country movie produced in collaboration with Muscat (Sultanate of Oman). Khimani’s batch-mate, Madhuri Kamat is associated with the screenplay of Jassi Jaisi Koi Nahi.

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Aspirants will first have to clear an entrance exam which will test the language, perception and ideation skills of the students.

The questionnaire for the examination has already been put up on this website along with eligibility criteria, course content and other details.

The fees are set at Rs 12,000. For further information call Abhishek at 022-2673 0986/659.

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Barc forensic audit in TRP row awaits as Twenty-Four probe gathers pace

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KERALA: A forensic audit commissioned by the Broadcast Audience Research Council (BARC) India has emerged as the centrepiece of the government’s response to fresh allegations of television rating point manipulation involving a regional news channel in Kerala, with both the audit findings and a parallel police investigation still awaited.

Replying to a query in the Lok Sabha, minister of state for information and broadcasting L Murugan, said Barc had appointed an independent agency to conduct a forensic probe into the conduct of senior personnel allegedly linked to the case.

The move followed media reports claiming that a Barc employee had accepted bribes to manipulate viewership data in favour of a regional television news channel.

“The report from BARC is still awaited,” Murugan told Parliament, signalling that the forensic exercise remains ongoing.

Industry specialists say forensic audits are crucial in alleged TRP fraud cases, as they examine internal controls, data access trails, panel household integrity, staff communications and financial transactions. The outcome could determine whether the alleged manipulation was an isolated breach or a deeper systemic weakness in India’s television measurement framework.

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Running alongside the audit, the Kerala Police has formed a special investigation team to probe the allegations. The ministry has sought a preliminary report from the state’s director general of police, including details of action taken on the first information report. That report, too, is yet to be submitted.

The episode has revived long-standing concerns over the vulnerability of India’s TRP system, particularly in regional news markets where competition for ratings is fierce and advertising revenues hinge on weekly viewership rankings.

India’s sole television audience measurement body Barc, has faced scrutiny before, most notably during the nationwide TRP controversy involving news channels in 2020. While tighter compliance norms were introduced in the aftermath, the latest allegations suggest enforcement challenges may persist.

On regulatory consequences, the government said any punitive action against television channels, including suspension or cancellation of uplinking and downlinking permissions, would be governed by the Policy Guidelines for Uplinking and Downlinking of Television Channels issued in November 2022, and would depend on investigation outcomes and due process.

The ministry also pointed to ongoing efforts to overhaul the ratings ecosystem. Television measurement continues to be regulated under the Policy Guidelines for Television Rating Agencies, 2014. Draft amendments were released for public consultation in July 2025, followed by a revised version in November 2025, aimed at tightening audit mechanisms and improving transparency and representativeness.

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In November 2025, Barc said it had taken note of allegations aired by Malayalam news channel Twenty-Four, which linked an internal employee to irregularities in audience measurement. The council said it had engaged a “reputed independent agency” to conduct a comprehensive forensic audit, underscoring the seriousness of the claims.

The ratings system sits at the heart of India’s broadcast advertising economy, shaping billions of rupees in annual ad spends. With trust in audience data once again under strain, advertisers, broadcasters and regulators are closely watching the outcome of the investigations.

Barc has urged industry stakeholders and media organisations to exercise restraint while the probe is underway, calling for an end to “unverified or speculatory claims” and reiterating its commitment to integrity and accountability.

Until the forensic audit and police findings are submitted and reviewed, the government said it would refrain from drawing conclusions.

 

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Rajat Sharma defamation row: Delhi court summons Congress leaders Ragini Nayak, Pawan Khera and Jairam Ramesh

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NEW DELHI: A Delhi court has ordered the summoning of senior Congress leaders Ragini Nayak, Pawan Khera and Jairam Ramesh in a criminal case filed by veteran journalist Rajat Sharma, sharpening a legal battle over alleged defamation and doctored digital content.

The order was passed on Monday by Devanshi Janmeja, judicial magistrate first class at Saket Courts, after the court found prima facie grounds to proceed under multiple sections of the Indian Penal Code, including forgery, creation of false electronic records and defamation.

Sharma, chairman and editor-in-chief of India TV, had approached the court over allegations made in June 2024 that he had used derogatory language against Congress spokesperson Ragini Nayak during a live television debate. He denied the charge, claiming it was fuelled by a manipulated video circulated online.

According to the complaint, a clipped version of the broadcast carrying superimposed captions, which were not part of the original programme, was first shared on social media platform X by Nayak and later amplified through retweets and public statements by Khera and Ramesh. Sharma said the viral spread caused serious reputational harm and personal distress.

The court took note of forensic science laboratory findings that pointed to visible post-production alterations in the video, including added titles and captions. It also cited witness testimonies from those present during the live broadcast, who stated that no abusive or objectionable language had been used.

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In a related civil matter, the Delhi High Court had earlier observed a prima facie absence of abusive remarks and directed the removal of the disputed social media posts.

With criminal proceedings now set in motion, the case adds to mounting scrutiny around political messaging, digital manipulation and accountability on social media platforms.

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Mukesh Ambani, Larry Fink come together for CNBC-TV18 exclusive

Reliance and BlackRock chiefs map the future of investing as global capital eyes India

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MUMBAI: India’s capital story takes centre stage today as Mukesh Ambani and Larry Fink sit down for a rare joint television conversation, bringing together two of the most powerful voices in global business at a moment of economic churn and opportunity.

The Reliance Industries chief and the BlackRock boss will speak with Shereen Bhan, managing editor of CNBC-TV18, in an exclusive interaction airing from 3:00 pm on February 4. The timing is deliberate. Geopolitics are tense, technology is disruptive and capital is choosier. India, meanwhile, is pitching itself as a long-term bet.

The pairing is symbolic. Reliance straddles energy transition, digital infrastructure and consumer growth in the world’s fastest-expanding major economy. BlackRock, the world’s largest asset manager, oversees more than $14 tn in assets and sits at the nerve centre of global capital flows. When the two talk, markets tend to listen.

Fink’s appearance marks his third India visit, a signal of the country’s rising strategic weight for the Wall Street-listed firm, which carries a market value above $177 bn. His earlier 2023 trips included an October stop in New Delhi, where he met both Ambani and Narendra Modi.

India is now central to BlackRock’s expansion plans, notably through its joint venture with Jio Financial Services. Announced in July 2023, the 50:50 venture, JioBlackRock, commits up to $150 mn each from the partners to build a digital-first asset-management platform aimed at India’s swelling investor class.

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The backdrop is robust. BlackRock ended 2025 with record assets under management of $14.04 tn, helped by $698 bn in net inflows, including $342 bn in the fourth quarter alone. Scale gives Fink both heft and a long lens on where money is moving.

He has been openly bullish on India. At the Saudi-US Investment Summit in Riyadh last year, Fink argued that the “fog of global uncertainty is lifting”, with capital returning to dynamic markets such as India, drawn by reforms, demographics and durable return potential.

Expect the conversation to range beyond balance sheets, into technology’s role in finance, access to capital and the mechanics of sustainable growth in a fracturing world order. For investors and policymakers alike, it is a snapshot of how big money is thinking about India.

At a time when capital is cautious and growth is contested, India wants to be the exception. When Ambani and Fink share a stage, it is less a chat and more a signal. The world’s money is still looking for its next big story, and India intends to be it.

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