Hindi
Fukrey – A comedy of errors
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MUMBAI: Fukrey‘ is a local northern slang – meaning good for nothing. The film is about four such young men. Three of them need a large sum of money to bribe their way into the most happening college in Delhi. This is not because they are keen on good education, but because this college boasts of best of girls on campus, cool parties and freedom to stay away from classes and just have fun.
Pulkit Samrat and Varun Sharma are classmates who look grown up because both have failed at least thrice in school. Also, they stick together all day. They have no chance of passing school exams yet dream of getting into college. They decide on doing a recce of their dream campus but it is tough to pass the gates being manned by Pankaj Tripathi. Of course, if one knows how to tackle Tripathi, he is very helpful. The boys make a deal with Tripathi that for a large sum he will get them the exam papers in advance and let them enter the college campus. There they meet guitar strumming Ali Fazal; Fazal has no problem getting into the college, as he has one getting out. He has been roaming around the campus nursing his dream to make a music album. His love angle, Vishakha Singh, teaches in the same college. Tripathi also has one more prospective customer, Manjot Singh, who wants to get into the same college because his girlfriend is here. Since he does not possess the merits, Tripathi offers to get him in against a donation of Rs 2.5 lakh to the college. Meanwhile, Fazal has a bad news that his father has suffered a stroke and he urgently needs to raise a lakh of rupees for his treatment. The four lads have met and now have a common aim, to raise money. But, they have a very resourceful mentor in Tripathi. He takes them to Richa Chadda, known as Bholi Punjaban who, contrary to her name, is a ferocious woman whose vocabulary is mainly filled with abuses; she deals in drugs, false email racket, pimping and the works. Samrat and Sharma have a dream to sell to Chadda. Sharma has some peculiar dreams where Samrat is being mauled by a god or an animal which he narrates to him. Samrat interprets this dream to work out a lottery number which they always win. Chadda is convinced to invest the seed money in the dream lottery but she does so only against the papers of Manjot‘s father‘s halwai shop. Under pressure, Sharma fails to get any sleep and hence no dreams but scared of his friends, he makes up a dream. The money is gone and the four lads are now slaves of Chadda till she recovers her money. Her intention is to keep using the boys to do her illegal bidding. She asks them to sell drugs at a rave party in the neighbourhood and also sends the cops after them. The boys somehow escape but Chadda‘s lien on their heads has mounted to Rs 25 lakh after losing the drugs she gave them to sell. The only way out of the trap is for Sharma to dream again. There is no story for most part of the film and it carries on mainly on gimmicks of Samrat and Sharma and the encounters of Manjot with a local charasi. The story, such as it is, begins after the entry of Chadda. What follow is crazy comic situations backed with funny one-liners. Chadda excels as a loud female villain. Among the boys, Sharma and Manjot shine with good support from Samrat. Fazal and his love interest Visakha are okay. Tripathi is very effective. Music does not add much to the film. Dialogue is good. Fukrey has some appeal for Delhi and surrounding areas, but the rest of the country will find limited attraction. |
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Ankur Arora Murder Case – A medical thriller hitting the conscience |
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Ankur Arora Murder Case is about the might of a powerful wrongdoer being challenged by an honest one without resources. A film in the recent past which comes to mind is Jolly LLB. This film deals with medical negligence and efforts by a powerful doctor and the hospital management to cover up the death caused by negligence. Ankur, a young boy, complains of stomach pains and is brought to hospital where an intern, Arjun Mathur, diagnoses appendicitis but advises to admitting Ankur for the night until a stomach scan can be done in the morning. Mathur as well as his co-intern and lover, Vishakha Singh, are on the team of Kay Kay Menon, whose skills are legendary. Both the interns are in awe of him and treat him as their idol. After the scans, Mathur‘s diagnosis proves right and the boy has to undergo a simple surgery to remove his appendix. Menon decides to delay the process by a day in the interest of hospital coffers which Mathur does not find justified. One hour before the operation, Ankur gets hungry. While his mother, Tisca Chopra, is out buying medicines and stuff for him, he is tempted to eat a few biscuits kept next to him; this is against doctor‘s advice to refrain from eating anything eight hours prior to surgery. The boy tells the nurse about this when asked and the nurse duly informs Menon who decides to do the needful to clean the patient‘s stomach before operation. However, too busy on his mobile, he starts the surgery as soon as he enters the operation theatre (OT); this despite a nagging feeling in his mind that he was forgetting something. Soon as the surgery is over and the boy stitched up, the boy starts vomiting, his windpipes are blocked stopping oxygen supply to his brain and he goes into coma. Menon and his team fail to revive him and the boy is dead in two days. Menon and his management are all powerful and his team is threatened to keep the matter quiet. The nurse who had warned Menon is sent off to her native place. Mathur, who has been banned from Menon‘s OT team, smells something fishy in the manner of Ankur‘s death. His girlfriend, Vishakha, though present in the OT, refuses to tell him what happened. She leaves him for her career which Menon could ruin if she talked. Mathur and Chopra decide to take the matter to court. Paoli Dam fights their case. All the witnesses, including Vishakha and the nurse who is traced to Goa and brought to the city as witness, turn hostile. The case is as good as lost. But Vishakha decides to do one last brave act and win her love back. As she goes to Menon‘s office to tender her resignation, he loses his mind and goes off tangent delivering a long rant comparing himself to god and calling the boy‘s death a minor mistake in his career. Vishakha has, of course, recorded this whole scene on her cell phone and it soon makes its way to news channels. The story is routine and such things don‘t shock people anymore. Performances by Menon, Mathur and Chopra are good. Direction is fair. There is nothing commercial about Ankur Arora Murder Case. |
Hindi
Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil
Strong word-of-mouth turns Pongal satire into remake pick
MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.
Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.
Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.
Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.
By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.
For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.
Hindi
Fans take centre stage as Zee Cine awards turns the spotlight around
MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.
The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.
The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.
Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.
The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.
Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.
Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.
As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
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