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GUEST COLUMN: How 2025 reshaped marketing in silence
MUMBAI: 2025 looked like a year in which nothing really happened. No seismic cultural wave, no creative renaissance, no industry-defining moment. Yet beneath that deceptive stillness, the ground shifted. In this guest column, Adnan Pocketwala, growth partner at Ormax WhatNext, unpacks how a year that appeared uneventful on the surface quietly restructured consumer behaviour, brand-building and creativity – and why 2025 may ultimately be remembered as the year everything changed under the surface.
2025 almost seems like a year that slipped through our fingers. No great cultural tidal wave, no category-defining shock, just a year that many marketers will remember as uneventful. But in hindsight, the stillness feels deceptive. Beneath it, the tectonic plates of consumer behaviour and brand-building have shifted far more than they appeared to.
If 2023 was the year of Peak Purpose, and 2024 the year of Culture and the Creator Economy, 2025 will be remembered for something paradoxical: not much really happened — except AI happened everywhere. A year when AI and LLMs stopped being a novelty and became infrastructure, rewiring briefs, decisions, media plans and consumer journeys with unnerving quietness.
What started with cute haikus soon moved into headlines, media plans, brand architectures and once-sacrosanct “strategic thinking” on an LLM window that refused to blink.
And for the first time, marketers genuinely asked: “Why does the world need us — there is AI now?”
A year that quietly rearranged the marketplace
Several brands became the subtext of modern life without ever shouting for attention. Zomato continued its march from food-delivery app to lifestyle utility, teaching a generation that convenience is culture. Zepto found its footing; Swiggy lost some. Air India’s reinvention restored national pride, while Indigo began showing the creaks of incumbency.
2025 also marked a decisive shift in Indian nutrition. Amul’s entry into the “protein revolution” signalled that health wasn’t a specialist segment anymore — it had become mass culture. When the country’s most democratic dairy brand says protein matters, the conversation moves from gyms to dining tables.
Tech seeped into everything: rings, patches, lenses, fabrics, foods. Wearables became wellness companions; diagnostics moved from labs to living rooms. Investment demigods emerged — health-tech, life-tech, food-tech, fabric-tech.
Yet ed-tech remained in reputational rehab, still paying for the sins of Byju’s and a trust deficit that refuses to heal.
Insurance finally woke up from its creative slumber. “Accha kiya insurance liya” gave the category a long-overdue reason-to-believe, rooted in protection rather than wealth creation — arguably the first time the category stopped bringing a knife to the mutual-fund-sized gunfight.
Diamonds fought their own ideological battle. Lab-grown diamonds leaned into rationality and financial prudence; De Beers returned to an emotionally charged defence of “real,” doubling down on myth, yearning and what true love should feel like.
Culture was rewired – and controversies came and went
K-pop moved from trend to infrastructure. Kids could list ramen SKUs faster than multiplication tables. Streetwear turned Korean, snacks turned Korean, beauty turned Korean — and Kay Beauty found its groove.
India’s fashion landscape tilted too. Menswear, long the cautious category, received its first wave of real occasionwear visibility as disruptors made boldness acceptable.
Cultural flare-ups — the American Eagle backlash, the Prada India moment — reminded brands that marketing is as much art as science.
And in the same year, Mahindra became India’s unexpected Tesla, shifting EVs from price-led to desire-led. A reminder that aspiration remains India’s favourite operating system.
The middle-class consumer quietly revolted
Perhaps the most under-discussed shift of the year: the silent death walk of the “middle-class brand.” The Indian consumer stopped rewarding “good enough,” and a new buying logic emerged:
If I’m paying a premium, it should be worth bragging about.
If I’m saving money, it should be worth the compromise.
If it’s neither, it belongs nowhere.
Caught in the crossfire, mid-tier D2C brands plateaued — too expensive for value seekers; too ordinary for premium seekers.
Influencer-first brands hit turbulence. The promise of “clean beauty” collapsed under scrutiny, sameness and influencer fatigue. Science-backed, truly clean entrants finally found breathing room.
