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Are producers and cinemas heading for showdown on OTT release?

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MUMBAI: Nothing compares a theatrical experience: the sprawling screen, overall ambience, high-quality surrounding sound system, the cheering (and sometimes jeering!) crowd, and the overall immersive experience it provides. The pure joy of being there just cannot be supplanted with any other medium. But, the Covid2019 pandemic has necessitated the need for other means of movie release: OTT.

Cinemas are unhappy with the release of movies directly on an OTT platform by skipping theatrical windows. With the Covid2019 pandemic refusing to fade away anytime soon, theatre release is not possible, at least in the foreseeable future. Will this lead to a showdown between cinemas and producers? Or will there be co-existence to find common ground?

A recent statement by INOX has pitted the exhibitors against the producers. The cinema chain expressed “extreme displeasure and disappointment” on an announcement made by a production house to release their movie directly on an OTT platform by skipping the theatrical window run. The decision of the production house to deviate from the globally prevalent content windowing practice is alarming and disconcerting, said INOX in a statement.

According to INOX, cinemas and content creators have always been into mutually beneficial partnerships. “INOX has been investing profoundly towards adding world-class quality screens, across the country, only to provide more eyeballs to the great content being produced. This partnership has endured for decades and has provided succour to each other. INOX will be “constrained to examine its options… and reserves all rights, including taking retributive measures, in dealing with such fair-weather friends.”

In response to this, producers’ guild of India issued a statement, expressing disappointment at the “abrasive and unconstructive messaging from some of our colleagues in the exhibition sector.”

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“Statements that call for “retributive measures” against producers who decide to take their movies directly to OTT platforms, especially at a time when cinemas are unfortunately closed for the foreseeable future, do not lend themselves to a constructive or collaborative dialogue on the way forward for the industry.”

The guild said that we are in unprecedented times, facing one of the greatest public health and economic emergencies of our lifetimes. This is a time for the entire film industry to come together with empathy and support for the difficult predicament.

The production sector (just like the exhibition sector) is suffering hundreds of crores of losses on a daily basis. Elaborate and expensive sets erected for under-production films have had to be taken down due to no date in sight for shoots to resume, with the sunk cost of the set and studio rentals to be borne completely by producers, as insurers refuse to cover the cost. Shoot schedules have had to be abruptly cancelled due to the lockdown, with huge cancellation charges being borne completely by the producer, again with no support from insurers. Interest costs are mounting on amounts raised to fund films, with producers having to bear this additional burden with no date in sight for cinemas to re-open. In this context, the guild said, it is important that each stakeholder understands and empathises with the predicament of the other, rather than adopting an adversarial stance which is counter-productive for the entire value chain.

Indiantelevision.com reached out to producers and directors to seek their reaction in this regard. The overwhelming feeling among the fraternity is that it is a temporary phase and that OTT release is the need of the hour – the product of a peculiar situation like this. Once the situation normalises, theatrical releases will happen and people will throng to watch movies on the big screen.

Film producer Ramesh Taurani feels that taking the OTT route is the right decision at this point of time.

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“The current scenario has led to producers taking this decision. In an ideal world, these films would release theatrically, but we are still trying to figure a way for theatres to reopen safely. Since the majority of the content is being consumed online right now it is the better call given the pandemic. Producers also have their financial restraints and can’t hold on to their films beyond a point so it definitely is the correct decision right now,” he said.

Hats Off Production founder Jamnadas Majethia says: “As I always say that these are extraordinary circumstances and unique situations. So such decisions and behaviour will surface till we really don’t have a clarity on the impact of Covid2019.”

According to him, films have premiered on OTT earlier also. “And we will see ‘houseful’ boards at cinema halls again. These habits of the big screen experience have been built over the number of years and we can’t change it over with a few months of restrictions. The vaccine will do the magic for the world. And till then it will be creations, innovations and survival of the fittest and emergence of good human behaviour that will help us create new opportunities of business,” he adds.

Malayalam producer-director Anil Thomas said producers have no other option but to release movies in OTT. “Even in the Malayalam film industry we are releasing movies on OTT platforms as we are left with no choice. Theatres are the last thing that will open after lockdown is lifted. So, producers over here have mutually decided to release shows on OTT platforms.”

According to him, not all the movies will be released but the ones which have low shelf-life or. “Nobody wants to release on OTT platforms; theatre has its own experience but till the time everything will get back to normalcy it will be too late. They are mainly worried because if content gets released on OTT platforms then there will be a shortfall for theatrical films.”

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Anil Thomas feels that theatre bodies and film producers will have to find common grounds. “In the long-run for all of us to survive, there should not be a showdown and all. We have to find a solution. I am also releasing my film Soothy Sujathayum on Amazon Prime,” he said.

Film director Kunal Kohli said: “Let INOX release what per cent of their revenue is ticket sales vs F&B. No one goes to a theatre to eat, right? Start sharing that revenue with producers as well, before accusing them of trying to survive in a world pandemic never witnessed before by mankind.”

A user said: “Well sir it is all about business. Don’t forget how many people rely on these cinemas. If everything changes suddenly, who will be responsible for those people who will lose their jobs? Though everything is becoming online, but don’t forget the whole chain.”

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Replying to this, Kunal said: “There is an even longer chain of workers making the films. They also need to survive. Pls read my tweets properly. Theatres like I said WILL survive. Films WILL release in theatres. Some have chosen to go digital. Nothing wrong with that. Need to support them as well.”

Hindi

Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

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MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

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For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

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Hindi

Fans take centre stage as Zee Cine awards turns the spotlight around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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