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2018’s most watch South Indian channels

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BENGALURU: The South Indian television market is huge with a television penetration of about 95 percent. This paper is based on performance in terms of viewership –  and refers mainly to weekly impressions of top 5 channels in each of the four South Indian languages as per Broadcast Audience Research Council of India (BARC) data.

The four major South India languages are (in order of populations of the major territories they are spoken in) Telugu in Andhra Pradesh/Telangana, Tamil in Tamil Nadu and Pondicherry, Kannada in Karnataka and Malayalam in Kerala. In terms of television households, Tamil Nadu leads because of its higher television penetration, followed by Andhra Pradesh/Telangana, Karnataka and Kerala in that order.

Among the major networks, Star India, Sun TV Network, Viacom18/ETV and Zee Entertainment Enterprises Ltd (Zeel) have channels that cater to the viewership pleasure of speakers of at least three of the four languages.

Here below is the performance of the top channels for each of the four languages.

Kannada Channels

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There were four Kannada channels – three Kannada GECs and one Kannada movie channel that featured in BARC’s weekly list of top 5 Kannada channels for all the 52 weeks of 2018. Two channels were from the Sun TV Network and there was one channel each from Viacom18/ETV Network and Zeel. In alphabetical order, they were: Colors Kannada (Viacom18/ETV), Udaya Movies and Udaya TV (Sun TV Network) and Zee Kannada (Zeel).

The most watched Kannada channels in terms of the sum of weekly impressions for all the 52 weeks of 2018 were – Colors Kannada, Zee Kannada, Udaya TV and Udaya Movies in that order.

Colors Kannada was ranked no 1 in BARC’s list of top 5 Kannada channels during all the 52 weeks of 2018. The channel garnered a total of 21.997 billion impressions (Average weekly impressions 423.011 million) during the 52 weeks of 2018. At second place for each of the 52 weeks of 2018 was Zee Kannada. Zee Kannada scored a total of 17.825 billion impressions (average weekly impressions 342.787 million) during the 52 weeks of 2018. 

The third-most watched channel in terms for total impressions was Udaya TV which had 11.362773 billion impressions Average weekly impressions 218.515 million) during the 52 weeks of 2018. Udaya TV was ranked third for 46 weeks and fourth for 6 weeks in BARC’s weekly list of top 5 Kannada channels during the 52 BARC weeks of 2018. The fourth most watched channel was Udaya Movies – the channel was ranked fourth for 44 weeks, third for six weeks and fifth for two weeks of 2018. Udaya Movies scored 10.164323 billion impressions Average weekly impressions195.468 million) during the 52 BARC weeks of 2018.

Two other channels that featured in BARC’s weekly lists of five most watched Kannada channels were Star India’s Kannada GEC Star Suvarna and Viacom18/ETV’s HD channel – Colors Kannada HD. Star Suvarna was present in BARC’s Kannada channels list for 46 of the 52 week of 2018 and Colors Kannada was present for 6 of 52 weeks of 2018. Please refer to the figure below:

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Malayalam Channels

Four Malayalam GECs made it consistently to BARC’s weekly lists of top 5 Malayalam channels during all the 52 weeks of 2018. These channels were from Star India, Insight Media City and Malayala Manorama (MM) TV and Sun TV. In alphabetical order they were: Asianet (Star India), Flowers TV, Mazhavil Manorama (Malayala Manorama (MM) TV) and Surya TV (Sun TV).

In order of total impressions for all the 52 weeks of 2018, the channels are ranked as Asianet, Surya TV, Flowers TV and Mazhavil Manorama. 

Asianet was ahead of the pack by far – it garnered 15.766 billion impressions during the year with a weekly average of 303.186 million impressions. It was always ranked 1 during all the 52 weeks of 2108. Surya TV was second with 5.134 billion impressions during the year and a weekly average of 98.73740385 million impressions. Flowers Media was ranked third with 4.919 billion impressions during the 52 weeks of 2018 and a weekly average of 94.587 million impressions. At fourth rank was Mazhavil Manorama which had 4.891 billion impressions for the year at a weekly average of 94.062 million impressions. 

Please refer to the figure below for weekly trends for these channels.

