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Gunday: Old wine rebottled

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MUMBAI: Gunday is a story based in 1970s and 80s. And, in keeping with the era, the story is also what was called mass masala in those days. What is new about it? Well, after seeing a lineup of films with Delhi background, this has Kolkata as the backdrop.

Ranveer Singh and Arjun Kapoor are two orphaned refugee kids from Bangladesh who join the tide of other refuges and enter a refugee camp in Bengal. Wanting to cash in on their innocence, an officer and a tout decide to use them as conduits to transport guns outside the camp. When the officer gets the urge for a woman and finds none in the camp, he decides to use one of the two boys. This leads to the boys committing their first crime as the officer is shot dead. They make their escape on a goods train carrying coal and come to Kolkata.

While doing odd jobs, they dream big, which of course, is not easy to achieve unless one gets into illegal dealings. They see the use of coal all around and think of the wagon train they travelled in and decide to steal from wagons and sell coal at half the market price. It is the 1980s now and the lads have grown up and graduated to stealing entire trainloads of coal instead of just a few kilos, in the process killing the earlier don and his whole gang. With that materialises the car and the home they dreamt of all along. The boys are more than blood brothers, so inseparable that they even share the same bed!

 

Producer: Aditya Chopra.

Director: Ali Abbas Zafar.

Cast: Priyanka Chopra, Ranveer Singh, Arjun Kapoor, 
Irrfan Khan, Saurabh Shukla. (Darshan Gurjar and Jayesh
V Kardak as young Ranveer
and Arjun.)

The two soon start other businesses and even have a logo designed for their ventures: BB (for Bala and Bikram, the screen names). While they have been busy building an empire and establishing themselves as the most feared dons of Kolkata, the police chief is busy collecting a horde of files on their crimes. As the duo looks unstoppable, the chief hands over the case to one cop who can stop them – Irrfan Khan. But they remain unperturbed as even with so many files, the police had no proof or witnesses so far. Irrfan takes on the onus to collect proof against them. He starts his job by planting a mole around them.

The duo has financed a night club and gets the privilege of inaugurating the club. There they set their eyes on Priyanka Chopra, the club’s star performer. Both fall in love with her instantly. Two men in love with same woman, just the situation that is enough to put their friendship to the test. Circumstances are created whereby not only the friendship is broken but now the friends for life are ready to kill each other. The enmity starts with a no-holds-barred fistfight and later leads to the use of guns.

As the film gets into the latter parts post interval, things become predictable. The surprises don’t surprise the viewer.

With few characters to carry it, the film is too lengthy at 153 minutes. It could have been shorter. With a loose script, the direction is copybook, offering no sparks of genius. Kolkata locations are exploited well. The film’s music works to its advantage with three songs having popular appeal in Asalaam- e-ishqum…, Jashn- e- ishq…… and Tune maari entriyaan and has helped the film get a better opening. The lead actors, Ranveer and Arjun are not really known for histrionics but having nothing negative against their names so far, they draw the young crowd. However, they needed a younger girl to fall in love with rather than Priyanka whom one would consider in the senior league. Irrfan and Saurabh Shukla are good as usual.

Gunday has had a good opening all over (Delhi, NCR and UP affected a bit earlier in the day due to rains). With solo release as an advantage and its two young heroes, the film has everything working for it at the box office.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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