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BES Expo booming and globally accepted

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NEW DELHI: All the stalls at the BES Expo 2007, to be inaugurated on 1 February, are packed. BES estimates it would need to add 20 per cent more space in the coming year, a significant rise in global visibility for the lone Indian broadcast engineering show, says AS Guin, President, BES at a press conference here today.

Three hundred participants are here this year, among them 16 which are coming here for the first time, Guin, who is also All India Radio’s engineer-in-chief, states.
In fact, two major participants, Joseline Josiah of Unesco’s adviser in communication and information in Asia and Ed Homan, director of operations, Ideal Systems Asia Pacific, specifically mentioned that it is the phenomenal growth of BES as an organisation, just one among the three broadcast engineering institutes in the world, that made them participate in this year’s Expo.

Homan made a brief but sharp point in stating that there were earlier only two major such Expos, IBC and NAB. “The fact that people like us have decided to come here is because BES has earned tremendous respect as an institution and is seen globally for the tremendous work they have done in the field.

Though Josiah’s project on community radio is the socially most exciting among the ones to be showcased here during the three-day exposition, Nokia stole the show, as a partner of Doordarshan’s project on mobile television project that is under trials at the moment.

In fact, Pawan Gandhi, Nokia’s Singapore based head of mobile TV and Video Experience division, was practically mobbed by the media for a dekko at the mobile set he was carrying to demonstrate the ongoing project under trial. The crystal clear image and the easy channel surfing system surprised many.

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Gandhi said that the system could carry ten channels per band and in its dialogue with DD, they have felt it necessary to run at least 30 channels. The sets are at the moment not available in India, and the ones launched in Vietnam costs $700 to 800, and is a high-end product.

Guin added that, as in the case of DD’s DTH, DD Direct Plus, which initially cost a packet per household, so in the case of DD’s mobile TV project, “prices are bound to come down as the demand rises,” hence, those who want will be able to afford this equipment in the coming days.

Ashish Bhatnagar, honourary secretary of BES, said: “The government has silently ushered in a revolution in the form of community radio to be operated by NGOs.” He said that this is among the most promising projects in hand and will see thousands of radio centres coming up across the country.

The government’s programme with Unesco is to make people aware and empower and train them to handle radio stations on their way, Adhikary added.

Josiah, asked to address the media, spoke of an amazing range of products, especially those with multiple facilities, including what she described as “more than a radio”, rather a community multimedia centre with provisions for radio, Internet and other forms of communication.

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Josiah said that Unesco has been working for the past 30 years in the field of community radio and developed models relevant to various countries and cultures. These will be on show at the pavilion and there will be presentations and demonstrations.

Another advancement BES is seeking to make is to help launch broadcast engineering courses in universities, under affiliation to the Asia-Pacific Broadcasting Union, the apex body in the region.

Dialogue is going on this, Guin said, and the BES hopes to see this happen very soon. Guin also said that though the BEShas been holding these Expos for the past 12 years, from this 13th year, they would send reports to the government about participation and developments and results achieved at the fairs.

The expo will be inaugurated by information and broadcasting minister Priya Ranjan Das Munshi tomorrow, at Hall No. 7D, Pragati Maidan, Delhi.

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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