News Headline
Colors bets bigger with India’s Got Talent 5
MUMBAI: It is said that emotions sell. It seems so right in the case of Viacom18 Hindi GEC Colors’ talent show India’s Got Talent (IGT) where the emotional stories clubbed with exceptional talent led it to win the Best Entertainment Programme at the Asian TV Awards 2013.
But while its fourth edition was high on pullling viewers’ heart strings, the fifth edition that begins on 11 January at 9:00 pm every Saturday and Sunday, promises to bring out not just the contestants’ emotional journeys but also oodles of undiscovered talent from the different corners of India.
Based on the international format, Britian’s Got Talent owned by FremantleMedia, the channel says that the endeavour this year has been to find talent that would defy the dimensions of a stage through acrobatic, aquatic and circus acts besides many other scintillating performances.
IGT’s auditions began much earlier in June and the number of cities and towns where the team scouted for new skilled contestants ballooned to 45, with their number of auditions also rising 45 per cent. Viewers will get to see familiar faces as judges: old-timer Kirron Kher is very much there for her fifth season; Karan Johar (in his second season) and and Malaika Arora Khan, who, in the last edition, had to leave midway to make way for Farah Khan (however, this time she assures she will definitely continue till the finale).
Also, there are two new hosts – stand-up comics and artiste Bharti Kher and Mantra who with different avatars every week will add a tinge of humour to the proceedings. What’s new this year is also the Golden Buzzer – which the judges can press to give a participant a direct route to the semi-finals. And since there’s a lot more being packed in this edition, it is no surprise that production budget has escalated. FremantleMedia India head of commercial & and operations Vidyuth Bhandary says it is up more than 25 per cent.
“Since we are exploring uncharted talent, the investment in everything has scaled up. The dimension of the show has changed with the inclusion of performances on water and circus besides other platforms. It required us to leave the studio and build separate sets so that the contestants could show their talent,” says Bhandary.
A source from the industry informs that the last edition of the show was produced in a budget of around Rs 23-24 crore and thus an estimated Rs 30-32 crore is being sunk in this time around.
“India’s Got Talent is our flagship property which has grown exponentially season-after-season thereby attracting larger participation individuals across the country” says FremantleMedia India managing director Anupama Mandloi. “Our team has worked together endlessly in an endeavor to showcase the creativity and enthusiasm which further adds to the scale and grandeur of the show.”
On view will be perfromers from 3 to 80 years with stunts that include pole dancing, basketball, para-gliders, synchronised swimming, fire jumping and diffusive neon painting.
According to Bhandary, it is one of the most difficult shows from the production point of view. “It is not controlled like other reality shows. The size of a talent group varies from two to more than hundred people and managing the logistics gets really difficult at times,” he says, also adding that the production team includes a specialised crew that can handle any critical situation should it arise.
“Since we have increased the variety of talent on the show, we have also scaled up the safety measures. Like during the water act, we had four divers ready to help in case of an emergency. There’s a fire marshal, ambulance, stunt team always in place. We make sure that the precautionary measures are always in place,” he adds.
Promotional budgets too have been hiked. So if the channel’s marketing team has drawn up a well-thought digital campaign, the on-ground activities and campaigns on other mediums are no less.
Colors digital head Vivek Srivastava says that the digital campaign is divided in two parts, the first starts with a unique Twitter Concert before the show’s launch.
“Starting tomorrow, we start our two-day crowdsourcing activity for which we are inviting our Twitter followers to compose lines around the show using the hashtag #IGTTwitterConcert. The final composition would then be taken forward and sung as a song by a band. The final song will be launched with the show on 11 January,” he says, adding that the idea is to engage the audience completely.
The second phase begins after the show goes on air. “In that, through different mediums, we would promote the talent on the show with their stories,” says Vivek.
Even on radio, two innovative campaigns have been designed. While an Acapella act will be presented by this season’s participant, Ki Umjer that will be aired across radio stations and cities to showcase the international caliber of talent that will feature on the show, another one in association with Red FM will bring together 30 RJs from across the country in Mumbai.
“The RJs will tell the stories of the talented individuals who reside in their cities,” says Colors marketing head Rajesh Iyer.
Another on-ground activity is planned at Mumbai’s famed Churchgate station that will take place just before the on-air launch.
“It will give the common public a chance to show the talent in them,” says Iyer, adding that the overall outreach programme involves 3500+ spots on television, ads in 50 plus edition of key print publications, over 8,000 radio spots, OOH covering 100 towns and DTH imprints.
“Since our target audience includes everyone from young to old, we have planned these extensive campaigns to pull in maximum number of viewers,” he says. IGT’s concept is very different from any other show currently on air on any other channel. Unlike other reality shows that focus on one particular talent like singing or dancing, this one gives a viewer a varied variety. But still competition is competition. And that seemed to have touched one of the judges Karan Johar too. Karan whose celebrity chat show, Koffee With Karan airs on Sunday at the same time slot on Star World. He jokingly asked the media during the press conference which show would they prefer to watch him on – IGT or KWK? Karan didn’t get a straight answer but Iyer on a lighter note quipped, “We don’t compete with Koffee With Karan.”
