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Japan tops awards tally at 3rd AFA

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Hong Kong: During Hong Kong’s 100th year of movie making, Japanese films walked away with awards in five of the 13 categories at the 3rd Asian Film Awards organised by the Hong Kong International Film Festival Society.


Tokyo Sonata, a story that portrays the breakdown of a Japanese family after its patriarch loses his job at a prominent company, was awarded Best film.



Tokyo Sonata also received the best screenwriter award for its screenwriter trio of Kurosawa Kiyoshi, Max Mannix and Tanaka Sachiko from Japan, The Netherlands and Hong Kong respectively.



Hirokazu won the best director award for his Still Walking, a film about a family commemorating the drowning of one of its family members.



Oscar award winning film (Best foreign language film) Departures lead star Motoki Masahiro was awarded Best Actor for his performance in the film. In the film Motoki plays a cellist who works in a funeral parlor business after his orchestra is dissolved. India’s Akhsay Kumar was among the nominees for this category for his performance in the Hindi super-hit film Singh is Kinng.












Japan’s Hisaishi Joe won the award for the best composer for his music composition for Ponyo on the Cliff. India’s AR Rahman composition for Jodha Akbar among other’s had also been nominated for this category.



Zhou Xun won the best actress award for the mainland Chinese film The Equation of Love and Death. India’s Deepika Podukone was also in the reckoning for this category for her performance in Chandni Chowk to China.



India’s Nitin Chandrasekhar was one of the nominees for best production designer award for Jodha Akbar. The award was won by Daniel Yan-kong Lee for Three Kingdoms: Resurrection of the Dragon.



The Nielsen Box Office award was conferred on India’s Priyanka Chopra. The Edward Yang New Talent Award was conferred on Taiwanese director Wei Te-Sheng. Hong Kong director Tsui Hark and his wife Shi Nansun were presented with the Outstanding Contribution to Asia Cinema award.



Awards for the other categories went to: Best Newcomer – Mainland China’s Yu Shaoqun (Forever Enthralled); Best Supporting Actor – South Korean Jung Woo-sung (The Good, the Bad, the Weird); Best Supporting Actress – Filipino Gina Pareno (Service);Best Cinematographer Europe’s Jola Dylewska (Tulpan) ; Best Editor South Korea’s Kim Sun-min (The Chaser);Best Visual Effects – Craig Hayes from the Chinese mainland (Red Cliff).


The award ceremony was held at Hong Kong yesterday. Michelle Yeoh was the president of the jury that decided the awards.



The glittering ceremony was hosted by VJ and MC Derek Li, Monaco born Hong Kong’s top model Lisa S and character actor Terence Yin. The awards ceremony was tastefully interspaced with audio visuals and performances by Justin Lo and Alan, among others.

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Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

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MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

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For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

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Fans take centre stage as Zee Cine awards turns the spotlight around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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