GECs
Crime reality shows maybe doing more harm than good
MUMBAI: The darker genres of storytelling such as thriller, crime and horror have hooked viewers for years. Though at times gory, viewers gulp down crime stories if they are crafted with an element of fun. But a rise in criminals imitating scenes from shows has led people to blame both Bollywood and TV shows, not for showing, but for inspiring real-life crimes in India.
There is a very thin line between spreading awareness and sensationalism when it comes to this genre. Though the concept may be appreciated, the negative impact is hardly taken into consideration.
When it comes to crime reality television, Sony airs Crime Patrol Dial 100, Crime Patrol Satark and Crime Patrol Dastak running at various time slots. Star Bharat is also deep into the genre with three related shows – Savdhaan India – India Fights Back, Savdhaan India – Darr kar nahi datt kar and Savdhaan India – Kisse Anokhe.
Recent cases of a brother killing his own sister and mother, or a boyfriend killing his girlfriend, are manifestations of fast-changing and deteriorating mental streaks in which these crimes have lost value. Their conscience isn’t disturbed by their act because they are used to it and the psyche is immune to others’ pain.
The positive side isn’t to be ignored. They bring to light various common crimes occurring across the country and enable their audience to be wary of similar happenings. Moreover, they help reaffirm people’s belief in the police system and encourage them to report crimes. Another major learning for viewers is to be cautious while employing domestic help and being alert to their surroundings.
According to Psychologist Dr Sanjoy Mukerji if a person wants to be happy, peaceful and positive in life, they have to focus more on the positive things then the negative things. “Crime reality shows bring an addiction and negativity to the people,” he says adding that they also have a positive impact by reinforcing belief in the police.
Counselling psychologist Rashi Laskari says that while show makers have the right intentions, the content ends up having a negative impact on some people. “Sensitive individuals, more so children or the elderly, are unable to see this reality as occasional, and start perceiving the world to be a bad place in general, which takes away their trust from their surroundings, making them experience intense negative emotions.”
Laskari adds, “We often see cases where individuals have developed a fear of moving around safely, as they imagine themselves in the role of the victim. This is also seen with children and teenagers, when they watch abusive behaviour on television, they absorb it as real, and either pick negative traits or become very scared and show changes in their behaviour.”
Psychiatrist Dr Rajiv Anand says that people look for excitement from their own and others’ lives. “So, whenever they hear any story concerning crime in other peoples’ lives, their antennae are alert. Human minds get swallowed into sensationalism. It begins simply as a kick but then it becomes a habit and they get dependent on the supply.”
When the mind is repeatedly bombarded with same crime stories, viewers live with them, visualise them, dream oft hem and form an obsession. This leads to a desire to experiment.
Laskari, while sharing her experiences, says that she has seen a case where grandparents would watch Saavdhaan India on a regular basis, and would believe the dramatic representation to be true. She says, “As a result of it, they would talk to the grandchild every day about the ‘bad’ that happens in the world, and instil a fear in the child’s mind about bad people and the harm they can cause. As a result, the child became fearful of everything- such as playing with friends, going to the washroom alone, answering the doorbell and many more things.”
These shows also instil fear in people. Dr Mukerji says he has seen people complaining of anxiety due to the shows. He added, “Women say that their husbands are scared to leave them alone at home.”
Shows tend to desensitise people to crime. Therefore, sometimes, even if a murder takes place in front of their eyes, people will take photographs rather than take preventative action. Viral videos of crimes are spreading and breaking down the wall between the real and virtual.
In the year 2016, the average per episode viewership of Crime Patrol was 1.6 million impressions, Crime Patrol Dastak was 1.3 million impressions, Crime Patrol Dial 100 was 1.8 million impressions and Crime Patrol Satark was 1.7 million impressions per episode, from 6 pm to 12 am. However, Savdhaan India garnered 2.5 million average impressions per episode during the peak hours.
In the year 2017, the average per episode viewership of Savdhaan India was 2.8 million impressions, Savdhaan India- India Fights Back was 0.8 million impressions per episode, Savdhaan India- Kisse Anokhe was 2.0 million impressions per episode, Crime Patrol Dial 100 was 1.8 million impressions per episode and Crime Patrol Satark was 1.8 million impressions per episode between 6 pm to 12 am.
As the ratings show, the popularity of crime shows is far from dwindling. They hold steady and broadcasters are creating sub genres within the crime genre. Despite the warnings that television shows advising people to only consider them as dramatic representations, people absorb them as real events. Whether entertainment or a mirror to reality, crime shows are here to stay for now.
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GECs
Sun TV posts steady revenue, profit dips amid rising costs
CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.
For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.
The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.
Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.
The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.
Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).
The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.
The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.
To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.
With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
GECs
SPNI hires Pradeep M with responsibility for standards and practices in the south
MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.
Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.
He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.
Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.
His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.
As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.
GECs
Colors Gujarati rolls out two new shows from 2nd February
MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.
Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.
In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.
A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.
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