However, he doesn’t dismiss competition with other GECs when they all are running reality shows at the same time slot – Zee TV has its most popular property – Dance India Dance 4, Star Plus has Nach Baliye 6 and Sony has Boogie Woogie. “But we can’t be threatened by that. What we have got to do, we have got to do,” he says.
Colors’ weekend programming head Manisha Sharma seconds and adds, “Every show says that they are different. But we have done well and have grown year after year because of our differentiated content. It’s the diverse talent that we bring on our show that works.”
IGT kick-starts its first episode with Bollywood’s favourite leading lady Madhuri Dixit-Nene who will join the judging panel while sharing inspirational stories and anecdotes with the participants. Subsequent episodes will also feature special guests including Remo D’souza, Manish Paul amongst many others.
IGT’s advertisers include Maruti Suzuki for the presented by tag, it is powered by L’Oreal Paris Total Repair 5 and associate sponsors include Tata Ace and Amul Macho.
And it isn’t just that the Colors and Fremantle team that’s oozing with confidence this season, even industry experts have given IGT the thumbs up. Lodestar UM’s vice president Deepak Netram says it has a huge appeal because of the kind of talent it brings. “The promo of a girl with an amputated leg has already sent shockwaves. It has raised the expectations and the curiosity both. The promos have build up the excitement around the show. There’s shock value along with emotional backing and it’s something really to look forward to,” he remarks.
Weekends for Colors’ fans obviously aren’t going to be the same.
Awards
Hamdard honours changemakers at Abdul Hameed awards
NEW DELHI: Hamdard Laboratories gathered a cross-section of India’s achievers in New Delhi on Friday, handing out the Hakeem Abdul Hameed Excellence Awards to figures who have left their mark across healthcare, education, sport, public service and the arts.
The ceremony, attended by minister of state for defence Sanjay Seth and senior officials from the ministry of Ayush, celebrated individuals whose work blends professional success with a sense of public purpose. It was as much a roll call of achievement as it was a reminder that influence is not measured only in profits or podiums, but in people reached and lives improved.
Among the headline awardees was Alakh Pandey, founder and chief executive of PhysicsWallah, recognised for turning affordable digital learning into a mass movement. On the sporting front, Arjuna Awardee and kabaddi player Sakshi Puniya was honoured for her contribution to the game and for pushing women’s participation onto bigger stages.
The cultural spotlight fell on veteran lyricist and poet Santosh Anand, whose songs have echoed across generations of Hindi cinema. At 97, Anand accepted the honour with characteristic humility, reflecting on a life shaped by perseverance and hope.
Healthcare honours spanned both modern and traditional systems. Manoj N. Nesari was recognised for strengthening Ayurveda’s place in national and global health frameworks. Padma shri Mohammed Abdul Waheed was honoured for his research-backed work in Unani medicine, while padma shri Mohsin Wali received recognition for his long-standing contribution to patient-centred care.
Education and social development also featured prominently. Padma shri Zahir Ishaq Kazi was honoured for decades of work in education, while former Meghalaya superintendent of Police T. C. Chacko was recognised for public service. Goonj founder Anshu Gupta received an award for his dignity-centred rural development initiatives, and the Hunar Shakti Foundation was honoured for empowering women and young girls through skill development.
The Lifetime Achievement Award went to former IAS officer Shailaja Chandra for her long career in public healthcare and governance, particularly in the traditional systems under Ayush.
Speaking at the event, Hamdard chairman Abdul Majeed said the awards were a tribute to those who combine excellence with empathy. “These awardees reflect Hakeem Sahib’s belief that healthcare, education and public service must ultimately serve humanity,” he said.
Minister Seth struck a forward-looking note, saying India’s young population gives the country a unique opportunity to become a global destination for learning, health and wellness by 2047.
The ceremony also featured the trailer launch of Unani Ki Kahaani, an upcoming documentary starring actor Jim Sarbh, set to premiere on Discovery on 11 February.
Instituted in memory of Unani scholar and educationist Hakeem Abdul Hameed, the awards have grown into a national platform that celebrates those building a more inclusive and resilient India. For one evening at least, the spotlight was not just on success, but on service with substance.
MAM
Why the best campaigns today start with insights, not ideas
MUMBAI: For decades, creative storytelling has been the cornerstone of brand communication. The “big idea” amplified through catchy jingles, striking visuals, and memorable hooks was once the gold standard for relevance and recall. Creativity defined presence, and the loudest, boldest campaigns often won attention.
But the marketing landscape today looks very different.
Audiences are more exposed, more discerning, and far less patient. They are inundated with messages across platforms, formats, and creators, often encountering hundreds of brand touchpoints in a single day. In this environment, creativity alone especially when untethered from real consumer truths is no longer enough to move behaviour. Great ideas are abundant. Meaningful impact is not.