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Tamil channels

As in the case of Kannada and Malayalam, there were four Tamil channels that appeared in BARC’s weekly list of top 5 Tamil channels during all the 52 weeks of 2018. Three channels were GEC, while one was a Tamil movie channel. Two channels were from the Sun TV Network and there was one channel each from Star India and Zeel. The four channels, alphabetical order, were KTV, Star Vijay, Sun TV and Zee Tamil.

Sun TV was by far the most watched Tamil GEC in 2018. The channel clocked a massive 48.490 billion impressions during 2018 with weekly average impressions of 932.508 million during the period. At second rank was Star India’s flagship Tamil GEC Star Vijay with 22.697 billion impressions during the 52 weeks of 2018 and a weekly average of 436.477 million. 

At third rank was Zeel’s flagship Tamil GEC Zee Tamil with 21.948 billion impressions during the year and a weekly average of 422.080 million impressions. At fourth rank was the Sun TV Network’s Tamil movies channel KTV with 15.896 billion impressions during the year and a weekly average of 305.696 million impressions during the 52 BARC weeks of 2018. Please refer to the figure below.

Telugu Channels

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Like the other three South Indian languages markets, there were 4 channels that were present consistently in BARC’s weekly list of top 5 Telugu channels during all the 52 weeks of 2018. All four were GECs spread over four different networks – Viacom18/ETV, Star India, Sun TV Network and Zeel.

In alphabetical order, these channels were ETV Telugu (Viacom18/ETV), Gemini (Sun TV Network), Star Maa (Star India) and Zee Telugu (Zeel).

Star Maa was the most watched Telugu channel in 2018 with 29.184 billion impressions during the year at a weekly average of 561.236 million. Zee Telugu was ranked second with 25.274 billion weekly impressions at a weekly average of 486.029 million. At third place was ETV Telugu with 23.435 billion impressions during the year at a weekly average of 450.682 million impressions during BARC’s 52 weeks of 2018. At fourth place was Gemini TV with 22.818 billion impressions at a weekly average of 438.804 million impressions.

South India is an exciting place for television viewers today as broadcasters vie for attracting more and more sticky eyeballs to their fares. There are about 225 channels spread across the four South Indian languages that beam into India, besides many more that beam South Indian language content into other geographies. New channel launches, HD channel launches were the name of the game in 2018. Viacom18/ETV lunched its Tamil GEC – Colors Tamil in 2018, Zeel lunched a Malayalam channel in 2018 – both the pan-India networks wanted to mark their presence in these markets.

Besides, Star India has been wooing sports viewers in South India -it now has 3 sports channels in South Indian languages – the last one to be launched near the end of 2018 – Star Sports 1 Kannada. Earlier, on 7 December, the network had launched Star Sports 1 Telugu to join Star Sports 1 Tamil. The launch of Star Sports 1 Kannada took the Star Sports channel count to 15 with 10 standard definition and five high definition channels.

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As many as nine HD channels were launched by two pan India networks in South India. Seven of the new HD channels were Telugu– five GEC and two movies and one each GEC HD channel was launched in Kannada and Malayalam. Network18 through Viacom18 and ETV launched five, while Zeel launched four HD channels. Zee Kannada HD was launched on 3 November 2018, while Zee Telugu HD and Zee Cinemalu HD were launched on 1 January 2018. Zee Keralam HD was launched on 5 December 2018.

As is obvious from above, among the 4 languages, it was Sun TV that topped BARC’s weekly ratings in Tamil, Star Maa that generally topped the weekly ratings in Telugu, Colors Kannada that topped the ratings in Karnataka and Asianet that topped the ratings in Malayalam during 2018.

BARC data for top10 channels across genres NCCS All India 2+ reveals that the Sun TV Networks flagship Tamil GEC Sun TV is the most watched channel in the country. In 2018, Sun TV headed BARC’s list of top 10 channels across genres for 48 of the 52 weeks of 2018.It was only during some weeks of the eleventh edition of the Indian cricketing bonanza IPL that channel lost its prime position in BARC’s list of top 10 channels across genres for four of the seven IPL weeks. Sun TV, one of the earliest players in the Indian television industry, has continued to dominate the Tamil television market despite the entry of national level big networks in the Tamil market. However, the Sun TV Network channels in the Kannada and Telugu markets had to concede numero uno status to national level players.

