Hindi
Glimmers of hope for box office recovery
Los Angeles: The global box office is accelerating. Revenues in 2021 could hit 21.6 billion, according to a revised forecast from the research firm Gower Street Analytics. The estimate has been revised from a previous estimate of $20.2 billion with a potential additional upside that could see the current year finish closer to $22 billion globally.
“The $1.4 billion gain to the global prediction since our previous estimate, which was based on eight months of actuals and estimates for the final four months of the year, is primarily due to the blockbuster boost brought about by October,” said the firm.
The reason for the shift is driven primarily by the strong performance of October titles including China’s ‘The Battle at Lake Changjin’ ($845 million through the past Sunday), MGM/Eon/Universal’s “No Time To Die” ($605.7 million) and Sony’s “Venom: Let there Be Carnage” ($395.8M). Warner Bros/Legendary’s “Dune” is also coming out of a strong, expanded release frame with a global total of $296.4 million.
The $21.6 billion estimates would put 2021, 80 per cent ahead of 2020, but still 49 per cent behind 2019’s record global tally. This is the final estimate the firm plans to publish for 2021 before actuals are announced in early January.
According to Gower Street, the market share of global box office represented by North America (aka the domestic US) held relatively unchanged, down from 21.8 per cent to 21.6 per cent. Likewise, Latin America held steady, down from 4.9 per cent to 4.6 per cent. These markets are expected to remain relatively unchanged between 2020 and 2021. The Europe/Middle East/Africa (EMEA) dropped from 23.1% to 21.6 per cent.
In contrast, the Asian-Pacific (APAC) market is expected to expand its share from just over 50 per cent in 2020 to 52.2 per cent in 2021. However, the APAC gain is entirely due to China, which has made its own further encroachment within the APAC region, with a reduced market share of the worldwide box office in the region’s other key markets: Japan, South Korea, and Australia. China is expected to represent nearly 34 per cent of the global box office in 2021, compared to just over 28 per cent in 2020. Japan, meanwhile, sees its market share halve from 12.2 per cent to just six per cent. Korea drops from 4.1 per cent to 2.4 per cent, and Australia from 2.7 per cent to 2.1 per cent.
Hollywood, in general, is still feeling the fallout from the pandemic. Despite US theatres being mostly back in full operations, there has been hesitation on the part of audiences to return to filling seats to full capacity. However, Hollywood studios and theatre owners are beginning to entice a return to the big screen with persuasive marketing campaigns and exclusive in-theatre movie releases.
Likewise, the Indian Box Office took a hard hit due to the coronavirus pandemic. Bollywood had a banner year in 2019 and heading into 2020, according to Statista, the box office revenue for the Indian film industry was valued at about Rs 139 billion. This figure was estimated to drop to only Rs 30 billion a year later due to the pandemic impact. However, hope remains high as theatres begin to reopen. Movie theatres in the entertainment capital of Mumbai reopened on 22 October after 18 months of closure due to Covid-19.
Overall, the global estimate for October has risen nearly 30 per cent from an original estimate of $2.5 billion to $3.2 billion. This would put October business just 4 per cent behind the average of the three pre-pandemic years (2017-2019) for the month. No previous month in 2021 has performed better than 40 per cent behind the three-year average.
“The Battle at Lake Changjin” tops the 2021 worldwide box office chart with more than $845 million in ticket sales to date. China’s blockbuster “Hi, Mom” which was released in February, follows at number two with $822 million. Universal carries the number three spot with “F9: The Fast Saga” with $721.1 million. China’s “Detective Chinatown 3” is number four worldwide ($686.3 million).
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
Hindi
Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26
MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.
The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.
Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.
Hindi
Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights
MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.
The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.
Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.
In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.
The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.
Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.
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