Hindi
India to sign film co-production pacts with BRICS members
NEW DELHI: A specially-curated BRICS section would form a part of the International Film Festival of India from this year. It would become a regular feature in the future editions. The BRICS Film Festival was held in the capital from 2 to 6 September 2016.
Information and Broadcasting Minister M Venkaiaih Naidu said the government was actively considering signing co-production agreements with Russia and South Africa to promote India as a filming destination, taking the process forward after having signed similar agreements with Brazil and China.
At the festival, 20 films were screened in the competition section, four from each country. The opening film at the festival saw the World Premiere of the Malayalam movie “Veeram” by Jayaraj Rajasekharan Nair starring Kunal Kapoor. The closing film was the Chinese “Skiptrace” starring Jackie Chan directed by Renny Harlin. It is an action-comedy, which revolves round a Chinese detective who teams up with an American Gambler to catch a Chinese criminal.
Speaking at the closing of the first BRICS Film Festival, the minister also proposed setting up of institutional mechanisms for regular collaboration between film archives of the member-countries as it would ensure exchange of information on preservation of film heritage. He said that BRICS countries could explore the possibility of having a formal mechanism for student exchange programmes among the leading film institutes.
Naidu said the new-age cinema from the BRICS nations spoke to a wider audience with socially relevant themes, and filmmakers were not afraid of communicating in the way they desired. This inspired young film makers to make films that were not only entertaining but also enlightening. As a powerful medium, it sent across the right message that could counter the negativity emerging from acts of terrorism worldwide. Films awakened national consciousness and helped in channelizing energies of the youth in social reconstruction and nation-building.
Minister of State for Information and Broadcasting Rajyavardhan Rathore was also present at the event where awards were given away to award-winning films.
Naidu said the diverse topography of India offers a variety of locales for shooting of films round the year. In addition to this, India is home to one of the most vibrant and highly-skilled film professionals.
BRICS film directors should take this opportunity to explore possibilities for shooting their films in India. The government has taken several steps to create a conducive environment for shooting. One such step is setting up of a Film Facilitation Office under the National Film Development Corporation.
Kannada movie “Thithi” was awarded the Best Film, while the Special Jury prize was awarded to “Between Valleys” from Brazil. Huo Jianqi from China was adjudged the Best Director for “Xuan Chang”. Thabo Rametsi from South Africa was awarded the Best Actor (Male) award for “Kalushi (The story of Solomon Mahlangu)” and Yulia Peresild from Russia was awarded the Best Actor (Female) award for “Battle for Sevastopol”. The jury also recommended Special Mention awards to the films “Songs of the Phoenix” from China and “14+” from Russia.
The festival showcased an amalgamation of culture, films, song and dance, and food of the member-countries, Brazil, Russia, India, China and South Africa. Exclusive cuisine from all the nations was also available at the Food Court at the venue. A Craft Fair was also organized at the Siri Fort auditorium complex with all member-countries putting up stalls with souvenirs and other properties for sale.
Beyond films, the festival also had spectacular performances by the Chengdu Performing Arts Theatre (China), Theatre Leningrad Centre Dreams (Russia) and MBZ Music Production (South Africa). The closing ceremony also saw the release of the first BRICS Film Festival Scroll, which was presented to representatives from China. It was announced that China will host the next version of the BRICS Film Festival in Chengdu.
Meanwhile, the Deputy Director General of Film Bureau of China Zhou Jiandong said that China produces almost 650 to 700 feature films annually. The box office collection was $ 6.8 billion last year and the urban accumulative attendance was 1.26 billion. The Chinese delegation comprised 40 members. The cast and crew from the competing movies of China shared their stories, ideas and experiences in a press gathering.
Members included Huo Jianqi, Director of ‘Xuan Zang’, China Film Cooperation Limited Vice President Zhou Baolin who is the co-producer of ‘Xuan Zang’, Wu Yuan Yuan who is the scriptwriter of ‘Go Away Mr. Tumor’, and Wu Yan Yan who produced, ‘Songs of the Phoenix’.
‘Xuan Zang’ was co-produced by China and EROS Entertainment, India. “We hope that after the success of this movie, more Chinese filmmakers will be interested in working with their Indian counterparts. With such collaborations, we will be able to bring more Indian movies to China,” Baolin said. Jianqui said the story was common to both, India and China, as it deals with the topic of Buddhism.
The story of ‘Go Away Mr. Tumor’ is not only limited to China, but depicts universal optimistic spirit, said Yuan. Last year, this movie was showcased in film festivals of North America and Australia owing of its universal subject. She added that Indian movies inspire her a lot. She watched ‘3 idiots’ and learned that a film can be entertaining as well as educating.
Yan Yan was happy that a non-commercial movie also received a huge audience applause. Her movie ‘Song of Phoenix’ was running successfully in theatres for two months, and it gave her a lot of hope that such cinema was appreciated by the young audience.
In a separate exchange, delegates from South Africa expressed hope that very soon member-countries will co-produce films on various interesting topics and enhance bilateral relations. The delegation said talks at the highest level of governments are progressing well and will soon give a final shape to joint cooperation in the field of cinema.
The cast and crew from the competing films of South Africa shared their stories, ideas and experiences. Present at the conference were Sallas de Jager, Director of ‘Free State’; Director Mandla Dube along with Associate producer Lerato Louise Montoedi of ‘Kalushi: The Story of Soloman Mahlangu’; Thapelo Mokoena, Actor of ‘Mrs. Right Guy’ and Paul Egan, Producer of ‘Tess’.
Jager said ‘Free State’ was shot two years ago and involved people from South Africa and India. It was a privilege for him to write the story, portraying the essence of a forbidden love story. The film represents the relation between parents and children. He noted that working with the Indian crew was a great learning experience.
‘Free State’ showcases the story of Jeanette, who is a beautiful open-minded law student. During her summer holiday with her father in the Free State, a random act of kindness by an attractive Indian sprouts an unexpected love affair. Secret meetings follow, since it was against the law at the time to have an inter-racial relationship. As the film progresses, their secret comes out and hell breaks loose.
Dube said ‘Kalushi’ was shot eight years ago and had been screened at various film festivals including Cannes, and loved by the people of Edinburgh, South Africa, Zanzibar and London.
Lerato Louise added that the idea of making this movie came from a stage play. The movie portrays the story of a young liberator who fought for the country. The story of Solomon relates to the connection of South Africa and India, as the lawyer of Kalushi was an Indian.
Thapelo Mokoena said ‘Mrs. Right Guy’ revolved round a woman and is one of the three romantic comedy movies produced by the black community. He added that the film is more than just a struggle story of the past.
‘Mrs. Right Guy’ is the story of Gugu, a woman who rejects love before it can get too close to rock her from a self-imposed exile from love. But, to find bliss with the right guy she must first realize that no man is created equal.
Paul Egan said the shooting of ‘Tess’ was completed in June 2016 and the audience outside South Africa witnessed it for the first time at this festival. The quality and precision of movies from the other countries screened at BRICS were extremely inspiring and that they were learning quite a lot from them, he added.
Hindi
Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil
Strong word-of-mouth turns Pongal satire into remake pick
MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.
Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.
Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.
Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.
By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.
For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.
Hindi
Fans take centre stage as Zee Cine awards turns the spotlight around
MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.
The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.
The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.
Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.
The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.
Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.
Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.
As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
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