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Banjo…Out of sync

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MUMBAI: Banjo is a musical love story of a young man with a mastery over the stringed instrument. The banjo is said to have its origin in Africa. The instrument is seen to be more popular during festivals in India.

Riteish Deshmukh is shown in the movie to be excelling in playing banjo and leads a group of friends who play music as a hobby as well as to make some extra money besides their regular jobs. He has three partners, each specializing in playing an instrument. Riteish works for a local corporator collecting haftas (extortion) for him.

The demand for the musical group is seasonal, but there are a number of such banjo groups. The competition is stiff. However, the rivalry between two such groups is severe, which often leads to fist fights. On one such Ganesh festival, Riteish and his band come up with a number which becomes instantly popular with the local folk.

Sitting far away in New York, Nargis Fakhri hears the number which catches her attention. Nargis is preparing to participate in a music show and has been scouting for talent. She thinks she found the group she has been looking for. She arrives in India and lands up right near his house.

Banjo playing is not considered a glorious art and, though appointed as a guide to show her around the settlement and help her search, he does not disclose his identity to Nargis. While he helps her, he also falls in love with her.

Nargis goes on auditioning group after group, only to be disappointed. She is finally ready to give up and decides to go back. Riteish is heartbroken. He wants to drown his sadness in music, and asks his friends to play though they have just returned from a gig and are tired. Nargis catches the sound from afar and realizes who he was. So close yet so far. Nargis is still sent back in disappointment, for, the group members have parted ways. Riteish has been framed in the murder of the corporator and sent to jail. The happy ending is certain but not so soon.

Banjo moves on predictable lines of an underdog whose dreams are in the process of being realized as well as the usual underdog falling in love with the first girl showing concern. While the story or scripting don’t inspire much, the main drawback is the lack of good music that is mandatory for a musical. While the songs are good for gully dances due to the heavy beats played to Maharashtrian taste, the Bappa song being the mainstay, the only sober number worth humming is Rahemokaram.

The cinematography is good. Riteish performs well and Nargis tries. The supporting actors make sincere efforts.

Banjo could have been made for Marathi audience where the industry is thriving presently. Going for pan-India market has not helped as the opening is poor and so are the prospects.

Producers: Krishika Lulla

Director: Ravi Jadhav

Cast: Riteish Deshmukh, Nargis Fakri, Mohan Kapoor.

Dil Sala Sanki…God save your soul!

Another film about UP bahubalis and their love story! Dil Sala Sanki is a love triangle based in the city of Jhansi.  

Jimmy Shergill is playing the local don in Jhansi. He has inherited the reign from his foster father who wished for Jimmy to share it with his adopted son. But, Jimmy would have nothing of that sort. He kills both, the other heir as well as his father. He wishes to rule alone.

While the rest of the city is scared of Jimmy and his goons, he has a fan in Yogesh Kumar, the son of a local barber, Avtar Gill, who wants to follow in the footsteps of Jimmy. Yogesh goes around beating up people and expects to be feared for his acts.

Yogesh takes up small assignments like settling disputes. On one such case, he is asked to get vacated a house occupied by goons as the landlord’s new tenant, Shakti Kapoor, a school teacher, has rented it out. True to the tradition of goon stories, Yogesh falls in love with Shakti’s daughter, played by Madalsa Sharma. He starts with the usual routine followed by all filmy lovelorn goons: stalk.

It is raining and Manalsa is shown as going berserk dancing on a lonely road. Jimmy happens to pass by, sees her, and falls in love too although he has a loving wife at home, played by Harshita Bhatt. Being a bahubali who is not answerable to anybody, he simply kills Harshita.

Jimmy soon realizes that his protégée, Yogesh, also loves Madlasa. The fight to finish begins.

Dil Sala Sanki is a routine, humdrum love story lacking imagination or the grammar of filmmaking. The casting is curious as the hero, Yogesh Kumar, has zero acting skills or screen presence. Jimmy has a limited role. Madalsa is okay. Rest of the aspects merit no mention.

Dil Sala Sanki has no prospects despite its limited exploitation at few screens in single show a day.

Producer: SK Pictures P Ltd.

Director: Sushi Kailash.

Cast: Yogesh Kumar, Madalsa Sharma, Jimmy Shergill, Shakti Kapoor, Avtar Gill.

Hindi

Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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Hindi

Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26

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MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.

The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.

Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.

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Tere Ishk Mein row: Eros sues Aanand L Rai over Raanjhanaa rights

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MUMBAI: Eros International Media Ltd has moved the Bombay high court against filmmaker Aanand L Rai and his production banner Colour Yellow Media Entertainment LLP, alleging unauthorised exploitation of the intellectual property of its 2013 blockbuster Raanjhanaa in the promotion and release of the 2025 film Tere Ishk Mein.

The studio is seeking damages of Rs 84 crore, claiming losses arising from what it describes as unlawful capitalisation on Raanjhanaa’s goodwill. According to a report in The Times of India, Eros has filed a commercial intellectual property suit along with an interim application, alleging trademark infringement, copyright infringement and passing off.

Eros contends that Tere Ishk Mein was deliberately marketed as a “spiritual sequel” to Raanjhanaa without authorisation. The suit names Aanand L Rai, Colour Yellow Media Entertainment LLP and Colour Yellow Productions, along with Super Cassettes Industries (T-Series), writer Himanshu Sharma and Netflix Entertainment Services India LLP, turning the dispute into a multi-party legal battle.

In its filing, Eros asserts that it is the producer and exclusive owner of all intellectual property rights in Raanjhanaa, including copyright, registered trademark rights, character rights in Kundan Shankar and Murari, and remake, prequel and sequel rights. The company alleges these rights were exploited while promoting Tere Ishk Mein, which released theatrically on November 28, 2025.

The legal action was triggered by a teaser released online in July 2025, which Eros claims used phrases such as “From the world of Raanjhanaa” and hashtags including #WorldOfRaanjhanaa. The interim application further alleges unauthorised use of footage, background score and music from Raanjhanaa, despite Eros no longer holding the film’s music rights.

Directed by Aanand L Rai, Tere Ishk Mein stars Dhanush, Kriti Sanon, Priyanshu Painyuli, Prakash Raj and Tota Roy Chowdhury. Neither Eros nor the defendants have issued an official statement so far.

 
 
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