Hindi
Baar Baar Dekho…Akhir Kyon?
MUMBAI: Baar Baar Dekho, the debut directorial venture of Nitya Mehra, is a love story that spans over three decades. The makers seem to have found the basic idea from the Hollywood film, Groundhog Day (1995). Here, the idea has been used for a couple about to marry.
Sidharth Malhotra and Katrina Kaif are born in England around the same time and their parents also decide to move back to India almost at the same time. Katrina and Sidharth meet at school and become close pals at eight. Love blossoms as they grow.
Sidharth is a gifted mathematician while Katrina’s calling is modern art. Their love is boundless and both families are agreeable. It is time to get them to commit to each other and an engagement ceremony takes place. Sidharth is however not sure he wants to get married at that point in time. His first love is mathematics and he wants to prove himself as a math genius all over the world. At the time he was committing to Katrina, his research paper to Cambridge has been appreciated and he is invited to join the faculty.
While Sidharth is a middleclass man who believes in making it big on his own, his would-be father-in-law, Ram Kapoor, gifts him a car and a plush flat. This puts him off further. He has an argument with Katrina to the extent that he offends her. To escape things happening around him, he hits the bottle.
His future travel with wife Katrina is what most of this film is about. Sidharth’s life revolves round his job with little or no time for the family. His mind is so taken up by research, he is unable to connect well with his children when he meets them after gaps. Katrina expresses her displeasure with what is happening to her family life. And, to Sidharth’s discomfort, Kapoor moves in with the family to provide support to Katrina.
Sidharth’s time with his family is like a long lost relative coming back after ages. On one occasion, he is called when his mother dies. There, he realizes that his divorced wife Katrina has remarried!
Baar Baar Dekho is a kind of long-winding sermon to men and women planning marriage, and life thereafter. There is just about everything that is going wrong with the film. It starts with the scripting which jumps from one point to another failing to keep the audience informed.
Sidharth’s ‘amnesia’ is least convincing. The film is beyond the director’s control soon after it takes off. The futuristic approach with communication, be it cell phone or computer, serves no purpose; even the makeup of the aged phase of the actors looks amateur.
The film has some good songs playing in the background but don’t register as one is trying to figure out the events in the story. The popular number, Kala chashma…., is left for the end titles by which time the viewer has lost the will to stay back. Editing is sorely missing. The only thing that works for the film is the visuals. It is a beautifully shot film.
Baar Baar Dekho is a grossly disappointing film.
Producers: Karan Johar, Ritesh Sidhwani, Farhan Akhtar
Director: Nitya Mehra
Cast: Sidharth Malhotra, Katrina Kaif, Sarika, Ram Kapoor
Hindi
Fans Take Centre Stage as Zee Cine Awards Turns the Spotlight Around
MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.
The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.
The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.
Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.
The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.
Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.
Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.
As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.
Hindi
Prime Video to stream Don’t Be Shy, produced by Alia Bhatt
MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.
Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.
The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.
Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.
For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.
With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.
Hindi
Tips Films reports Rs 286.87 lakh quarterly loss in Q3 FY26
MUMBAI: Tips Films struggled to find its rhythm in the final quarter of 2025, as a spike in production costs and a new regulatory burden pushed the Mumbai-based outfit deeper into the red. According to results released on Tuesday, January 27, 2026, the company posted a net loss of Rs 286.87 lakh for the quarter ended 31 December, despite a modest bump in total income to Rs 456.29 lakh.
The bottom line was hit by the introduction of India’s New Labour Codes, which forced a Rs 37.37 lakh catch-up payment for employee benefits. Production costs also proved a heavy lift, gobbling up Rs 318.48 lakh during the period. On a nine-month basis, the picture looks even bleaker; the company has racked up losses of Rs 1,237.61 lakh, a sharp reversal from the Rs 1,269.17 lakh profit it managed in the same period last year.
Investors will be looking for a script change as the company enters the final stretch of the financial year, with basic earnings per share now languishing at minus Rs 6.64. For now, Tips Films remains a single-segment player, pinning its hopes entirely on the volatile world of film production and distribution.
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