Film Production
IFTPC proposes Bio-Bubble plan before Maharashtra Govt
MUMBAI: Film and TV land juddered to a halt on Wednesday after the Maharashtra government imposed a ban on filming for a period of two weeks owing to the skyrocketing cases of Covid2019 in the state.
The new order is part of the Break The Chain guidelines, that states all shoots of films, television and advertisement will be put on hold from 14 April to 1 May. Until this order, production had been taking place with restrictions like avoiding filming scenes with large crowds or background dancers and no shoots during the weekend lockdown.
As the television and film industry gears up to brace the impact of the two-week-long restrictions in Maharashtra, several entertainment bodies and broadcasters met on Wednesday and decided to appeal to state chief minister Uddhav Thackeray to allow certain production-related activity by following Covid2019 safety protocols.
Television producer and Indian Films & TV Producers Council (IFTPC) chairman TV wing & web JD Majethia has said that while the entire fraternity supports the government in its fight to curb the spread of Covid2019, they have decided to approach Thackeray to allow shoots to go on with stricter measures.
“We are writing to the CM for a few exemptions during the next two weeks. People look forward to entertainment and fresh content while being confined to their homes during such a trying time,” said Majethia.
He also mentioned that the production houses who have created a bank of upcoming episodes will sustain and those who do not have fresh episodes in the pipeline will have to air repeat telecasts.
“Some film and television producers are also mulling over plans to shift productions to locations outside Maharashtra like Goa or nearby places to commence the shooting,” said Swastik Productions MD Rahul Kumar Tewary, who is currently shooting in Gujarat. “They are also changing the track of the shows to current times. The whole industry is facing a very challenging time despite following all the Covid2019 protocols the situation is uncontrollable and unpredictable. Broadcasters are also planning whether they want to air original content or repeat telecasts.”
The new restrictions could impact the shooting of around 90 TV shows, 50 Hindi movies, and 40 Marathi films. Apart from these, the production of a large number of web series will also be impacted.
While echoing the sentiment, Majethia mentioned that rather than changing locations, it would be easier for a fiction show to alter its storyline. However, it can be extremely difficult for a non-fiction property to create a whole new infrastructure, he highlighted. “Moving the entire cast and crew to a new location is a possibility but what will we do if the situation gets worse over there as well? A lot of shootings were happening in Madhya Pradesh but the government soon announced a lockdown, due to which ongoing shootings were immediately halted. These kinds of situations can happen anytime,” the producer said.
With the double-edged sword of rising caseloads and production shutdown at any time hovering over their heads, representatives of several producers’ bodies have decided to propose creation of bio-bubbles to the state government.
“This week, along with other stakeholders of the industry, we will present our plan on bio-bubble to the government. Through this move we are trying to build a confidence among government officials that if shooting gets resumed, we have a protected environment where we can shoot,” Majethia explained.
He also expressed fears that if the lockdown continues and fresh content dries up, it could be difficult to retain existing viewers, who may migrate to online streaming platforms for good.
Elara Capital research analyst Karan Taurani said TV shows will be most impacted by the shutdown, specifically Marathi and Hindi fiction and non-fiction shows.
Meanwhile, broadcasters and producers are working in tandem to tackle the situation. There is no penalty on late delivery of content and discussions are underway on extending the budget in case of outdoor shoots.
“TV broadcasters generally have a buffer of 10-15 days before a fresh episode is shown, hence the impact will be minimal if this restriction stays for 15 days, however in case of any extension, it will have a negative impact for broadcasters," pronounced Balaji Telefilms CEO Karan Taurani.
Bollywood is also feeling the heat. Films like Shah Rukh Khan-starrer Pathan, Salman Khan-led Tiger 3 and Amitabh Bachchan’s Goodbye that were filming under these restrictions are now in limbo. Moreover, the industry is bearing losses as spot boys and other daily wagers have returned to their hometown due to no work.
“We support lockdown, but there has to be a way for us. The government talks about others but not daily wagers in our industry,” said the president of the All Indian Cine Workers Association.
Film Production
Balaji Telefilms launches Hoonur, its talent management vertical
MUMBAI: Balaji Telefilms has rolled out Hoonur, a dedicated talent management arm under its digital division, sharpening its push to build an integrated entertainment ecosystem spanning content, platforms and artists.
The new vertical is aimed at structured career development in an industry increasingly driven by digital reach, brand partnerships and multi-platform visibility. Hoonur will focus on long-term representation, strategic positioning and audience engagement for talent across broadcast and streaming formats.
The initiative will be led by Mohammed Nagman Lateef, a talent strategist with more than 11 years of experience, who earlier founded Iconic Entertainment. His appointment signals a more organised, forward-looking approach to artist management within the Balaji Telefilms fold.
