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Grace under fire

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 confess. I have sat glued through all the episodes of Bigg Boss thus far,
insufferable as they have all been. In my mind, I curse the ordinariness of the celebs chosen (Amit Sadh, for Gawd‘s sake!!), mutter abuses while cranking up the volume to catch the whispered conversations, and yawn through the Bigg Boss‘ disjointed instructions. But I haven‘t missed a single minute so far, and am dying to know whether it will be Deepak Parashar or Bobby Darling who gets booted out this week.

Is it the novelty of the show on Indian airwaves? Is it the lack of better alternatives on other channels? Or is it plain voyeurism that wins over all other reasons? You get to see Carol Gracias waking up with no make up on, and where else would you watch Rakhee Sawant roll out chapatis and wring clothes out to dry? Rupali Ganguly‘s frequent crying bouts tug at your heartstrings, and Salil Ankola‘s efforts at chopping firewood, tell you a thing or two about the real brawn of macho men.


These folks are not top class celebs, but for a nation as awestruck by celebs of any hue as we are, they do just fine.


The channel has chosen well. The women are the right mix of bitchiness and
sentimentality, the guys are either flirts or earnest gentlemen, and Bobby
Darling, is well, Bobby Darling. In the first week itself, participants have
got down to the serious business of forming groups and pairs, and there have
been gossip sessions galore. The Bigg Boss‘ tasks could have been more
creative, and the days at the Big House more structured. But hey, with just
so many soaps for competition on the other buttons of the remote, who‘s
complaining?


****







The Roadies are comin‘!


MTV‘s adventure reality show Roadies, already in its fourth year, is auditioning across cities, and man, do they attract a weird bunch! In Chandigarh this week, scions of wealthy families, designers, students – young and with a desire to do something freaky, floated in for auditioning – and were ripped apart by the three-judge panel.


Nikhil Chinappa at his acid best, accompanied by someone as acidic called Raghuram, made mincemeat of the perspiring aspirants, while the third judge, singer Mika, lurked in the background, emerging merely to ask an inane question or two. This was judging and selecting at its most brutal, and one wonders if it is sheer youthful bravado that propels the youngsters into the MTV studios, knowing what they are letting themselves in for! “You say you are a misogynist and you don‘t know the meaning of orgasm??!!” fumed Nikhil at one quaking youth. “You are a *beep* fake, man!”


****


Oh horror!


If you expected Shh! Phir Koi Hai to be in the same class as Darna Mana Hai
that aired last year on the same channel (Star One), you could qualify for disappointment. DMH plucked real people, real homes and some real spine chilling horror (even if the splitting of the story into four parts killed most of the suspense).


It‘s latter day sibling is high on extravaganza, high on effects but a little low on plot. The first story told last Friday had a bunch of youngsters holed up in a fort where the legendary Queen Padmavati threw herself into fire to prevent desecration at the hands of the enemy. It was slightly tedious to watch the ghost of the queen single out each member of the group and consign it to fire, only to be outwitted at the end. Not very original, not very scary. Hope the series gets better with time, as it‘s the only one with potential in that genre right now.


****








 

Entertainment, with a cause


Star One‘s Office Office took a different route this week when it addressed the issue of AIDS in a novel way, without sounding preachy or condescending.


The protagonist approaches the charity commissioner‘s office for permissions
to start an AIDS NGO, but comes up against the usual red tape, which he tackles staunchly but humorously. At the end, it turns out, he is the one who has contracted AIDS, but reminds the officials that it is they suffering
from a worse malady – RAIDS – Rishwat (corruption) ka AIDS!


****


CNBC eyes the bahu?


Guess CNBC TV 18 is now targeting the housewives eager to enter the stock market. There‘s a new show called Saas, Bahu and Sensex (how original!!), in which master chef Tarla Dalal was invited this week to share her own forays into investments in shares and stocks. The lady answered questions put to her as gamely as she could, but the ladies anchoring the segment clearly looked out of depth. Perhaps they are better suited to grilling top notch executives and investment bankers than working women who dabble only occasionally in the world of finance!


****


Couch potato‘s femme fatale of the week


Definitely Rakhee Sawant. She throws her comments around on the Bigg Boss premises as easily as she wields a mop to clean the floor and wash her clothes as well as her friends‘. I am fast revising my opinion of this lady with the famous big mouth.


 



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Box Populi

Cinépolis pops nearly 5 million tubs as popcorn steals the show

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MUMBAI:If there is a soundtrack to cinema-going, it is the crackle of popcorn and in 2025, audiences at Cinépolis India clearly couldn’t get enough of it. The multiplex chain has revealed its annual popcorn consumption data, showing that moviegoers across its network devoured close to five million tubs of popcorn last year. Broken down, that works out to around 570 tubs every hour, or roughly 10 tubs disappearing every single minute, enough to keep the kernels popping almost non-stop.

