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Mubarakan……Fun while it lasts

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Mubarakan is designed to be a crazy comedy on the lines of Bazmee’s own, Welcome, Sajid Khan’s Housefull, Nikhil Advani’s Patiala House and other such movies where knotty situations are created leading to one tangle after another, leading to a lot of funny situations and laughter as a result.

The prime ingredient is a horde of artistes, preferably a talented lot if it has to work better. However, depending on the script and screenplay, not to forget peppy dialogue of which some work, some don’t.

Being a situational comedy, more the characters on the screen, better the pace. With fewer characters, it would become tedious. The story about identical twin brothers separated at birth because of circumstances, helps add spice. And, of course, a film has to justify folks dancing in colourful costumes at a family wedding. That is being so Indian.

This muddle revolves around a Sikh family divided between Chandigarh in India and London in the UK.
It falls upon the bachelor played by Anil Kapoor to bring up his twin nephews, the character of Arjun Kapoor in a dual role, when his brother played by Sanjay Kapoor and his wife die in a car crash. Not in a position to take up the responsibility, he sends off one of the twins to his older brother, played by Pawan Malhotra, and the other to his sister, played by Ratna Pathak Shah.

Charan, one of the twins, brought up by Pawan grows up to be a shy, introvert and traditional Sikh, sporting his pagdi while the one brought up in London by Ratna is bold, has shorn his hair and, is outgoing. However, both brought up by their adoptive parents, are in awe of them and give them full respect.

Arjun from London has followed the character of Ileana D’Cruz to Chandigarh whom he has been courting for two years. He keeps promising her that he will talk to his parents soon but, an accident meeting between her and Ratna, turns into Ileana calling Ratna names and ridiculing her. That puts paid to Arjun’s plans to take Ileana’s to meets his strong headed mother, Ratna.

The shy Arjun with pagdi loves the character of Neha Sharma, a lawyer by profession. He is scared to take her home to meet his father, Pawan, for he is shy by nature as it were and the fact that she is not from the Sikh community deters him from doing so.

Pawan decides to fix up his nephew, Karan’s wedding with the character of Athiya Shetty, daughter of a London tycoon played by Rahul Dev. But, being in love with Ileana, he wriggles out of the proposal, instead, suggesting the family choose Athiya for Charan. But, Charan wants to marry Neha.

None of the two is opening up about their true intentions and, instead, approach their maternal uncle, Anil Kapoor, to help get them out of the situation. Anil has decided to remain a bachelor, drowning his sorrows in alcohol after a failed romance. In helping his nephews, he finds a cause.

To start with, when the family reaches Rahul’s palatial house, Anil suggests Arjun (Charan) act as a drug addict which would be easy to pass off since his home state, Punjab, has been in news for drug abuse; he even quotes Udta Punjab (a recent film on the Punjab drug menace).

Then on starts a chain of events which create funny situations in the film which at most times keep viewers giggling.

Comedy writing has not been the forte of Hindi filmmaking clan. But, in the case of Mubarakan, the team of writers has done a good job, which was expected considering the director, Bazmee, who himself began his career as a writer, would know what he wanted. Dialogue adds to the fun.

Despite this, some scenes stretch and the climax, though enjoyable, follows on the predictable lines. Bazmee, the director, handles his artistes well, making their causes look convincing and not letting the performances look like buffoonery.

The cinematography is good with ample help from the choice of locations. Choreography adds colour to the proceedings. Editing could have been a little crisper. Though dominated by Punjabi songs, the music works in the film’s favour with foot tapping numbers. The title song is already popular with the reworked version of Hasan Jehangir’s 1987 number, Hawa hawa… and the romantic song, Hathon mei haath…..being appealing.

This despite being a no holds barred comedy attempt, the actors are reigned in well. Anil Kapoor verges on going overboard but that is what his character demands. Arjun Kapoor does a very good job in two totally different characters. Ileana D’Cruz is aptly peppy. Athiya has a limited role in first half and is restrained in the latter parts when she gets more exposure; her dancing is graceful. Neha Sharma impresses. Rahul Dev and Karan Kundra live up to their roles of arrogant but traditional Sikhs. However, the ones who give the comic film credence are Ratna Shah Pathak and Pawan Malhotra.
Mubarakan is a family entertainer and though the opening is average (the film’s promos were uninspiring), the film has the prospects to pick up over the weekend.

Producers: Ashwin Varde, Murad Khetani.

Director: Anees Bazmee.

Cast: Anil Kapoor, Arjun Kapoor (double role), Ileana D’Cruz, Athiya Shetty, Neha Sharma, Rahul Dev, Karan Kundra,, Ratna Pathak Shah, Pavan Malhotra.

Hindi

Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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