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‘Welcome To Karachi’: No thanks!

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MUMBAI: Jackky Bhagnani is being launched for the fifth time in Welcome To Karachi by his home production, Puja Films, owned by his father, Vashu Bhagnani. There are two reasons why the producer should have been very, very selective about the subject he chose and should have had a better team writing it: the first is that what is at stake here is the career of the family scion, and the other is the investment of personal money. 

 

Entering Pakistan by mistake is no more a novel or exciting theme even if the guys doing it, Jackky and Arshad Warsi, are certifiable morons in the film. A recent film, Filmistan had the same theme, even the television serial Taarak Mehta Ka Ooltah Chashmah has had a few episodes where the protagonist, Jethalal, ambles into Pakistani territory. And, of course, our fishermen are also accused of straying on that count. So what’s new? Also, with such a subject you can only make a comedy and for that you need writers, a species missing in our industry.

 

The producer holds a fancy for Gujaratis and here again, the lead man, Jackky, is from a Gujarati family, his father being Dalip Tahil. Tahil runs a ferry service in Jamnagar, a port town of Gujarat, and caters to the demand of wedding receptions on his boats. Tahil passes off his son, Jackky and his close pal, Arshad, both duffers, as geniuses who will look after the security of the guests. Arshad is supposed to be an ex-Navy man court-martialled for sinking a submarine. 

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Now, there is a booking and Tahil’s instructions to his son are that, as soon as the baraat arrives, you take off. Jackky follows the instructions to the T. He watches as the baraat arrives near the jetty and the boat takes off. But, what do you know? This Jamnagar seems to be somewhere in the US (Jackky’s dream destination) for the boat is full of scantily dressed white women of varied ages and figures; as long as they are white, who cares! The usual dance and daru event follows till a storm strikes. The boat is sinking, half the white girls are conveniently sacrificed to the storm. 

 

Arshad and Jackky have landed on the coast of Karachi, lying unconscious the way thousands of marooned seafarers have done in as many fairy tales as well as in films. Karachi being a violent and lawless city, soon there is a bomb blast on the beach that they have landed at. A petty thief descends on the victims relieving the dead bodies of their belongings and this duo is not spared either. The wallets and, hence, the identities of both are stolen. 

 

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Jackky and Arshad are now on the ISI’s radar and later handed over to the Taliban where they unwittingly destroy the entire Taliban camp. The CIA wants to hog the credit and on one side, a Pakistani minister wants to do the same by calling the two brave soldiers as his party members while the Indian electronic media catches on to the story identifying them as Indians from Jamnagar. Poor morons know nothing of all that they have done and the stories being built around them. Their only wish is to return to India. You wish too that they return to India and the charade ends. Alas!

 

Welcome To Karachi is a grossly ill-conceived idea and further done to death in execution. The director had nothing to go on and not realizing that shows his lack of script sense. The film is designed as a comedy and the only funny thing about it is that the film is a joke. Neither there is humour, nor any witty dialogues. Music is functional. Editing is not visible. Production is patchy.

 

As for performances, it is mainly buffoonery on the parts of both main actors. Arshad, otherwise an accomplished actor, is at sea here. Jackky is not an actor so nothing is expected of him and he delivers nothing; his Kathiawadi Gujarati accent sticks to same tone and decibel all along. The heroine, Lauren Gottlieb, plays more of a cameo than the lead. The rest are incidental. 

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Welcome To Karachi is a poor fare on all counts.

 

Producer: Vashu Bhagnani

 

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Director: Ashish R Mohan

 

Cast: Arshad Warsi, Jakky Bhagnani

Hindi

Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

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MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

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For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

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Fans take centre stage as Zee Cine awards turns the spotlight around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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