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Chilaka’s roller coaster ride from engineering to animation

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MUMBAI: Who would have thought that the person holding a master’s degree in computer science from a prestigious US University would commit to the lesser known field of animation and return to his homeland? And yet today, Rajiv Chilaka stands redeemed for a choice he made nearly 17 years ago.

India’s most successful animation company was the entrepreneurial venture of this man who runs the show with his elder brother Srinivas. The founder and CEO of Green Gold animation, Chilaka moved over from engineering to studying animation at the Academy of Art University, San Francisco in 2000 after giving three gruelling years to a job as a software engineer.

The inspiration came to him after watching his first animated film – The Jungle Book. It gave rise to a spree of movie and cartoon watching such as Spiderman, Tom and Jerry, etc. Chilaka knew he wasn’t a great artist so he took engineering as a career. The final switch came when, during one of his slow boring days as a librarian, he read Walt Disney’s book where he spoke of the power of entertaining kids and not considering money as a driving force. He decided that if not art, he could at least tell great stories.

While studying his post graduate degree in the US, Chilaka applied to learn animation but without a scholarship, he had to cough up a whopping $20,000 as fees each semester. His brother refused to lend him money and advised him to finish his masters, work for a few years and give wings to his animation career. Chilaka was convinced.

When Chilaka broke the news about setting up Green Gold Animation to his family, he instantly got the maternal support but not surprisingly, his father was adamantly against it. Needing his father’s blessings, Chilaka managed to persuade him with the business plan, which he himself felt was a pathetic one.

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He flew back to India and settled in with his parents in their new house, an option his father gave him understanding the difficulty he might face in finding his own accommodation and paying rent initially. With four to five employees, his journey began.

If today India still lacks great animators, imagine the situation back in 2000. Chilaka says that they had to train everyone who joined. Everything was work, even if it was as simple as a business card or brochure. He even purchased a digital camera to look tech savvy. What he ensured was good quality work at a feasible budget leading to a happy client and no complaints. 
The company came close to shutting nearly 25 times in the eight years in between. They had worries – expensive orders or unpaid dues and one by one dejected employees started moving out when he couldn’t pay them on time.
The real tipping point came years later in 2008 when Chhota Bheem first got airtime on Pogo. Ten days before it went on air, Chilaka’s new office was gutted by a fire and a big potential investor developed cold feet while the lenders demanded their dues. “It was a brand new building which we built so luckily no one moved into it. We were going to move in three days later,” Chilaka says. Everything was damaged – the interior, centralised AC office and it was not just the loss of money but also of time and efforts. “But a lot of vendors supported and understood that we were in trouble. Turner didn’t panic and supported us instead,” he adds.

Recently, Chilaka added another feather to his cap, with the newly launched service studio-Golden Robot Studio with Samir Jain, Chand, Ritesh and Abhishek. “Right now we have 120 team members and we have planned to add another 70-80 people in the team,” he reveals.

The challenge now was to orient people to the new culture of being self-sufficient and creating original IPs. “It was also difficult for the employees to join a new startup company, but all the employees are happy working here and of course the brand name of Green Gold helped as everyone wanted to work for us,” says a joyful Chilaka.

His latest home-grown IP shows include Kalari Kids, a show that rediscovers Kalaripayattu, a lost martial art form of Kerala. With the purpose to educate through entertainment, the animation studio is making an exclusive series for Amazon Prime. Green Gold also sealed a deal with Netflix to digitally broadcast Mighty Little Bheem—a spinoff of its popular character Chhota Bheem.

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The series created by Green Gold Animation are Vikram Betal in 2004, Bongo on DD National (2004–2006), Krishna on Cartoon Network (2006–2007), Krishna & Balram – Cartoon Network (2009), Chhota Bheem – Pogo TV (2008), Chorr Police – Disney XD (India) (2009–2012), Mighty Raju – Pogo TV (2011), Luv Kushh – Disney XD (India) (2012–2014), Discovery Kids (India) (2015-2016), Arjun: The Prince of Bali – Disney Channel India (2014–2016) and Kalari Kids.

In 2018, Green Gold will premiere two theatrical releases – Chhota Bheem Kung Fu Dhamaka and a tentative title for a mythological movie—Mahiravana. Both films are likely to be launched during the summer. Chilaka refused to speak on the other shows which are still in pilot stage.

