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FTII gearing up to face the digital challenge

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NEW DELHI: Doordarshan will telecast live the closing ceremony of the Mumbai International Film Festival for Documentary, Short and animation films ending tomorrow.

The telecast on the national channel will be from 5 pm, from the National Centre for Performing Arts (NCPA) in Mumbai.

Meanwhile, Film and Television Institute of India (Pune) Director D J Narain said today that the Institute was gearing itself for the digital challenge in film making.

“A fortnight ago, Kodak has filed for bankruptcy and the writing is on the wall. Digital technology is the future and FTII is seized of the developments and restructuring accordingly”, he said in a press conference in MIFF 2012.

Narain said a Group of Experts constituted by the Governing Council of FTII has prepared a Detailed Project Report for the Institute, laying down the path to be followed. As part of modernisation plan, FTII proposes to have additional facilities in terms of introduction of new technologies, screening theatres, studio floors, classrooms and hostels for the existing and proposed new courses.

At the same time, the Information and Broadcasting Ministry is also working on getting the FTII declared a ‘Centre of Excellence‘ through an Act of Parliament.

Narain said the FTII‘s courses are being restructured and all one-year courses are being converted into full fledged three-year courses, consisting of one-year foundation training and two years of specialisation. While new courses will be introduced keeping pace with changes in film-making, the grammar would continue to remain same.

“Digital technology is capable of breaking the stranglehold of heavy capital investment, but creativity needs to be nurtured in an institutional framework”, Narain said.

He admitted that while Government control ensures equity, some of the rules and regulations act as constraints in attracting the best talent for the teaching faculty. As a result, FTII has to depend heavily on visiting guest faculty from Mumbai.

Narain said, “while FTII alumni are part of who‘s who of the film industry, the present crop is no less talented”. He said three films – Khara Karodpati by Piyush Thakur, One Two by Prantik Basu and Light Animation by the Animation batch – are in Competition section of the Festival.

The FTII has also sent 15 other films in the Retrospective made by legends like Kumar Shahani, Girish Kasarvalli, and Rajan Khosa among others.

Meanwhile, more than 10 films from the Public Service Broadcasting Trust – which is partly funded by Prasar Bharati – are being screened in various categories of the Festival dealing with diverse subjects. They include Sumit Khanna‘sAll Rise for Your Honour, Bit of Both – the Disappearing Horizon, Umesh Agarwal‘s Brokering News (on the menace of paid news), Eer.. Stories in Stone by Shri Prakash on tribal art, Journey to Nagaland (an animation film by Aditi Chitre), Arun Chaddha‘s Mindscapes of Love and Longing (exploring the sexuality of people with disabilities), Shabani Hassanwalia and Samreen Farooqi‘s Online and Available (on social networking sites), Sab Leela Hai by Nirmal Chander, So Heddan So Hoddan by Anjali Monteiro and K. P. Jayasankar, and Lalit Vachani‘sTales from Napa which is the remarkable story of a little village that resisted the forces of Hindu fundamentalism during the 2002 anti-Muslim riots in Gujarat.

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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