With the entry of strong players such as Viacom18/ETV and Zeel, ratings could have a shakeup, especially in the Tamil and Malayalam language space. Over the next few years time will tell which player will top the ratings. In the meantime viewers will be spoiled for choice with quality content being beamed into their televisions.
 

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Awards

Hamdard honours changemakers at Abdul Hameed awards

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NEW DELHI: Hamdard Laboratories gathered a cross-section of India’s achievers in New Delhi on Friday, handing out the Hakeem Abdul Hameed Excellence Awards to figures who have left their mark across healthcare, education, sport, public service and the arts.

The ceremony, attended by minister of state for defence Sanjay Seth and senior officials from the ministry of Ayush, celebrated individuals whose work blends professional success with a sense of public purpose. It was as much a roll call of achievement as it was a reminder that influence is not measured only in profits or podiums, but in people reached and lives improved.

Among the headline awardees was Alakh Pandey, founder and chief executive of PhysicsWallah, recognised for turning affordable digital learning into a mass movement. On the sporting front, Arjuna Awardee and kabaddi player Sakshi Puniya was honoured for her contribution to the game and for pushing women’s participation onto bigger stages.

The cultural spotlight fell on veteran lyricist and poet Santosh Anand, whose songs have echoed across generations of Hindi cinema. At 97, Anand accepted the honour with characteristic humility, reflecting on a life shaped by perseverance and hope.

Healthcare honours spanned both modern and traditional systems. Manoj N. Nesari was recognised for strengthening Ayurveda’s place in national and global health frameworks. Padma shri Mohammed Abdul Waheed was honoured for his research-backed work in Unani medicine, while padma shri Mohsin Wali received recognition for his long-standing contribution to patient-centred care.

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Education and social development also featured prominently. Padma shri Zahir Ishaq Kazi was honoured for decades of work in education, while former Meghalaya superintendent of Police T. C. Chacko was recognised for public service. Goonj founder Anshu Gupta received an award for his dignity-centred rural development initiatives, and the Hunar Shakti Foundation was honoured for empowering women and young girls through skill development.

The Lifetime Achievement Award went to former IAS officer Shailaja Chandra for her long career in public healthcare and governance, particularly in the traditional systems under Ayush.

Speaking at the event, Hamdard chairman Abdul Majeed said the awards were a tribute to those who combine excellence with empathy. “These awardees reflect Hakeem Sahib’s belief that healthcare, education and public service must ultimately serve humanity,” he said.

Minister Seth struck a forward-looking note, saying India’s young population gives the country a unique opportunity to become a global destination for learning, health and wellness by 2047.

The ceremony also featured the trailer launch of Unani Ki Kahaani, an upcoming documentary starring actor Jim Sarbh, set to premiere on Discovery on 11 February.

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Instituted in memory of Unani scholar and educationist Hakeem Abdul Hameed, the awards have grown into a national platform that celebrates those building a more inclusive and resilient India. For one evening at least, the spotlight was not just on success, but on service with substance.

 

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MAM

Why the best campaigns today start with insights, not ideas

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MUMBAI: For decades, creative storytelling has been the cornerstone of brand communication. The “big idea” amplified through catchy jingles, striking visuals, and memorable hooks was once the gold standard for relevance and recall. Creativity defined presence, and the loudest, boldest campaigns often won attention.

But the marketing landscape today looks very different.

Audiences are more exposed, more discerning, and far less patient. They are inundated with messages across platforms, formats, and creators, often encountering hundreds of brand touchpoints in a single day. In this environment, creativity alone especially when untethered from real consumer truths is no longer enough to move behaviour. Great ideas are abundant. Meaningful impact is not.

This is where insights matter.

The difference may seem subtle, but it is fundamental. An idea represents what a brand wants to say. An insight reflects what the audience is already thinking, feeling, or experiencing. The most effective campaigns emerge not from cleverness alone, but from the intersection of these two forces.

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From creativity to relevance

As the marketing ecosystem becomes increasingly saturated, consumers are growing immune to inflated claims and surface-level storytelling. Even beautifully crafted campaigns can fail if they are disconnected from lived realities. The gap between a brand’s internal enthusiasm and the audience’s actual sentiment can be the difference between attention and indifference.