This is where insights matter.
The difference may seem subtle, but it is fundamental. An idea represents what a brand wants to say. An insight reflects what the audience is already thinking, feeling, or experiencing. The most effective campaigns emerge not from cleverness alone, but from the intersection of these two forces.
From creativity to relevance
As the marketing ecosystem becomes increasingly saturated, consumers are growing immune to inflated claims and surface-level storytelling. Even beautifully crafted campaigns can fail if they are disconnected from lived realities. The gap between a brand’s internal enthusiasm and the audience’s actual sentiment can be the difference between attention and indifference.
Insights help bridge this gap. They force brands to pause, listen, and observe to understand emotions, behaviours, cultural contexts, and contradictions. Instead of trying to be remembered through louder branding, insight-led campaigns allow audiences to see their own experiences reflected back at them. When a campaign articulates a problem that feels personal, relevance is created. Trust follows.
Insight is interpretation, not information
It’s important to distinguish between data and insight. Data tells us what is happening. Insight explains why it is happening. While data is measurable and structured, insights are interpretive and dynamic, shaped by real-time sentiment and human behaviour.
Modern consumers are full of contradictions. They demand authenticity while remaining deeply aspirational. They want brands to take a stand but expect nuance, not instruction. They seek transparency, yet are drawn to curated narratives. These tensions are not obstacles, they are opportunities. When understood correctly, they can shape communication that feels timely, credible, and human.
Some of the most effective campaigns today are born not in isolated brainstorm rooms, but through listening to audiences, creators, editors, online communities, and cultural signals. Insights often exist in blurred patterns, but once identified, they can redefine how a brand connects.
A recent campaign we executed for Domino’s illustrates this shift clearly. The brief wasn’t to make a pizza look bigger or louder. Instead, it was rooted in a simple behavioural truth: in Tier 2 and Tier 3 markets, sharing food is an emotional act tied to family, celebration, and value perception. The “Big Big 6-in-1 Pizza” became a canvas for this insight. The campaign leaned into regional voices and real sharing moments, allowing people to show how they experienced the product rather than being told why they should buy it. Influencers and celebrities amplified genuine usage, not scripted endorsements. The impact from engagement to footfall to sales came not from a clever idea, but from understanding how people relate to food in their everyday lives.
Shifting the starting point
Today’s consumer landscape demands a shift in perspective from “What should the brand say?” to “What does the audience need to hear right now?” This marks a move away from inward-led marketing toward communication shaped by behaviour, emotion, and cultural relevance.
Brands leading today are keen observers. They notice when perfection stops resonating. They sense when luxury shifts from aspiration to excess. They recognise when influencer content begins to feel repetitive and trust erodes.
Virality, too, is often misunderstood. It is not a strategy to chase, but an outcome. Campaigns rooted in insight do not aim to go viral; they aim to resonate. When content reflects something familiar, a shared truth, emotion, or tension, it travels organically because people see themselves in it.
Ideas attract attention. Insights build connection.
The evolving role of PR
For PR professionals, this shift has redefined success. Coverage volume alone no longer tells the full story. The more meaningful questions today are: Did the communication influence behaviour? Did it align with cultural conversations? Did it address a real consumer pain point?
Insight-first thinking allows these questions to be answered at the planning stage, rather than corrected midway through execution.
In a world where formats and platforms will continue to evolve, what remains constant is the power of authentic communication. The strongest campaigns today do not begin with a brainstorm, but with observation, interpretation, and empathy. That is not just better marketing, it is more responsible, resilient, and meaningful brand-building.
Brands
Ahmad Muneeb elevated to VP – HR centre of excellence at Zepto
MUMBAI: Zepto has elevated Ahmad Muneeb to vice president – HR centre of excellence, placing him at the helm of the company’s total rewards, executive compensation and organisational effectiveness as the quick-commerce firm powers through a high-growth phase.
The move follows his stint as senior director of the HR COE, where he played a central role in preparing the company for IPO readiness while scaling its people analytics capabilities. During this period, Muneeb helped align complex performance management structures with more streamlined and scalable employee experience frameworks.
In his new role, he will steer the design of total rewards strategies, executive compensation planning and organisational design, while also overseeing performance management, employee experience initiatives and people analytics programmes.
Before joining Zepto, Muneeb spent nearly three years at Meesho, where he held multiple rewards and HR business partner roles. Earlier in his career, he worked as a senior rewards consultant at Mercer, advising high-tech clients on compensation benchmarking, pay structures and talent-focused reward frameworks.
He began his hr journey at Cognizant, where he supported compensation programmes for nearly two lakh employees across India and worked on m&a compensation alignment and skill-based pay initiatives. Prior to moving into HR, Muneeb started his career as a software engineer at Netcracker, bringing a technical grounding to his people strategy work.
With a mix of consulting rigour, start-up agility and enterprise-scale experience, Muneeb’s elevation signals Zepto’s continued focus on building robust people systems as it races towards its next phase of growth.
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