Hindi
This Hisss lacks fizz
![]() |
| Directer: Jennifer Lynch Producer: Govind Menon, Vikram Singh, Ratan Jain, William Sees Keenan Starring : Malika Sherawat, Divya Dutta, Priyanka Rawat, Irrfan Khan, Jeff Doucette |
MUMBAI: It is a given fact that trespassing into one‘s territory or spoiling one‘s party often leads to violence. But what would creatures do if man violates all norms for his selfish motives? We have heard enough stories of leopards or other animals killing human beings after encroaching into human territory.
Similar is the story of Jeniffer Lynch-directed Hisss. Both the male and the female snake are romancing deep inside the woods, when George States (Jeff Douchette) and his henchmen abduct the male snake, knowing well that the female snake (nagin) would follow. And that is the time when States would bring out the naagmani of the nagin that would make him immortal.
Till here, the film is understandable. What follows is a series of absurdities like the nagin transforming herself into a stunningly beautiful and attractive woman (Mallika Sherawat) who now is on the trail of States. Along the way, she mercilessly kills people who try to rape or harm her. The film goes haywire as the climax arrives and results into a drab affair.
Such stories have a high mythological value for Indians. But unfortunately, this film takes the mythological element away from the story. On the contrary, it tries to capitalise on the snake woman‘s sexy body.
Going by the fact that Jennifer Lynch is the daughter of Oscar-winning director David Lynch and director of films like Boxing Helena and Surveillance, one was curious to see her handle a creature feature to her optimum best, but what comes out is a senseless film.
The screenplay of Lynch is hackneyed with no one able to connect each frame from the other. The director seems clueless about the emotions ichchhadhari snakes evoke in Indians and she seems completely unaware about inter-personal relationships between family members in India. The film is devoid of drama, emotions, comedy or romance. The special effects are just about passable.
After a long time, here is a film where no one needs to perform. Sherawat exposes very boldly and bares her body on several occasions. Irrfan Khan and Divya Dutt are passable.
From the end-result of Hisss, it is clearly evident that in the absence of a good script a good director too becomes incapable. It‘s best to give this disjointed venture a miss for its lack of fizz.
Hindi
Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil
Strong word-of-mouth turns Pongal satire into remake pick
MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.
Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.
Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.
Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.
By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.
For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.
Hindi
Fans take centre stage as Zee Cine awards turns the spotlight around
MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.
The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.
The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.
Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.
The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.
Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.
Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.
As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
-
e-commerce4 weeks agoSwiggy Instamart’s GOV surges 103 per cent year on year to Rs 7,938 crore
-
News Headline2 months agoFrom selfies to big bucks, India’s influencer economy explodes in 2025
-
iWorld1 year agoKuku TV transforms India’s OTT space with vertical microdrama boom
-
News Headline2 years agoOdisha to host Ultimate Kho Kho Season 2 from December 24
-
MAM2 years agoUltimate Kho Kho raises valuation, secures a series-A PE funding from UK-based BNP group
-
News Headline2 months ago2025: The year Indian sports saw chaos, comebacks, and breakthroughs
-
iWorld6 months agoBillions still offline despite mobile internet surge: GSMA
-
News Headline2 months agoGame on again as 2025 powers up a record year and sets the stage for 2030





