News Broadcasting

BBC strengthens drama production team

Published

18 years ago

July 12, 2008

MUMBAI: BBC has announced that BBC Drama Production has made changes to build on the success of an increasing number of new commissions, re-commissions, the opening of a new hub in Manchester led by Phil Collinson, and a major expansion for the Writers Academy programme.

BBC Drama Production has seen a boom in work over the past 12 months, with series such as Five Days and The Curse Of Comedy, Cranford and The Passion, Oliver Twist and Lark Rise alongside its regular returning slate including EastEnders, Waking The Dead.

Its next major series House Of Saddam is due for transmission on 30 July on BBC Two. Drama Production currently operates from major bases in London and Elstree, Birmingham and Bristol and has recently added Manchester.

Vision Productions head Peter Salmon said, “The brilliant recent performance of BBC Drama Production is one of the big success stories of in-house programme-making.

“To cope with the pressures of their growing business, I have asked Nicolas Brown to lead the senior team as Director, Drama Production, and set out their strategy for the next few years, including growing the slate of titles, driving production modernisation and building commercial revenue.

“He will sit on the board of Vision Productions to make sure drama gets the credit and profile it needs to continue to deliver strongly. He leads an outstanding top team.”

As part of the changes, John Yorke becomes controller, Drama Production and New Talent. While remaining editorially responsible for the Continuing Drama Series, all currently enjoying ratings and award success, he will also spearhead a four-fold expansion in activity for writer, producer, director and script editor training.

John will oversee an expansion of Writers Academy to the Nations and Regions and by drawing in the BBC Writersroom, lead a much more co-ordinated approach to training.

Kate Rowlands (Creative Director, New Writing) will work alongside John to ensure that writers’ training is linked up across the whole of the UK.

Kate Harwood, who has been behind such successes as Cranford, Oliver Twist and The Passion, will take on responsibility for the department’s single films, and becomes Controller, Series and Serials, BBC Drama Production.

She is editorially responsible for series, serials and singles across the whole of Drama Production. Kate’s team are currently working on some of the highlights of the BBC One Autumn schedule, including new productions of Survivors, Little Dorrit and Tess of the D’Urbevilles, as well as the return of Silent Witness and Lark Rise To Candleford which returns in Winter 2009.

Kate, John and Phil Collinson, who have just started work leading the Manchester hub of Drama Production, will now report managerially to Nicolas Brown in his role as Director, Drama Production – who has responsibility for the delivery of the creative, production and financial strategy across the whole department – and sit on the Drama Production Board.

Salmon said,”These changes have become urgent at a time when the ambitions of in-house drama have resulted in its most successful period for years.

“Editorially, the department is at the top of its game, enjoying a growing slate of ambitious productions, BBC One’s Criminal Justice being just the latest. All this increases our need to plan long term and develop and manage more strategically.

“The expansion of the hugely influential Writers Academy spearheaded by John and the creation of a new production centre in Manchester led by Phil, will help ensure that we build on our recent creative successes and get the best value for money from all in-house drama production.”

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News Broadcasting

Barc forensic audit in TRP row awaits as Twenty-Four probe gathers pace

Published

4 weeks ago

February 4, 2026

indiantelevision.com Team

KERALA: A forensic audit commissioned by the Broadcast Audience Research Council (BARC) India has emerged as the centrepiece of the government’s response to fresh allegations of television rating point manipulation involving a regional news channel in Kerala, with both the audit findings and a parallel police investigation still awaited.

Replying to a query in the Lok Sabha, minister of state for information and broadcasting L Murugan, said Barc had appointed an independent agency to conduct a forensic probe into the conduct of senior personnel allegedly linked to the case.

The move followed media reports claiming that a Barc employee had accepted bribes to manipulate viewership data in favour of a regional television news channel.

“The report from BARC is still awaited,” Murugan told Parliament, signalling that the forensic exercise remains ongoing.

Industry specialists say forensic audits are crucial in alleged TRP fraud cases, as they examine internal controls, data access trails, panel household integrity, staff communications and financial transactions. The outcome could determine whether the alleged manipulation was an isolated breach or a deeper systemic weakness in India’s television measurement framework.

Running alongside the audit, the Kerala Police has formed a special investigation team to probe the allegations. The ministry has sought a preliminary report from the state’s director general of police, including details of action taken on the first information report. That report, too, is yet to be submitted.

The episode has revived long-standing concerns over the vulnerability of India’s TRP system, particularly in regional news markets where competition for ratings is fierce and advertising revenues hinge on weekly viewership rankings.

India’s sole television audience measurement body Barc, has faced scrutiny before, most notably during the nationwide TRP controversy involving news channels in 2020. While tighter compliance norms were introduced in the aftermath, the latest allegations suggest enforcement challenges may persist.

On regulatory consequences, the government said any punitive action against television channels, including suspension or cancellation of uplinking and downlinking permissions, would be governed by the Policy Guidelines for Uplinking and Downlinking of Television Channels issued in November 2022, and would depend on investigation outcomes and due process.

