Hindi
‘Humpty Sharma Ki Dulhania’…Join the party
MUMBAI: The title may sound confusing. Who is this Humpty Sharma? He is no legendary lover on whom tomes may have been written. It does not give away much except that the story/ scenario would obviously be set against the background of a Delhi Punjabi family. And perhaps that is something about the Dilwale Dulhania Le Jayenge to it? Why not. After all, Dil Wale Dulhania… was an all-time hit, so what’s wrong with borrowing a bit from there?
Varun Dhawan shyly confesses that he was a very fat child and that is how he was nicknamed Humpty. Not bad considering he could have been nicknamed Sweety or Dimppy, which could be gender defying. Varun heads a gang of three including himself in a Delhi college. The other two are Gaurav Pandey and Sahil Vaid. As in all filmy colleges, you only have a campus with a loosely hung signboard declaring that the premises is a college. He is popular with girls around for no apparent reason except that he is the hero of the story. Despite being in Delhi, for a change, he is not the son of a halwai but, as he says, the only ‘waris of the famous Vidhya Book Store’ which caters to college students’ requirements.
For a change, Varun does not find his lady love from a college coed. She is an Ambala girl, Alia Bhatt, who is in Delhi to attend her friend’s wedding. Actually, no Punjabi love story can be told without involving a wedding. There she meets Varun who wants to date her, which she does not mind until she gets married to an NRI a few week hence. A little net practice never hurt anybody.
This is the first man Alia has ever been exposed to. All her life she has been brought up to believe in following the family tradition: marry the guy dad chooses. Dad, Ashutosh Rana, himself has had a love marriage but since then, he has had a reason not to trust such a liaison. But apart from that, Rana is okay with giving his daughter all the freedom she wants. So she takes off for Delhi to spend time with her friend, Guncha Narula, who is due to marry soon as well as to buy a Rs 5 lakh wedding dress for herself—because Guncha has bought one worth Rs 2.5 lakh!
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Director: Shashank Khaitan. Cast: Varun Dhawan, Alia Bhatt, Ashutosh Rana, Siddharth Shukla, Kenneth Desai, Gaurav Pandey, Sahil Vaid, Mahnaz Damania, Deepika Amin, Guncha Narula, Jaswant Daman. |
Varun, quite popular in college, sees this new girl in town and as is wont of any Delhi boy, piles on. Alia is the kind who can take a Delhi boy in her stride but quite enjoys Varun’s company. Varun, on his part, has fallen head over heels. The happy days are over and Alia has to return to Ambala as her NRI fiancé is due to arrive. That is when Alia also owns up to her deep love for Varun.
Back in Ambala, Alia has only one option and that is to forget Varun and get ready for her marriage with this NRI doctor, Siddharth Shukla. Varun chases Alia to Ambala only to be beaten black and blue by her brother and his goons. Varun is unrelenting. Shukla is arriving and Rana decides to offer Varun a chance so as to avoid any tamasha during the wedding. It is five days till wedding, Varun’s job is to hang around Shukla and find some fault in him for Rana to call off Alia’s wedding with him. But, one look at the fiancé and Varun loses all hope. He is a perfect stud with no blemish at all. Since Gaurav and Sahil are also with Varun, the fun and repartees continue.
Despite the latter half of the film revisiting Yashraj Films’ all-time hit, Dilwale Dulhania Le Jayenge, it is all well done. The film’s writer/director deserve all the credit for coming up with a very plausible take on Dilwale…., with a taut script peppered with witty exchanges between characters. There are some loose ends like disappearance of Shukla from the scene suddenly! The film also has the advantage of some peppy numbers in ‘Saturday Saturday’…., ‘Lucky tu lucky me’…. and a melody in ‘Samjhawan’…albeit all with heavy Punjabi flavour.
Varun along with Gaurav and Sahil make sure one stays entertained. Alia does well, not going overboard in dramatic scenes. Rana is good while Shukla makes an impact despite a brief role. The supporting cast is adequate.
Humpty Sharma Ki Dulhania is a joyride for youth and an entertainer that also caters to other age groups. While its business may be affected to a degree due to Ramzan month, it is generally a moneymaker.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
Hindi
Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26
MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.
The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.
Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.
Hindi
Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights
MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.
The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.
Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.
In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.
The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.
Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.
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Producers: Hiroo Johar, Karan Johar.