Hindi
Naam Shabana……Halfhearted!
MUMBAI: You realise that whatever Naam Shabana had to show has already been shown in the film’s promos. The strategy may draw the initial audience to an extent but, since they are not going back being a very happy lot that is about all.
Akashy Kumar did Baby with Tapsee Pannu (2015) playing a brief role. Akshay, being a star of over 25 years of standing, is accepted readily playing an action hero. But, when you are letting loose a female protagonist who you expect to carry a film through in place of Akshay, you need a build-up for her. So Tapsee who featured in Baby is given a backstory here. Her past, which makes up for the first part of the film and, when she is assigned a mission, that makes for the latter part of the film.
If you look at the film that way, it is what is referred in the West as a double bill: two films at the price of one.
Tapsee, playing Shabana Khan, is one stern person drained of all emotions. Brought up in predominantly Muslim locality of Mumbai in a small flat, she and her mother have suffered heavily from her drunkard father. Both women, Tapsee and her mother, have been at the receiving end of nonstop violence. Not to be a victim of any kind of violence again, Tapsee is training for martial art.
Relentlessly wooed by her college mate, played by Taher Mithaiwala, Tapsee is not ready for any sort of commitment. Her idea about men is not positive thanks to her father’s behaviour. The only person Tapsee trusts and confides into is her mother.
Taher finally manages to win Tapsee’s love and, after spending a cosy evening with him but before she could say she also loves him, Tahir becomes the victim of a group of spoilt boys from Delhi making merry in Mumbai. While that saves Tapsee from being molested, the experience also leaves her devastated as well full of rage.
Tapsee now wants revenge, nothing sort of kill the perpetrators. The police is no help. That is when she starts getting help from anonymous source. Tapsee is trained to be a lethal weapon by her benevolent caller. Her offenders are located for her and all the arrangements are made for her to get to her enemies and kill them. Also shadowing her is her guardian angel played by Akshay Kumar.
Having sought her revenge, Tapsee is now ready for the purpose her helpers had in mind for her. It seems, a national agency was tracking her moves and aggression all along and intended to enrol her as a spy to work for the country. Her handler so far keeping tabs on her is the character of Manoj Bajpayee.
Having agreed to join the agency, Tapsee’s assignment is to liquidate an international arms supplier played by Prithviraj Sukumaran. Many agents have earlier lost their lives trying to tackle Prithviraj and, he also keeps getting his looks changed through plastic surgery.
Finally, Prithviraj is tracked to Malaysia and it is time to move the narration out of congested Mumbai streets and to a more picturesque locations in Kuala Lumpur. Here, after some more trackers losing their lives to Prithviraj, it is left to Tapsee to tackle him singlehandedly.
Naam Shabana, in an effort to give a back story to Tapsee, fails to connect the two parts. The way other characters are etched out make Indian spies look like fools and their parts look like they are playing a game of spies. Then, to send a novice agent to a villain who has been painted huge is not convincing. And, making Akshay her shadow and a guardian angel seems more an attempt to keep Akshay on the screen so the viewer does not feel cheated.
Direction fails to detect or solve these and other glitches. While the first half story has been seen in few films earlier, it is still watchable due to Tapsee’s efforts. The second half sags. Music though out of place comes in three songs. Dialogue is good in parts. Editing needed to be sharper.
Tapsee Pannu performs very well carrying her angry young girl image through with conviction. Akshay Kumar has really nothing to do and he does nothing to alleviate the situation. Prithviraj Sukumaran makes a mark. Manoj Bajpayee is okay.
Danny and Anupam Kher make fleeting appearances to no avail. Taher Mithaiwal is fair. Naam Shabana is a halfhearted effort, the only comfort being in its seemingly low making costs.
Producers: Neeraj Pandey, Shital Bhatia.
Director: Shivam Nair.
Cast: Taapsee Pannu, Akshay Kumar,. Manoj Bajpayee, Anupam Kher, Danny Denzongpa, Prithviraj Sukumaran.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
Hindi
Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26
MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.
The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.
Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.
Hindi
Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights
MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.
The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.
Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.
In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.
The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.
Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.
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