The ministry also pointed to ongoing efforts to overhaul the ratings ecosystem. Television measurement continues to be regulated under the Policy Guidelines for Television Rating Agencies, 2014. Draft amendments were released for public consultation in July 2025, followed by a revised version in November 2025, aimed at tightening audit mechanisms and improving transparency and representativeness.

In November 2025, Barc said it had taken note of allegations aired by Malayalam news channel Twenty-Four, which linked an internal employee to irregularities in audience measurement. The council said it had engaged a “reputed independent agency” to conduct a comprehensive forensic audit, underscoring the seriousness of the claims.

The ratings system sits at the heart of India’s broadcast advertising economy, shaping billions of rupees in annual ad spends. With trust in audience data once again under strain, advertisers, broadcasters and regulators are closely watching the outcome of the investigations.

Barc has urged industry stakeholders and media organisations to exercise restraint while the probe is underway, calling for an end to “unverified or speculatory claims” and reiterating its commitment to integrity and accountability.

Until the forensic audit and police findings are submitted and reviewed, the government said it would refrain from drawing conclusions.

News Broadcasting

Rajat Sharma defamation row: Delhi court summons Congress leaders Ragini Nayak, Pawan Khera and Jairam Ramesh

Published

4 weeks ago

February 4, 2026

indiantelevision.com Team

NEW DELHI: A Delhi court has ordered the summoning of senior Congress leaders Ragini Nayak, Pawan Khera and Jairam Ramesh in a criminal case filed by veteran journalist Rajat Sharma, sharpening a legal battle over alleged defamation and doctored digital content.

The order was passed on Monday by Devanshi Janmeja, judicial magistrate first class at Saket Courts, after the court found prima facie grounds to proceed under multiple sections of the Indian Penal Code, including forgery, creation of false electronic records and defamation.

Sharma, chairman and editor-in-chief of India TV, had approached the court over allegations made in June 2024 that he had used derogatory language against Congress spokesperson Ragini Nayak during a live television debate. He denied the charge, claiming it was fuelled by a manipulated video circulated online.

According to the complaint, a clipped version of the broadcast carrying superimposed captions, which were not part of the original programme, was first shared on social media platform X by Nayak and later amplified through retweets and public statements by Khera and Ramesh. Sharma said the viral spread caused serious reputational harm and personal distress.

The court took note of forensic science laboratory findings that pointed to visible post-production alterations in the video, including added titles and captions. It also cited witness testimonies from those present during the live broadcast, who stated that no abusive or objectionable language had been used.

In a related civil matter, the Delhi High Court had earlier observed a prima facie absence of abusive remarks and directed the removal of the disputed social media posts.

With criminal proceedings now set in motion, the case adds to mounting scrutiny around political messaging, digital manipulation and accountability on social media platforms.

News Broadcasting

Mukesh Ambani, Larry Fink come together for CNBC-TV18 exclusive

Reliance and BlackRock chiefs map the future of investing as global capital eyes India

Published

4 weeks ago

February 4, 2026

indiantelevision.com Team

MUMBAI: India’s capital story takes centre stage today as Mukesh Ambani and Larry Fink sit down for a rare joint television conversation, bringing together two of the most powerful voices in global business at a moment of economic churn and opportunity.

The Reliance Industries chief and the BlackRock boss will speak with Shereen Bhan, managing editor of CNBC-TV18, in an exclusive interaction airing from 3:00 pm on February 4. The timing is deliberate. Geopolitics are tense, technology is disruptive and capital is choosier. India, meanwhile, is pitching itself as a long-term bet.

The pairing is symbolic. Reliance straddles energy transition, digital infrastructure and consumer growth in the world’s fastest-expanding major economy. BlackRock, the world’s largest asset manager, oversees more than $14 tn in assets and sits at the nerve centre of global capital flows. When the two talk, markets tend to listen.

Fink’s appearance marks his third India visit, a signal of the country’s rising strategic weight for the Wall Street-listed firm, which carries a market value above $177 bn. His earlier 2023 trips included an October stop in New Delhi, where he met both Ambani and Narendra Modi.

India is now central to BlackRock’s expansion plans, notably through its joint venture with Jio Financial Services. Announced in July 2023, the 50:50 venture, JioBlackRock, commits up to $150 mn each from the partners to build a digital-first asset-management platform aimed at India’s swelling investor class.

The backdrop is robust. BlackRock ended 2025 with record assets under management of $14.04 tn, helped by $698 bn in net inflows, including $342 bn in the fourth quarter alone. Scale gives Fink both heft and a long lens on where money is moving.

He has been openly bullish on India. At the Saudi-US Investment Summit in Riyadh last year, Fink argued that the “fog of global uncertainty is lifting”, with capital returning to dynamic markets such as India, drawn by reforms, demographics and durable return potential.

Expect the conversation to range beyond balance sheets, into technology’s role in finance, access to capital and the mechanics of sustainable growth in a fracturing world order. For investors and policymakers alike, it is a snapshot of how big money is thinking about India.

At a time when capital is cautious and growth is contested, India wants to be the exception. When Ambani and Fink share a stage, it is less a chat and more a signal. The world’s money is still looking for its next big story, and India intends to be it.