Creativity gasped for breath
A crisis unfolded in advertising. Creative storytelling became optional. Creativity itself, already weakened by client-side nervousness, was in an accident. Agency closures and consolidations were symptoms of a bigger ailment: brands mistaking efficiency for imagination.
We also lost some giants on whose shoulders the industry once stood, making the landscape feel collectively shorter.
Yet the sparks were unmistakable:
• Flipkart entertained the country with SaSa LeLe and the immensely shareable Math Is Mathing.
• Dream11 made us fight for our teams but lost its own narrative along the way.
• Urban Company’s Native RO hit a sweet spot with product truth, cultural insight and category reframing.
• Asian Paints, with India Ka Har Doosra Ghar, rediscovered its storytelling muscle.
• Chupa Chups delighted with Samajh Ke Bahar, proving creativity can still make the mundane memorable.
Good work, yes — but nothing ready for the halls of fame.
Emotion took a back seat — but not forever
This year saw a shift in decision-making patterns. High-interest categories flipped from emotion → logic → habit to logic → habit → emotion — an arranged-marriage model of brand love: prove your practicality first; I’ll get attached later.
In the same period, the world’s most technical company, OpenAI, showed marketers how storytelling is done, proving craft is not a casualty of technology but its collaborator.
Some brands broke through
• Tanishq extended its cultural truth playbook without tipping into imported activism.
• Mother Dairy’s Aai Jaisi Mumbai delivered emotional resonance.
• Aditya Birla Capital reframed motherhood with nuance instead of sacrifice.
• WhatsApp clarified its stance on misinformation — an essential but uphill battle.
Founders became podcasters. Influencers became founders. A circular economy of clout creation emerged.
And Kusha Kapila found her lane with Underneat.
Where does all this leave us?
At a crossroads.
Brands today have reach, formats, creators, technology, precision – everything except the thing consumers want most: trust, now at its thinnest in years.
2026 is shaping up to be the year of better mousetraps – brands built on sharper product truths, scientific credibility and AI-native personalisation.
Health and wellness will confront their day of reckoning. “Good for you” will no longer be enough; consumers will demand specialisation, expertise and proof.
AI-native brands will rise.
Culture-first brands will return.
Middle-class brands will struggle.
Creativity will (hopefully) recover.
And 2025 may ultimately be remembered as the year nothing happened — and the year everything quietly began to change.
Note: The views expressed in this article are solely the author’s and do not necessarily reflect our own.
iWorld
Netflix celebrates a decade in India with Shah Rukh Khan-narrated tribute film
MUMBAI: Netflix is celebrating ten years in India with a slick anniversary film voiced by Shah Rukh Khan, a nostalgic sprint through a decade that rewired how the country watches stories. The campaign doubles as both tribute and reminder: streaming did not just enter Indian homes, it quietly rearranged them.
Roll back to 2016 and television still dictated schedules. Viewers waited weeks, sometimes months, for favourite films to appear on prime time. Family-friendly filters narrowed options further, and piracy often filled the gaps. Then Netflix arrived, softly but decisively, carrying a catalogue of international titles rarely seen in Indian theatres and placing them a click away. Old blockbusters and new releases suddenly coexisted on the same digital shelf.
The platform’s real inflection point came in 2018 with Sacred Games, a breakout series that refused to dilute India’s grit for global comfort. Audiences embraced its unvarnished tone, signalling readiness for stories that did not need box-office validation or censorship compromises. What followed was a steady procession of relatable narratives. Competitive-exam anxiety fuelled Kota Factory. College relationships unfolded in Mismatched. Everyday pressures, not grand spectacle, proved bankable.
Language barriers thinned as foreign series arrived with Hindi, Tamil and Telugu dubbing, expanding viewership beyond urban English-speaking pockets. Marketing mirrored the shift. For global releases such as Squid Game, Netflix leaned on regional creators and influencers to localise buzz and make international content feel native.
