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2023 became first year to cross 12000 Cr mark at box office – Ormax Report

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Mumbai: The financial year 2023 – 2024 has been an important year for the film industry at Pan India. Not only in terms of content variation but also commercially it is a crucial year. The Ormax Box Office Report 2023 was published recently to overview Indian cinema trends and their arithmetic in the country.

As per Ormax Box Office Report 2023, the financial year became the first year to cross the 12000 crore mark at the Indian Box office.

Hindi cinema also saw one of the best years with year-end hits like ‘ Pathaan’, and ‘Jawan’. Before there was an allegedly contemptuous impression about Box office performance in the movie industry. Breaking that all odds, Bollywood marked 5380 crores at the Box office. The Hindi cinema Box office reached 44 per cent in 2023 from 33 per cent in 2022.

According to Report, Tamil, Telugu languages maintain the share market, but Hollywood and Kannada movies viewership declined from 12 per cent to 9 per cent and 8 per cent to 3 per cent respectively.

Of more than 1000 films released in the year 2023, only the top 10 films contributed to 40 per cent of the total box office collection. Jawan was the highest-growing film of 2023 with a gross box office collection of Rs 734 crore.

Particularly Jawan, Animal, Pathaan, and Gadar 2 these films individually crossed 600 cr marks. Followed by Salaar Part 1, Ceasefire, Jailer, and Leo the films that crossed the Rs 400 mark.

In the financial year Average Ticket Price (ATP) grew by 9 per cent compared to the year 2022, from Rs 119 to Rs 130. Most language industries except Hind struggled to hold previous years’ performance.

According to the Report, the Gross Box office has risen by 15 per cent compared to the previous year. 2023, the industry witnessed tremendous growth with collection of Rs 1226 crores. In market share statistics, Hindi cinema garnered first position by securing 11 per cent shares, where it is followed by Tamil and Telugu holding onto their shares of the earlier year. Tamil became the second major language to see double-digit growth (14 per cent compared to 16 per cent in 2022.

In the box office collection 15 films secured position. At the first position, Jawan is highest grossing movie followed by Animal, Pathaan, Gadar 2, Salaar Part 1, Jailer, Leo, Adipurush, Tiger 3, The Kerala Story, Dunki, Ponnyin Selvan PS2, Varisu, Waltair Veerayya, Rocky aur Rani Ki Prem Kahaani.

In terms of the average ticket price, Hollywood secured first position then (Rs 237), Hindi (196), All India (130), Bengali (106), Kannada (103), Punjabi (102), Marathi (99), Telugu (94), Tamil (89), Gujarati (86), Malayalam (85), others (75). Despite 46 per cent growth in 2022, footfalls are well below pre pre-pandemic mark, with each year in 2012-2019.

According to disclaimers and claims made by Ormax, information is collected by various credible resources, such as producers, distributors, exhibitors, and trade analysts. All figures in this report are considered as estimates, which may vary, actuals by up to 5 per cent for Hindi, Hollywood, Telugu, Tamil, and up to 10 per cent for other languages.

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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