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Machine…. Poor show

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MUMBAI: Machine is a rather unlikely story with an unlikely title. Coming from Abbas Mustan duo, the Burmawalla brothers, who made a reputation for giving thrillers and action films with good musical score, one expected more of the same stuff. Having worked with some of the top artistes of Hindi film industry, their inspiration has almost always come from English movies besides an odd Indian language film.

Though Abbas and Mustan started their career with Gujarati films, which were usually crudely made, in Hindi films, they made a reputation for their finesse. Their brother, Hussain helped them keep their content crisp as an editor.

This time, the Burmawalla brothers were expected to give their all; they were launching a family scion, Mustafa, the son of Abbas as the hero. Mustafa earlier assisted the duo in direction department.

Mustafa’s character drops out of the blue in the life of the character played by Kiara Advani, a student at Woodstock school/college somewhere in North India as the legend on the screen informs you. Having met on a picturesque highway, he turns out to be a fresher at the same institution as her. Kiara is a car-racing enthusiast and so is he. She is in to dramatics in her institution, and so is Mustafa.

These sequences are pure copy-paste from any given 1980s campus film, though oft used later too. Kaira has fallen in love with Mustafa instantly, and that is how Mustafa wanted it to be. But, there are two more candidates on the campus vying for her attention and love in Rishabh Arora and Eshan Shankar.

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Kaira keeps getting romantic messages on the balcony (no, they are not into text messages or WhatsApp) of her hostel room which looks more like a graded hotel suit! One of the three aspirants is sending her messages but, since she has fallen in love with Mustafa, she can only imagine him sending those messages. She is about to find out as the messenger has sought a rendezvous on a bridge where lovers meet and commit themselves.

Here, two of the claimants for her love lose the race. Mustafa and Kiara tie the knot.

As the couple’s honeymoon begins, it is also the end of the viewers’ hopes. The film goes haywire, hereafter. Not that it had much to promise in the first half.

The writer-director team seems to have no control over the content as well as on what they want to be the mainstay of the film. They try to cram in a few things from their own previous films which worked like the antihero from Baazigar, devious guardian from Khiladi and so on. What emerges finally is a royal mess.

Known for their positive sense for popular music, the director duo fails this time as the film falls short of the kind of songs such a love story needs. Editing is a let-down. The film does have a couple of catchy dialogues. The film is shot on scenic location overseas in the name of North India which is some relief.
Mustafa Burmawalla can be rated fair as an actor but he is no star material nor a draw. He lacks that charm or magnetism.

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Kiara Advani is cute, reminds you of Hema Malini in expressions. Rishabh Arora and Eshan Shankar lack presence and their roles are poorly etched out. Ronit Roy goes overboard. Kishori Shahane, Sharat Saxena, Dalip Tahil, Supriya karnik and Johnny Lever have little to do.
Machine is poor on all counts and has no prospects at the box office.

Producers: Abbas, Mustan, Pranay Chokshi, Haresh Patel.

Directors: Abbas Mustan.

Cast: Mustafa Burmawalla, Kaira Advani, Rishabh Shukla, Shabbir Burmawalla, Eshan Shankar, Supriya Karnik, Ronit Roy, Sharat Saxena, Kishori Shahane, Johhny Lever. 

Trapped…Feels like self-torture?

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The urge to experiment and make a different kind of a film is strong among newer and younger filmmakers. The stars being hard to get and the budgets restraints that prevail, there is this quest is for something thought provoking.

Trapped is one such attempt. The story puts the protagonist in impossible situations, makes him go through all kinds of testing times and, eventually, lets him get out of the tight spot the same way he could have done within an hour of being trapped if he had thought carefully and planned logically. Instead, he throws tantrums and goes on destroying things around him, things that could have saved his life as well as the situation.

The character of Rajkumar Rao is some sort of a bespectacled white collar worker. You can’t say what kind because you don’t see him doing any work since he is busy trying to date a girl, played by Geetanjali Thapa. After some quirky talk on phone, the two decide to meet over a meal. No matter that the girl is due to marry in next two months.

They date, they make out and they decide to marry notwithstanding the girl’s earlier commitment. But Rao shares a small apartment with many others and can’t bring Thapa here. He goes out in search of a one-BHK accommodation and gets what he needed in an under construction building, almost ready but unoccupied.

Usually, a guy does not choose a place to live without his woman by his side; it is always her choice. But, here, Rao rents a flat, even occupies it and Thapa is not even aware or around. But this is a script that suits the makers for a very low budget film.

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Having occupied the new flat, Rao learns to his dismay that he has been had. The flat has no running water or the electricity that he was promised. Next, as he decides to go to work, he discovers he has left his cell phone behind. In hurry to retrieve it, he gets locked into the flat with the keys hanging outside.
He is Trapped!

Thereafter, what he does is everything that is illogical and for the convenience of stretching the film to an intolerable 103 minutes! Seeing is believing but I would not advise it!

Shot in one flat with nothing for distraction, the film has a deficient script, patchy direction and lack of editing sense. The film counts on Rajkumar Rao to bear the burden of this non-entertainer. He does very well but not enough to salvage this misadventure. Geetanjali Thapa and others in the cast are incidental.

Trapped is a tedious watch.

Producers: Madhu Mantena, Vikas Bahl, Anurag Kashyap.
Director: Vikramaditya Motwane.
Cast: Rajkumar Rao, Geetanjali Thapa.

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Hindi

Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

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MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

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For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

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Hindi

Fans take centre stage as Zee Cine awards turns the spotlight around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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