The library widened beyond fiction. Documentaries stepped out of festival circuits into living rooms. Stand-up comedians found scale. Established filmmakers, including Sanjay Leela Bhansali with Heeramandi, embraced the platform’s long-form canvas. Subscriber numbers swelled to 12.37 million in India, according to Demandsage, and behaviour followed suit. Late-night binges became routine. Friday release rituals loosened. Watch parties turned solitary screens into social events.
Economics demanded adjustment. Early subscription pricing carried a premium aura that deterred many households. Over time, Netflix recalibrated plans to align with Indian spending sensibilities, conceding that accessibility is as critical as content. To extend momentum around marquee titles, the platform also experimented with split-season releases, stretching anticipation and watch time.
The anniversary film, narrated by Shah Rukh Khan, captures the linguistic shift that mirrors the cultural one: from “Netflix pe kya dekha?” to “Netflix pe kya dekhein?” The question moved from recounting the past to planning the next binge. In ten years, Netflix morphed from foreign entrant to familiar fixture, exporting Indian stories abroad while importing global ones home. The remote no longer waits; it chooses, clicks and moves on. In the streaming age, patience is out, playlists are in, and the next episode is always one tap away.
Brands
Delhivery chairman Deepak Kapoor, independent director Saugata Gupta quit board
Gurugram: Delhivery’s boardroom is being reset. Deepak Kapoor, chairman and independent director, has resigned with effect from April 1 as part of a planned board reconstitution, the logistics company said in an exchange filing. Saugata Gupta, managing director and chief executive of FMCG major Marico and an independent director on Delhivery’s board, has also stepped down.
Kapoor exits after an eight-year stint that included steering the company through its 2022 stock-market debut, a period that saw Delhivery transform from a venture-backed upstart into one of India’s most visible logistics platforms. Gupta, who joined the board in 2021, departs alongside him, marking a simultaneous clearing of two senior independent seats.
“Deepak and Saugata have been instrumental in our process of recognising the need for and enabling the reconstitution of the board of directors in line with our ambitious next phase of growth,” said Sahil Barua, managing director and chief executive, Delhivery. The statement frames the exits less as departures and more as deliberate succession, a boardroom shuffle timed to the company’s evolving scale and strategy.
The resignations arrive amid broader governance recalibration. In 2025, Delhivery appointed Emcure Pharmaceuticals whole-time director Namita Thapar, PB Fintech founder and chairman Yashish Dahiya, and IIM Bangalore faculty member Padmini Srinivasan as independent directors, signalling a tilt towards consumer, fintech and academic expertise at the board level.
Kapoor’s tenure spanned Delhivery’s most defining years, rapid network expansion, public listing and the push towards profitability in a bruising logistics market. Gupta’s presence brought FMCG and brand-scale perspective during a period when ecommerce volumes and last-mile delivery economics were being rewritten.
The twin exits, effective from the new financial year, underscore a familiar corporate rhythm: founders consolidate, veterans rotate out, and fresh voices are ushered in to script the next chapter. In India’s hyper-competitive logistics race, even the boardroom does not stand still.
MAM
Meta appoints Anuvrat Rao as APAC head of commerce partnerships
At Locofy.ai, Rao helped convert a three-year free beta into a paid engine, clocking 1,000 subscribers and 15 enterprise clients within ten days of launch in September 2024. The low-code startup, backed by Accel and top tech founders, is famed for turning designs into production-ready code using proprietary large design models.
Before that, Rao founded generative AI venture 1Bstories, which was acquired by creative AI platform Laetro in mid-2024, where he briefly served as managing director for APAC. Alongside operating roles, he has been an active investor and advisor since 2020, backing startups such as BotMD, Muxy, Creator plus, Intellect, Sealed and CricFlex through a creator-economy-led thesis.
Rao spent over eight years at Google, holding senior partnership roles across search, assistant, chrome, web and YouTube in APAC, and earlier cut his teeth in strategy consulting at OC&C in London and investment finance at W. P. Carey in Europe and the US.
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