GECs
Hungama TV rebooted
MUMBAI: Disney UTV’s kids’ channel – Hungama TV – has had a makeover of sorts. The new avatar imparts a more local flavour while retaining the ‘unapologetically fun loving, mischievous and boisterous’ character of the channel.
The redesigned page was launched on 1 October and it took the in-house team at Disney Interactive a little less than two months for the conceptualisation, direction and execution.
Of the reboot, Disney UTV Media Networks director – creative services Prashant Madan says: “We have taken the traditional values of Hungama TV, and what it stood for, and just given it a new voice. And we wanted to reach out and put out a message as to what the new voice would be.”
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It's more like a challenge rather than a question explains Madan speaking about the new tagline – Hungama Machaya Kya?
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The brand refresh has been three-pronged; replete with a new tagline – Hungama Machaya Kya?, a new on-air look and package, and a fresh interactive feel.
“So when we are talking about fun, we just don’t want to show it but make our users feel it, so our live action would really place our brand in a unique place as other kids’ brands don’t do that and it’s a very stand-out thing that we intend on doing. For our positioning, we used real kids to portray what we are trying to say. Like in adults, we have thought leaders, in kids, we have action leaders. So we wanted to inspire other kids and that is where the live action animation comes into play. And that kind of feeling can only be portrayed in true light with the right use of animation and graphics,” elaborates Madan.
Supplementing the new look for the channel is a music video featuring kids in a colourful, playful mood, bringing alive emotions they experience in everyday life.
“We have gone a step further with the graphic packaging as well, by adding a lot of things that kids find attractive and love to do. Like flying kites, latoos or playing marbles. So we have drawn inspiration from these small things that kids love to do at that age and converted them into something far more fun and engaging.”
Incidentally, this is just the first phase of the revamp and the second phase will happen over the course of the year and will be more marketing and content-led.
Madan says the new tagline is based on a recent survey by the channel where it emerged that there are always a few kids in every group who dictate the action and activities of the flock. Hungama decided to highlight these kids through its tagline while inspiring other children to follow their example and live life to the fullest. “So it’s more like a challenge rather than a question… so go out there and live life is what we are trying to say,” explains Madan.
Additionally, the channel plans to go more local through its shows like Veer – The Robot, Luv Kush, King Vikram, and Suryaputra Karan.
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The brand refresh has been three-pronged; replete with a new tagline – Hungama Machaya Kya?, a new on-air look and package, and a fresh interactive feel
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So what’s the response so far? “It’s a bit too early to put numbers on the results of the revamp but with time, we will surely be studying them, as it’s something that our users need to acclimatise to,” says Madan.
Of Disney UTV’s four youth-centric channels – Disney, Hungama, Disney XD and Disney Junior – Hungama is the only channel that is truly home-grown in nature. “We are a channel that is very Indian at heart, and extremely driven by Indian values and visuals, we drew our inspiration for this from the funfair that happens, because we wanted to imbibe the colours, the energy and the vibrancy that is in abundance in these melas, and so we have used those colours and also made ample use of symbols like the kite, latoo, see-saw or the marble contest to make the packaging very vibrant and Indian in nature,” rounds off Madan.
GECs
Sun TV posts steady revenue, profit dips amid rising costs
CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.
For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.
The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.
Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.
The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.
Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).
The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.
The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.
To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.
With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
GECs
SPNI hires Pradeep M with responsibility for standards and practices in the south
MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.
Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.
He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.
Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.
His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.
As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.
GECs
Colors Gujarati rolls out two new shows from 2nd February
MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.
Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.
In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.
A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.
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