In sheer volume terms, Cinépolis sold around 12,000 tonnes of popcorn during the year, underlining just how central the snack has become to the big-screen ritual. Long after the opening credits roll and before the end credits fade, popcorn remains the constant companion.

To celebrate National Popcorn Day on January 19, 2026, the cinema chain is now turning the spotlight on the snack itself. From January 20 to January 31, Cinépolis will run a nationwide “Popcorn Happy Hour”, offering a buy one get one free deal on popcorn across its locations. The limited-period promotion is designed to add a little extra crunch to the moviegoing experience, without adding to the bill.

“Popcorn is the official movie partner, and at Cinépolis, it is the sensory anchor of the cinema experience,” said Cinépolis India managing director Devang Sampat. “With the Popcorn Happy Hour offer, we are making it easier for audiences to add that to their visit, without compromising on quality.”

Sampat added that the consumption data is more than just a fun statistic. Tracking what patrons buy and when they buy it helps the chain refine its food and beverage offerings and shape the overall in-cinema experience. “Our 2025 data helps us understand what patrons are choosing, so we can keep improving the menu and the experience,” he said.

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The popcorn push sits within Cinépolis India’s broader Foovies framework, an in-house strategy that treats food and beverages as a core part of cinema-going rather than a side order. The approach focuses on curated menus, value-led campaigns and data-driven decisions, using consumer behaviour to guide what lands at the concession counter.

As theatres continue to compete not just with streaming platforms but with every other leisure option vying for attention, the numbers suggest one thing remains rock-solid: when the lights dim, popcorn still rules the aisle. And with millions of tubs already behind it, Cinépolis is betting that the humble kernel will keep audiences coming back for another bite and another show.

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National Popcorn Day: Cinépolis sold a popcorn tub every six seconds in 2025

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NEW DELHI: Cinépolis India sold nearly five million popcorn tubs in 2025, roughly one every six seconds, underscoring how firmly snacks are stitched into the cinema experience. Data released by the multiplex chain shows patrons bought around 570 tubs an hour, or 10 a minute, translating into 12,000 tonnes of popcorn consumed across its theatres last year.

To capitalise on the numbers and mark National Popcorn Day on January 19, Cinépolis will sell select popcorn variants at Rs 19 across all locations and showtimes, subject to availability. The push will roll into a longer “Popcorn Happy Hour” from 20 to 31 January, offering a buy-one-get-one-free deal nationwide.

Cinépolis India managing director Devang Sampat, said popcorn remains the “sensory anchor” of the big-screen experience and that value-led offers were designed to make it easier for audiences to add food to their visit without diluting quality. He added that proprietary food-and-beverage data helps the chain refine menus and improve the overall cinema experience.

The campaign sits within Cinépolis India’s Foovies strategy, which treats food and beverage not as an add-on but as a core driver of footfalls and consumption, backed by data-led menu development and targeted value promotions.

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Box Populi

Cinépolis plugs into DOOH with 350-screen ad blitz across 100-plus cinemas

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NATIONAL: Cinépolis India is moving decisively into cinema advertising, rolling out a nationwide network of digital screens across its multiplex lobbies in a partnership with dooh specialist It’s spotlight.

The deal will see more than 350 led screens, video walls and digital displays switched on across 101 Cinépolis properties in 63 cities and 23 states and union territories, creating one of the largest in-cinema advertising networks in the country.

Under the arrangement, It’s spotlight will operate and commercialise the inventory, giving brands access to programmatic buying, real-time optimisation and performance metrics such as impressions, audience profiles and footfall data.

“Cinema environments offer advertisers access to audiences in a focused, lean-forward setting which is distinct from outdoor and transit media,” said Cinépolis India managing director Devang Sampat. As dooh gathers momentum and brands look beyond cluttered social and digital platforms, he said, cinemas offer a sharper way to reach young and urban consumers.

The timing is deliberate. India’s out-of-home advertising market was worth Rs 5,920 crore in 2024, according to the EY-Ficci M&E report, with digital OOH expected to rise from 12 per cent to 17 per cent of total revenues by 2027.

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It’s spotlight founder and director Virkaran Singh, said cinema screens sit “at the intersection of attention, intent and experience”, offering advertisers premium, highly engaged audiences at national scale through a single buy.

With 449 screens already under its Cinépolis, Cinépolis VIP and Fun Cinemas brands, the exhibitor is betting that its lobbies can become as valuable to advertisers as its auditoriums, turning footfall into a high-impact media channel.
 

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