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Film industry split on stopping work on 23 February

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NEW DELHI: Fissures have started appearing amongst the film fraternity on the issue of striking tomorrow to protest the 10.3 per cent service tax, with the Film Federation of India, the apex body of the film industry, reiterating that the plans remain unchanged and the Film and TV Producers Guild wanting that the strike should be deferred.


FFI President Vinod K Lamba told indiantelevision that he did not give any credence to statements being made by some filmmakers in Mumbai that the strike had been called off, and also regretted that some TV news channels had been playing up these statements. He also questioned the locus standii of the persons who had been saying that the strike had been called off.


However, Guild Vice-President Mukesh Bhatt told indiantelevision.com in Mumbai that he wished the best to Lamba, but “let me tell you more than 90 per cent of film folks including the film associations across India and the Multiplex Owners Association are with us and will not take part in the strike tomorrow”.


Lamba said the FFI was an umbrella body comprising various industry associations including exhibitors, distributors, producers and single screen cinemas, and had taken a unanimous decision to go ahead with the strike. “The result would be there for everyone to see day after tomorrow. My only plea to people not participating in the strike is that they should not sabotage the protest.”


He said though Finance Minister Pranab Mukherjee had given a patient hearing in a meeting over the weekend, he had declined to give any assurances. However, Bhatt was categorical that Mukherjee had wanted the film industry to wait till after the Budget before taking any decision.


A Guild spokesperson also said messages had been received to the effect that some states like Andhra Pradesh would not be joining the strike. Eminent Tamil filmmaker and FFI Committee member L Suresh is also understood to have advised deferment.


Earlier yesterday after a day-long meeting chaired by Lamba, it had been announced that it was necessary for all film bodies to join the protest to voice their anger to the government.


Lamba had told a press meet that apart from Mukherjee, the Information and Broadcasting Minister Ambika Soni had also met representatives of the industry over the weekend but both had been non-committal.


Apart from the fact that the industry is already over-burdened by other taxes like the Entertainment Tax, the Show Tax, and the state-imposed taxes, it has to fight the menace of video piracy, he added.


The FFI has been asking the Government to waive the tax. But Lamba said: “To its utter distress, the Finance Ministry through a circular of 13th December 2011 clarified that the tax was applicable under Finance Act.”


He said that imposition of the service tax would amount to double taxation since the states imposed their own. In any case, taxation was a state subject and, therefore, the imposition of any tax by the centre was unconstitutional.


Lamba said the strike had the full support of all organisations including Indian Motion Pictures Producers Association, organisations of distributors, exhibitors and even exporters. There will be a complete shut down of theatres, and shooting studios on that day all over the country.


Others who attended the meet included South India Film Chamber Secretary Ravi Kottarakara, Arijit Dutta and R S Khemka of the East India Motion Picture Association, A R Raju of the Karnataka Film Chamber, Kalyan of the Andhra Pradesh Film Chamber, Hirachand Dand who is Vice President of the Indian Film Exporters Association, and T P Aggarwal who is Vice President of FFI.


Lamba said that the service tax is generally levied only on the end user, but this was not possible since the rate of admission tickets in cinemas was already very high because of various taxes.


Kottarakara, who is also Convener of the Sub-Committee set up for the strike, said it was unfortunate that the film industry was equated by the government to shopping or gambling with taxes imposed on normal industries, whereas this was a creative field.


It was pointed out that at a time when the number of theatres had come down to under 11,000 for a population of over a billion people, the government should have helped to help build more theatres.


The negative list concept of service tax and the definition of ‘service’ therein intend to consider ‘right to enter any premises’ as an activity liable to service tax. This endangers the box office collection to be eligible to service tax of 10.3 per cent which is already taxed by high rates of entertainment tax. The new approach of negative list continues to consider film distribution rights as liable to service tax.


The power to levy taxes on luxuries, including entertainment has been exclusively granted to state governments under entry 62 of the State List of the Constitution. The Empowered Committee of the State Finance Ministers on 9 and 10 January 2012 had suggested that all items mentioned in the State List of the Constitution (including entertainment tax) should be included in the negative list so the Centre cannot impose tax on them. Thus, even state governments agree that service tax should not be made applicable on right to enter any premises.

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Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

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MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

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For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

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Fans take centre stage as Zee Cine awards turns the spotlight around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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