Insights help bridge this gap. They force brands to pause, listen, and observe to understand emotions, behaviours, cultural contexts, and contradictions. Instead of trying to be remembered through louder branding, insight-led campaigns allow audiences to see their own experiences reflected back at them. When a campaign articulates a problem that feels personal, relevance is created. Trust follows.

Insight is interpretation, not information

It’s important to distinguish between data and insight. Data tells us what is happening. Insight explains why it is happening. While data is measurable and structured, insights are interpretive and dynamic, shaped by real-time sentiment and human behaviour.

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Modern consumers are full of contradictions. They demand authenticity while remaining deeply aspirational. They want brands to take a stand but expect nuance, not instruction. They seek transparency, yet are drawn to curated narratives. These tensions are not obstacles, they are opportunities. When understood correctly, they can shape communication that feels timely, credible, and human.

Some of the most effective campaigns today are born not in isolated brainstorm rooms, but through listening to audiences, creators, editors, online communities, and cultural signals. Insights often exist in blurred patterns, but once identified, they can redefine how a brand connects.

A recent campaign we executed for Domino’s illustrates this shift clearly. The brief wasn’t to make a pizza look bigger or louder. Instead, it was rooted in a simple behavioural truth: in Tier 2 and Tier 3 markets, sharing food is an emotional act tied to family, celebration, and value perception. The “Big Big 6-in-1 Pizza” became a canvas for this insight. The campaign leaned into regional voices and real sharing moments, allowing people to show how they experienced the product rather than being told why they should buy it. Influencers and celebrities amplified genuine usage, not scripted endorsements. The impact from engagement to footfall to sales came not from a clever idea, but from understanding how people relate to food in their everyday lives.

Shifting the starting point

Today’s consumer landscape demands a shift in perspective from “What should the brand say?” to “What does the audience need to hear right now?” This marks a move away from inward-led marketing toward communication shaped by behaviour, emotion, and cultural relevance.

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Brands leading today are keen observers. They notice when perfection stops resonating. They sense when luxury shifts from aspiration to excess. They recognise when influencer content begins to feel repetitive and trust erodes.

Virality, too, is often misunderstood. It is not a strategy to chase, but an outcome. Campaigns rooted in insight do not aim to go viral; they aim to resonate. When content reflects something familiar, a shared truth, emotion, or tension, it travels organically because people see themselves in it.

Ideas attract attention. Insights build connection.

The evolving role of PR

For PR professionals, this shift has redefined success. Coverage volume alone no longer tells the full story. The more meaningful questions today are: Did the communication influence behaviour? Did it align with cultural conversations? Did it address a real consumer pain point?

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Insight-first thinking allows these questions to be answered at the planning stage, rather than corrected midway through execution.

In a world where formats and platforms will continue to evolve, what remains constant is the power of authentic communication. The strongest campaigns today do not begin with a brainstorm, but with observation, interpretation, and empathy. That is not just better marketing, it is more responsible, resilient, and meaningful brand-building.

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Brands

Ahmad Muneeb elevated to VP – HR centre of excellence at Zepto

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MUMBAI: Zepto has elevated Ahmad Muneeb to vice president – HR centre of excellence, placing him at the helm of the company’s total rewards, executive compensation and organisational effectiveness as the quick-commerce firm powers through a high-growth phase.

The move follows his stint as senior director of the HR COE, where he played a central role in preparing the company for IPO readiness while scaling its people analytics capabilities. During this period, Muneeb helped align complex performance management structures with more streamlined and scalable employee experience frameworks.

In his new role, he will steer the design of total rewards strategies, executive compensation planning and organisational design, while also overseeing performance management, employee experience initiatives and people analytics programmes.

Before joining Zepto, Muneeb spent nearly three years at Meesho, where he held multiple rewards and HR business partner roles. Earlier in his career, he worked as a senior rewards consultant at Mercer, advising high-tech clients on compensation benchmarking, pay structures and talent-focused reward frameworks.

He began his hr journey at Cognizant, where he supported compensation programmes for nearly two lakh employees across India and worked on m&a compensation alignment and skill-based pay initiatives. Prior to moving into HR, Muneeb started his career as a software engineer at Netcracker, bringing a technical grounding to his people strategy work.

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With a mix of consulting rigour, start-up agility and enterprise-scale experience, Muneeb’s elevation signals Zepto’s continued focus on building robust people systems as it races towards its next phase of growth.

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