Balaji Telefilms joint managing director Ekta Kapoor, said, “At Balaji, we have always believed that every artist deserves the right environment to grow. Talent thrives when it is supported by a platform that understands its individuality and long-term potential. With Hoonur, we are creating a curated space where artists receive focused attention, strategic guidance, and opportunities that are aligned with who they are and where they can go. It’s about shaping meaningful journeys, not just managing assignments.”
Hoonur has already signed a diverse roster of television and digital stars, including Madalsa Sharma, Sahil Uppal, Rohit Chandel, Simba Nagpal, Tejasswi Prakash and Shubhangi Atre.
Several of its artists: Urvashi Dholakia, Ridhi Dogra, Shiv Thakre and Shiny Doshi, also feature in The 50, one of India’s most anticipated new reality television shows.
Balaji Telefilms chief revenue officer Nitin Burman, said the new vertical would enable closer collaboration between content, brands and platforms, placing talent at the centre of long-term partnerships and audience engagement strategies.
With Hoonur, Balaji Telefilms is doubling down on its integrated model, blending content creation, digital strategy and talent representation to shape the next generation of media stars.
Film Production
Ananya Birla steps into cinema with Birla Studios launch
MUMBAI: Ananya Birla is rolling the camera on a new act. The entrepreneur and singer has launched Birla Studios, a film production house pitched at the sweet spot between artistic heft and box-office muscle, as India’s content boom lures fresh capital and ambition.
Based in Mumbai and launched in 2026, the studio sets out to produce high-concept, prestige-driven commercial cinema that pairs broad audience appeal with artistic distinction. The pitch is clear: culturally relevant stories, emotional immediacy and films designed to linger in the mind long after the credits roll.
Birla Studios will champion narratives that spark instant connection while offering long-term resonance. Its mandate blends creative ambition with commercial viability, alongside a stated commitment to nurture new talent and amplify fresh voices across genres.
The venture is rooted in Ananya Birla’s view of cinema as a serious medium of expression and influence, not merely spectacle. The studio positions itself as a platform for meaningful but widely engaging storytelling that mirrors contemporary cultural sensibilities.
“We are all stories. Cinema is one of the most powerful mediums through which those stories are told. At its most powerful, cinema creates an immediate connection while leaving a lasting resonance,” Ananya Birla said. She added that the focus is on curating a slate that balances cultural significance with strong entertainment value, while taking “a conscious stand to nurture new talent, explore genres, and amplify fresh voices and diverse perspectives”.
As the slate takes shape, she noted the “kindness and receptiveness” encountered across the industry, calling it a privilege to play even a small role in taking Indian cinema forward.
The content strategy is deliberately wide. Birla Studios is assembling a multi-language slate spanning Hindi, Gujarati and Malayalam films, alongside international English-language projects. The idea is to travel across regions, languages and borders rather than stay in one cinematic lane.
Genre is no barrier. The studio describes itself as genre-agnostic, backing stories with depth and commercial potential while prioritising craft, scale and careful execution. Details of specific projects remain under wraps, with announcements promised in the coming months.
India’s film business is in flux, with streaming platforms, pan-Indian hits and global audiences reshaping what travels and what sells. Into that churn steps Birla Studios, betting that stories with cultural specificity and universal emotion can do both.
The script, for now, is aspirational. The real test will be on screen. In a crowded market chasing the next big story, Birla Studios wants to make films that do not just open well—but endure.
Film Production
Agnieszka Veriga named VP program management for Apac global experiences at WBD
MUMBAI: Warner Bros Discovery has elevated Agnieszka Veriga, widely known as Aga, to vice president, program management for Apac global experiences, placing her at the helm of the company’s fast-expanding experiences business across the region.
Based in Dubai and working closely with teams across Asia Pacific, Veriga will lead Warner Bros Discovery’s portfolio of owned and licensed experiences. Her remit includes the Warner Bros Studio Tours in Tokyo and Shanghai, alongside shaping the company’s long-term growth strategy for experiences in Asia.
The appointment follows a landmark year in which Veriga worked closely with Sarah Roots to deliver the Harry Potter Studio Tour Shanghai project. Developed in partnership with Chinese hospitality major JingJiang, the project marked a major step in Warner Bros Discovery’s global experiences ambitions and stood out for its scale and complexity.
In her new role, Veriga will partner with Tony Qiu and the regional leadership team, focusing on strong programme delivery, clear governance and close collaboration across markets as the experiences portfolio continues to grow.
Veriga brings deep international experience to the position. Prior to joining Warner Bros Discovery, she served as director, strategic project management and business operations for Asia at Paramount, where she led major transformation initiatives and played a key role in launching Paramount Plus in South Korea and Japan. Her earlier career spans senior strategy and operations roles across Asia, Europe and the Middle East within the Discovery ecosystem and beyond.
Sharing the news, Veriga said she was grateful for the trust and support she has received and excited about what lies ahead. With studio tours and immersive entertainment gaining traction across Asia, her expanded mandate signals Warner Bros Discovery’s intent to scale experiences with precision and pace.
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