For the torchbearer of Indian animation, we hope his pot of gold never runs out!

Green Gold, Amazon Prime put Kerala martial art on the map
Green Gold’s golden Mumbai launch

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Awards

Hamdard honours changemakers at Abdul Hameed awards

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NEW DELHI: Hamdard Laboratories gathered a cross-section of India’s achievers in New Delhi on Friday, handing out the Hakeem Abdul Hameed Excellence Awards to figures who have left their mark across healthcare, education, sport, public service and the arts.

The ceremony, attended by minister of state for defence Sanjay Seth and senior officials from the ministry of Ayush, celebrated individuals whose work blends professional success with a sense of public purpose. It was as much a roll call of achievement as it was a reminder that influence is not measured only in profits or podiums, but in people reached and lives improved.

Among the headline awardees was Alakh Pandey, founder and chief executive of PhysicsWallah, recognised for turning affordable digital learning into a mass movement. On the sporting front, Arjuna Awardee and kabaddi player Sakshi Puniya was honoured for her contribution to the game and for pushing women’s participation onto bigger stages.

The cultural spotlight fell on veteran lyricist and poet Santosh Anand, whose songs have echoed across generations of Hindi cinema. At 97, Anand accepted the honour with characteristic humility, reflecting on a life shaped by perseverance and hope.

Healthcare honours spanned both modern and traditional systems. Manoj N. Nesari was recognised for strengthening Ayurveda’s place in national and global health frameworks. Padma shri Mohammed Abdul Waheed was honoured for his research-backed work in Unani medicine, while padma shri Mohsin Wali received recognition for his long-standing contribution to patient-centred care.

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Education and social development also featured prominently. Padma shri Zahir Ishaq Kazi was honoured for decades of work in education, while former Meghalaya superintendent of Police T. C. Chacko was recognised for public service. Goonj founder Anshu Gupta received an award for his dignity-centred rural development initiatives, and the Hunar Shakti Foundation was honoured for empowering women and young girls through skill development.

The Lifetime Achievement Award went to former IAS officer Shailaja Chandra for her long career in public healthcare and governance, particularly in the traditional systems under Ayush.

Speaking at the event, Hamdard chairman Abdul Majeed said the awards were a tribute to those who combine excellence with empathy. “These awardees reflect Hakeem Sahib’s belief that healthcare, education and public service must ultimately serve humanity,” he said.

Minister Seth struck a forward-looking note, saying India’s young population gives the country a unique opportunity to become a global destination for learning, health and wellness by 2047.

The ceremony also featured the trailer launch of Unani Ki Kahaani, an upcoming documentary starring actor Jim Sarbh, set to premiere on Discovery on 11 February.

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Instituted in memory of Unani scholar and educationist Hakeem Abdul Hameed, the awards have grown into a national platform that celebrates those building a more inclusive and resilient India. For one evening at least, the spotlight was not just on success, but on service with substance.

 

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Why the best campaigns today start with insights, not ideas

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MUMBAI: For decades, creative storytelling has been the cornerstone of brand communication. The “big idea” amplified through catchy jingles, striking visuals, and memorable hooks was once the gold standard for relevance and recall. Creativity defined presence, and the loudest, boldest campaigns often won attention.

But the marketing landscape today looks very different.

Audiences are more exposed, more discerning, and far less patient. They are inundated with messages across platforms, formats, and creators, often encountering hundreds of brand touchpoints in a single day. In this environment, creativity alone especially when untethered from real consumer truths is no longer enough to move behaviour. Great ideas are abundant. Meaningful impact is not.

This is where insights matter.

The difference may seem subtle, but it is fundamental. An idea represents what a brand wants to say. An insight reflects what the audience is already thinking, feeling, or experiencing. The most effective campaigns emerge not from cleverness alone, but from the intersection of these two forces.

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From creativity to relevance

As the marketing ecosystem becomes increasingly saturated, consumers are growing immune to inflated claims and surface-level storytelling. Even beautifully crafted campaigns can fail if they are disconnected from lived realities. The gap between a brand’s internal enthusiasm and the audience’s actual sentiment can be the difference between attention and indifference.

