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Cannes Festival gets the buzz going

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MUMBAI: The seaside resort of Cannes in the French Riviera was buzzing with activity between 12 and 23 May 2010 after a relatively slower 2009. Critics carped that not enough was happening but in the end Cannes lived up to its promise.


Surprise winners were announced, deals were struck in the market section, the stars descended on and down the famed red carpet and a good selection of films – both in the competition and non-competition section were screened.


Festival managing director Thierry Fremaux and president Giles Jacob are probably pleased as punch.


Kirsten Dunst, Salma Hayek, Diane Kruger, Emmanuel Beart, Juliette Binoche, jury member Kate Beckinsale, president Tim Burton, Woody Allen, Michael Douglas, our own Aishwarya Rai Bachchan, Paris Hilton, you name the celeb and they made it to Cannes.


The surprise of the festival was the Thai director-actor Apichatpong Weerasethakul‘s film Uncle Boonmee Who Can Recall His Past Lives which went on to win the coveted Palme D‘Or. It bypassed frontrunners like Mike Leigh‘s Another Year and Korean films Poetry and Of Gods and Men. Apichatpong‘s work is only the sixth Asian film to win the top prize in the seven decades of the film fest.


The award for best actor was shared by Mexican Javier Bardem (Biutiful) and Italy‘s Elio Germano (Our Life) while Juliette Binoche bagged the best actress award for Iranian film Certified Copy.


French director Mathieu Amalric won the best director award for his film On Tour.
Chadian director Mahamat-Saleh Haroun lapped up the jury prize, a mark of special recognition, besides the main awards, for the first film from sub-Saharan Africa, A Screaming Man.


South Korean director Lee Chang-Dong‘s Poetry bagged the best screenplay award while France‘s Of Gods and Men won the Grand Prix award.


The top award in the Un Certain Regard section was bagged by Hong Sangsoo‘s HaHaHa.


India presence


Like every year, India‘s film makers came out in large numbers to Cannes. An official entry of UTV‘s Udaan, the second appearance of Mrinal Sen‘s classic Khandahar and the participation of over 50 Indian companies with more than 150 films to sell, meant that India‘s presence was felt at the film fest.


Prominent participants from the country included UTV Motion Pictures, IDream Independent Pictures (IDIP), Accel Animation Studio, Supreme Communications, Sarthak Movies and many others.


While UTV‘s slate at the event also included films like Peepli Live, Harischandrachi Factory, Paan Singh Tomar and two animation films Arjun and Alibaba and Forty One Thieves, IDIP showcased horror film Fired, Love Sex Aur Dhokha (LSD) and I Am Kalam.


Beyond Illusion, an animation studio under Supreme Communications which came to the market for the first time, showcased its 3D animation musical Return of Shree Krishna.


The Confederation of Indian Industry (CII) worked closely with The Film & Television Producers Guild of India Ltd., Film Federation of India, South Indian Film Chamber of Commerce for the B2B market.


Business deals and acquisitions


Beverly Hills-based production company Marquee Films announced its first production, an adaptation of Andrew Lloyd Webber‘s musical Bombay Dreams, to be directed by Deepa Mehta. Lloyd Webber‘s Really Useful Group will co-produce the film with an undisclosed Indian production partner.


Lorber Films has acquired the North American rights of The Red Chapel, directed by Mads Bruegger. The film, that won the 2010 Sundance Grand Jury Prize in the World Documentary category, was an official selection in the New Directors/New Films series, presented by MoMA and the Film Society of Lincoln Center.


The distribution house intends to release the film in the US and Canada later this year. This will be followed by television broadcasts for the movie and a DVD release.


IFC Films has teamed up with Sundance Channel for a multi-platform release of Olivier Assayas‘s Carlos that stars Edgar Ramirez in the title role.


Magnet Releasing, a genre arm of Magnolia Pictures, has acquired the world rights of Mandrill, the new action film directed by Ernesto Espinoza.


Meanwhile, Arrow Entertainment has acquired the world rights of Brigitte Berman‘s documentary, Hugh Hefner: Playboy, Activist and Rebel that won this year‘s Oscar.
French thespian Gérard Depardieu and newcomer Tahar Rahim joined Emilie Dequenne for Belgian director Joachim Lafosse‘s untitled film.


Luxembourg‘s Iris Productions bought four new films that included Luxembourgian Academy submission Réfractaire, Drake Doremus‘ romantic comedy and Spooner.
 

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Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

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MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

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For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

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Fans take centre stage as Zee Cine awards turns the spotlight around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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