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Jolly LLB 2….Lacklustre

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Jolly LLB 2 is, what the Hindi film industry has got used to describe as a sequel and this one is supposed to be a sequel to Jolly LLB (2013). The film actually is another comic satire on the judiciary like the earlier one and the same director if that qualifies it to be called a sequel.

Otherwise, the film is just using the title considering the earlier Jolly LLB was a fair success.

Jolly LLB 2 takes similar start as the earlier one in that, though Akshay Kumar’s character is a qualified lawyer, he works with a senior solicitor in Lucknow where he is mainly an attendant to his boss, never trusted to take up a case or stand in court.

Akshay has a demanding wife, played by Huma Qureshi, in that Akshay has to do all the house work, make whiskey for her, cook for her etc. While Akshay has but one ambition, that is to have his own chamber and take on cases independently, Huma’s ambition is to wear Gucci dress. Akshay can’t afford it so, on one occasion, she gets a Gucci dress on rent. That is the kind of comedy the film offers.

Sayani Gupta’s husband, Manav Kaul, has been killed by the policeman, Inaamulhaq, passing it off as an encounter just to get accolades and his next promotion. Pregnant Sayani wants Akshay’s boss to take up her case but he is not even willing to meet her. Akshay lies to her and accepts two lakh from her as fees for his boss and uses it to get his own chamber. Sayani commits suicide and guilt-ridden Akshay decides to take on the might of the local police.

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The rest of the film tries to replicate the earlier version as the big time lawyer defending the cop here is the character played by Annu Kapoor while the judge is Saurabh Shukla, straight out of Jolly LLB. A novice, Akshay tries to get a conviction for Inaamullah but Annu comes up with all sorts of antics most of which are farcical, let alone be convincing.

For distraction, some song and dance routine is put in at places but that hardly helps. The fact is, there is little scope for a heroine in the story. Instead, the couple also have a child nobody knows to what purpose except to stretch the film. This aspect actually bogs down the film.

The court proceedings are lackluster and get neither serious nor funny. Characters pop out from nowhere as if to give the film another twist; the ploy fails.

The film suffers right from conception stage as the script is poor lacking the expected thrill and twist and turns from a courtroom drama. The comparison with the earlier film is inevitable as, even the comic quotient, is missing in most parts. Direction is patchy. Music has no decent song to offer and only drags the film. Editing is slack. Production values are below par.

As for performances, Akshay Kumar tries his best but lacks his usual élan. Annu Kapoor goes overboard being loud. Saurabh Shukla is okay. Huma Qureshi was not needed in this scheme of things and, while she is there, she adds nothing. Imaanulhaq does well and so does Sayani Gupta.
Jolly LLB 2 is an average fare lacking the required entertainment value.

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Producer: Fox Star Studios.

Director: Subhash Kapoor.

Cast: Akshay Kumar, Annu Kapoor, Huma Qureshi, Saurabh Shukla.

Hindi

Fans Take Centre Stage as Zee Cine Awards Turns the Spotlight Around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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