Insights help bridge this gap. They force brands to pause, listen, and observe to understand emotions, behaviours, cultural contexts, and contradictions. Instead of trying to be remembered through louder branding, insight-led campaigns allow audiences to see their own experiences reflected back at them. When a campaign articulates a problem that feels personal, relevance is created. Trust follows.

Insight is interpretation, not information

It’s important to distinguish between data and insight. Data tells us what is happening. Insight explains why it is happening. While data is measurable and structured, insights are interpretive and dynamic, shaped by real-time sentiment and human behaviour.

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Modern consumers are full of contradictions. They demand authenticity while remaining deeply aspirational. They want brands to take a stand but expect nuance, not instruction. They seek transparency, yet are drawn to curated narratives. These tensions are not obstacles, they are opportunities. When understood correctly, they can shape communication that feels timely, credible, and human.

Some of the most effective campaigns today are born not in isolated brainstorm rooms, but through listening to audiences, creators, editors, online communities, and cultural signals. Insights often exist in blurred patterns, but once identified, they can redefine how a brand connects.

A recent campaign we executed for Domino’s illustrates this shift clearly. The brief wasn’t to make a pizza look bigger or louder. Instead, it was rooted in a simple behavioural truth: in Tier 2 and Tier 3 markets, sharing food is an emotional act tied to family, celebration, and value perception. The “Big Big 6-in-1 Pizza” became a canvas for this insight. The campaign leaned into regional voices and real sharing moments, allowing people to show how they experienced the product rather than being told why they should buy it. Influencers and celebrities amplified genuine usage, not scripted endorsements. The impact from engagement to footfall to sales came not from a clever idea, but from understanding how people relate to food in their everyday lives.

Shifting the starting point

Today’s consumer landscape demands a shift in perspective from “What should the brand say?” to “What does the audience need to hear right now?” This marks a move away from inward-led marketing toward communication shaped by behaviour, emotion, and cultural relevance.

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Brands leading today are keen observers. They notice when perfection stops resonating. They sense when luxury shifts from aspiration to excess. They recognise when influencer content begins to feel repetitive and trust erodes.

Virality, too, is often misunderstood. It is not a strategy to chase, but an outcome. Campaigns rooted in insight do not aim to go viral; they aim to resonate. When content reflects something familiar, a shared truth, emotion, or tension, it travels organically because people see themselves in it.

Ideas attract attention. Insights build connection.

The evolving role of PR

For PR professionals, this shift has redefined success. Coverage volume alone no longer tells the full story. The more meaningful questions today are: Did the communication influence behaviour? Did it align with cultural conversations? Did it address a real consumer pain point?

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Insight-first thinking allows these questions to be answered at the planning stage, rather than corrected midway through execution.

In a world where formats and platforms will continue to evolve, what remains constant is the power of authentic communication. The strongest campaigns today do not begin with a brainstorm, but with observation, interpretation, and empathy. That is not just better marketing, it is more responsible, resilient, and meaningful brand-building.

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Brands

Ahmad Muneeb elevated to VP – HR centre of excellence at Zepto

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MUMBAI: Zepto has elevated Ahmad Muneeb to vice president – HR centre of excellence, placing him at the helm of the company’s total rewards, executive compensation and organisational effectiveness as the quick-commerce firm powers through a high-growth phase.

The move follows his stint as senior director of the HR COE, where he played a central role in preparing the company for IPO readiness while scaling its people analytics capabilities. During this period, Muneeb helped align complex performance management structures with more streamlined and scalable employee experience frameworks.

In his new role, he will steer the design of total rewards strategies, executive compensation planning and organisational design, while also overseeing performance management, employee experience initiatives and people analytics programmes.

Before joining Zepto, Muneeb spent nearly three years at Meesho, where he held multiple rewards and HR business partner roles. Earlier in his career, he worked as a senior rewards consultant at Mercer, advising high-tech clients on compensation benchmarking, pay structures and talent-focused reward frameworks.

He began his hr journey at Cognizant, where he supported compensation programmes for nearly two lakh employees across India and worked on m&a compensation alignment and skill-based pay initiatives. Prior to moving into HR, Muneeb started his career as a software engineer at Netcracker, bringing a technical grounding to his people strategy work.

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With a mix of consulting rigour, start-up agility and enterprise-scale experience, Muneeb’s elevation signals Zepto’s continued focus on building robust people systems as it races towards its next phase of growth.

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